Essential Guide to Writing a Novel
James Thayer
Hosted by James Thayer, the podcast is a practical, step-by-step manual on how to craft a novel. It presents a set of tools for large issues such as story development and scene construction (Kirkus Reviews said Thayer's novels are "superbly crafted') and it also examines techniques that will make your sentence-by-sentence writing shine. The New York Times Book Review has said Thayer's "writing is smooth and clear. it wastes no words, and it has a rhythm only confident stylists achieve.
Episodes
Mentioned books
Mar 7, 2025 • 25min
Episode 155 - The single most important ingredient in an unforgetable story.
Manon in Paris asked, "Why do some novels move us more than others?" Here is the single best way to make our story unforgettable, a story that moves the reader. Also, have we heard the advice, "Write what you know?" It's bad advice, and here are thoughts on it.Support the show
Feb 28, 2025 • 25min
Episode 154 - Learning from the masterful writer Edna Ferber.
Edna Ferber was a master of character description. Here are a few of her characters, and maybe we can pick up some of her skill. Also, how many words a day do famous writers write, and how many words a day should we write? And showing pain, as opposed to telling about pain.Support the show
Feb 21, 2025 • 25min
Episode 153 - A legendary novelist's lesson for us writers.
Charlotte Bronte's novel Jane Eyre is a classic of western literature, a novel that endures and still hugely entertains because . . . it's so great. (How that for being profound?) Charlotte Bronte offers an important lesson for today's writers, and I'll talk about her lesson in this episode. Plus, the trouble with prologues.Support the show
Feb 14, 2025 • 29min
Episode 152 - How the masters create their settings.
Why are some novels so good? One of the reasons is that the author is a master at setting descriptions. How did Charlotte Bronte and Edna Ferber make their settings magical? We'll talk about their techniques here. Also, strong verbs versus weak verbs: how and why to choose the stronger action word.Support the show
Feb 7, 2025 • 27min
Episode 151 - Mad Magazine, and techniques for riveting dialogue.
My first encounter with Mad Magazine, a life changer. And dialogue techniques that can help make our characters' conversations fascinating.Support the show
Jan 31, 2025 • 28min
Episode 150 - How to deliver a surprise in the story.
Good stories are filled with surprises for the reader. There are right and wrong ways for us writers to deliver surprises, and I'll talk about them here. Also, the importance of a tie-up-later list. Support the show
Jan 24, 2025 • 26min
Episode 149 - How masterful writers use details.
What do George Orwell, Sara Gruen, Jean Shepherd, and John Steinbeck have in common? Many things but foremost among them is their expert use of details that take readers away, that lift us readers out of our chairs and transport us to their places and times. Here are thoughts on their use of details. Also, we should avoid cliches like the plague. Support the show
Jan 17, 2025 • 26min
Episode 148: A magical way to end one scene and begin another.
Here is a magical way to end a scene and to begin another without worrying about travel and time between scenes. Also: avoiding dangling modifiers. And how Bernard Malamud worked, and Helen Dunmore's rules of writing.Support the show
Jan 10, 2025 • 26min
Episode 147 - Make sure it's important and make it short.
What should we do if we must--absolutely must--have an element in our story that might not be fully entertaining and engaging? 1) Make sure it's important and 2) make it short. Here are thoughts about this critical technique. Also, details in our descriptions are important, but which should we use and which should we leave out?Support the show
Jan 3, 2025 • 26min
Episode 146 - How to make our character unforgettable.
We writers can use lovely phrases and perceptive observations when describing our character in our story, and yet the reader may still quickly forget the character. Here's how to make a character stick in the reader's mind. Also, are you a born writer? Maybe so. Here's why you might be.Support the show
