Desert Island Discs

Sue Lawley's castaway this week is the high wire walker Philippe Petit. Since the age of 17 Petit had been, in his own words, a 'wandering troubadour', making a living by doing magic in the salons of Paris. Notre Dame became the site of Petit's first illegal wirewalk, on 6th June 1971. On 7th August 1974 Philippe Petit committed 'the artistic crime of the century' when he put a rope between the towers of the World Trade Centre in New York and spent nearly an hour walking back and forth across it, pausing to kneel and lie down on the wire. He brought much of Manhattan, a quarter of a mile below him, to a standstill, and succeeded in pushing Richard Nixon's resignation off the front pages of the newspapers the following day. Since walking between the twin towers Petit has done wire-walks all over the world including Tokyo and Jerusalem. He has, uniquely, devised plays to be performed on the high wire and has also become artist in residence at the cathedral of St John the Divine in New York, the largest Gothic cathedral in the world.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: 1st Movement of Sonatine for Violin and Piano by Antonin Dvořák Book: Ashley's Book of Knots by Clifford Ashley and Book of short stories Luxury: His mysterious object (An object found by his father that, as yet, no-one can identify)

Sue Lawley's castaway this week is the musical director of the New York Philharmonic Orchestra Lorin Maazel. He was a child prodigy whose career as a conductor has survived, and thrived, beyond his early precocity. His musical talent became apparent at the age of five, when he began playing the violin, while at seven he was discovered conducting a piece by Haydn playing on his parents' record player. He was the first American and youngest conductor, at the age of 30, to conduct Lohengrin at Bayreuth. After a career which has included prestigious posts at the Vienna State Opera and the Cleveland and Pittsburgh Symphony Orchestras, he is currently Musical Director of the New York Philharmonic. In May this year, Lorin Maazel's first opera, an adaption of George Orwell's 1984, will he performed at the Royal Opera House in London.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Quartet No 14 'Death and the Maiden' 4th Movement by Franz Schubert Book: Pensées by Blaise Pascal Luxury: Vermeer Painting - The Piano Lesson

Sue Lawley's castaway this week is the theatre director Yvonne Brewster. She has been a major force in black British theatre for the last 20 years. Born into a wealthy family in Jamaica, Yvonne rebelled against her parents' plans for her - marriage and children - to become a theatrical pioneer. She says she was the first black drama student in Britain - but when she enrolled, her drama school's principal told her that, as a black actress, she would never get work here. She went on to become the first black woman to direct at the National Theatre. Throughout her career Yvonne has been an outspoken proponent of black theatre. In 1986 she founded the theatre company Talawa, whose name in Jamaican dialect means tough or feisty. Talawa gained attention - and audiences - by putting on productions such as an all-black Importance of Being Earnest.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Many Rivers to Cross by Jimmy Cliff Book: Primer to learn Italian and tape Luxury: Olive oil

Sue Lawley's castaway this week is the writer and illustrator Raymond Briggs. For millions of children, Christmas would be incomplete without Briggs's story The Snowman, which has been shown on television every year since its first release, in 1982, and his enduringly popular Father Christmas. Raymond was born in 1934 in Wimbledon. His mother, Ethel, was a lady's maid and his father, Ernest, a milkman. He wanted to draw cartoon strips from an early age but, at art school, found his tutors looked down on his aspirations. After leaving, he quickly secured work as a commercial artist, doing illustrations for advertisements, journals and books. He said he was so appalled at the standard of the children's books he was asked to illustrate he thought he could do better himself. And he did - his first attempt was immediately accepted for publication and he went on to twice win the Kate Greenaway Medal - the principal award for illustration.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Parce Mihi Domine (from Officium Defunctorum) by Christobal de Morales Book: Complete Works of Beachcomber by J B Morton Luxury: A full-size billiard table with Radio 4 built into each of the legs

Sue Lawley's castaway this week is the playwright and director Stephen Poliakoff. Stephen Poliakoff is probably best known for his explorations of the themes of memory, family and history in his dramas for television, including Shooting the Past, Perfect Strangers and The Lost Prince.He was born into an aristocratic, Russian Jewish family in 1952, the third of four children. Stephen's talent as a dramatist emerged from the embers of his ambition to be an actor. He discovered early that he could write, and his first play, Granny, was sufficiently well received to be made the school play - and to be reviewed by a major national paper. Later, during the 1970s, Stephen began to work in television with films like Stronger than the Sun for Play for Today and Caught on a Train - which won a BAFTA. His television film Close My Eyes won the Evening Standard Best Film Award in 1991; the series Shooting the Past won the Prix Italia in 1999 and in 2002 he won the Dennis Potter Award at the BAFTAs.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Quintet For Clarinet and String Quartet in A Major (Larghetto) by Wolfgang Amadeus Mozart Book: My Family and Other Animals by Gerald Durrell Luxury: A box of plastic straws to fiddle with

Sue Lawley's castaway this week is the academic Professor Alison Richard. Professor Alison Richard is Cambridge University's first full-time female Vice-Chancellor. An anthropologist by training, the role of Vice-Chancellor makes her the principal academic and administrative officer of one of Britain's oldest universities, at the head of some 18,000 undergraduates and assets of more than a billion pounds. She has been in post for just over a year and, for her, it is a return to the university where she studied as an undergraduate. She accepted the post after spending 30 years in America at Yale University - the last eight there as Provost. But much of her professional life has been based not in the ivory towers of academe, but in remote jungles and foothills working as an anthropologist studying the Madagascan lemur. [Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: The end of Richard Strauss's Der Rosenkavalier by Richard Strauss Book: Journals by Captain Cook Luxury: Solar-powered shower

Sue Lawley's castaway this week is the actor Geoffrey Palmer. Best known for his roles in The Fall and Rise of Reginald Perrin, Butterflies and As Time Goes By, he had to wait a long time to become a household name and national treasure. Unsure what career to pursue after a spell in the army, he fell into acting because a girlfriend was involved in amateur dramatics. He worked in repertory theatre throughout the 60s and 70s and ended up working with John Osborne during the Royal Court's heyday in West of Suez, and later with Laurence Olivier. With a face "reminiscent of a bloodhound mourning a lost scent", Palmer has, by his own admission "cornered the market in playing dull, plodding men". Many of his characters live out lives characterised by petty worries, suburban frustration and missed opportunities, but he plays them brilliantly, and with a sympathy that elevates them to the status of unlikely heroes. Geoffrey's grumpy on-screen persona has also recently led to him doing the narration for the BBC TV series Grumpy Old Men, which has become a cult hit and brought him a whole new generation of viewers. He was awarded an OBE in the new year honours list.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: One O'Clock Jump by Benny Goodman Book: Oxford Book of English Verse by Arthur Quiller-Couch & Oxford Book of Twentieth Century English Verse by Philip Larkin Luxury: Fly-fishing rod

Sue Lawley's castaway this week is Dr David Starkey. Dr David Starkey forsook the ivory towers of academia to popularise history as a constitutional commentator in the press and as a broadcaster and writer. His approach to history is a personal one; he explains events through the lens of individual hopes, flaws and lusts and says historical influence can be seen in terms of who are "the movers and shakers and the bottom wipers" in the royal court. Their equivalent can be seen in government today, he says, through the unelected advisers who take their seat on the Downing Street sofa. Born into a working class, Quaker family in Kendal, David's formidable drive owes much to his mother's love and ambitions for her only child. David's feeling that history should not be the preserve of academics, but belongs to the public, set him on a path to a TV career, via Cambridge, the LSE, and his infamous performances on Radio 4's The Moral Maze which earned him the title of 'the rudest man in Britain'. Now, his programmes are watched by millions and his books are bestsellers.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Dove Sono by ozart Book: Microcosmographia Academica by Francis M Cornford Luxury: Hot and cold running water, bath tub and bath oil

Sue Lawley's castaway this week is Peter Maxwell Davies. He is one of Britain's greatest living composers. His career has seen him go from enfant terrible and champion of new music, writing pieces such as Worldes Blis and Eight Songs for a Mad King, to Sir Peter Maxwell Davies, Master of the Queen's Music. Peter Maxwell Davies was born in Salford, near Manchester, in 1934. Whilst studying at Manchester University and the Royal Manchester College of Music he formed the key friendships which were to influence his musical career - with Harrison Birtwhistle, Elgar Howarth, Alexander Goehr and John Ogdon. It was during the 60s that Peter composed some of his most influential works - including often cacophonous, expressionist pieces like Vesalii Icones, St. Thomas Wake and Worldes Blis. Music-theatre pieces like Eight Songs were groundbreaking in their use of drama, as well as music. He is fascinated by the mathematical structures and patterns that exist in nature - and tries to replicate them in his music. For more than 30 years he has lived on and been inspired by the Isles of Orkney where, he says, the sounds that surround him creep into his music almost without him knowing it. [Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Victimae Paschali Laudes by The Benedictine Monks of Silos Book: Sanskrit dictionary Alternative to Bible: Bhagavad-Gita Luxury: Copper plate engravings of Durer's Passion

Sue Lawley's castaway this week is Dr Jonathan Miller. Jonathan Miller has been an influential and prolific force in British intellectual life since the 1960s. A writer, theatre and opera director and explainer of science to the public, he's had not one career, but several, and is seemingly capable of endlessly reinventing himself - as a scientist, a director, a television presenter, a writer, a film-maker and, more recently, a sculptor. Whilst still a medical student he received an invitation which changed the course of his life and career - to take part in a sketch show called Beyond the Fringe, which was to go to the Edinburgh Festival. Jonathan was never to return to science full-time, as invitations to direct began to come in. He went on to become a leading theatre and opera director, celebrated for productions which included Tosca, set in Mussolini's Italy, and a mobster Rigoletto. This career alone would be regarded by many as more than sufficient, but Jonathan Miller combined it with making films and presenting television programmes.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Aria from Goldberg Variations by Johann Sebastian Bach Book: The Invertebrates by Libbie Henrietta Hyman Luxury: Canvas roll containing dissecting set