My first encounter with Mad Magazine, a life changer.  And dialogue techniques that can help make our characters' conversations fascinating.Support the show

Good stories are filled with surprises for the reader.  There are right and wrong ways for us writers to deliver surprises, and I'll talk about them here.  Also, the importance of a tie-up-later list.  Support the show

What do George Orwell, Sara Gruen, Jean Shepherd, and John Steinbeck have in common?  Many things but foremost among them is their expert use of details that take readers away, that lift us readers out of our chairs and transport us to their places and times.  Here are thoughts on their use of details.  Also, we should avoid cliches like the plague. Support the show

Here is a magical way to end a scene and to begin another without worrying about travel and time between scenes.  Also: avoiding dangling modifiers.  And how Bernard Malamud worked, and Helen Dunmore's rules of writing.Support the show

What should we do if we must--absolutely must--have an element in our story that might not be fully entertaining and engaging?   1) Make sure it's important and 2) make it short.  Here are thoughts about this critical technique.  Also, details in our descriptions are important, but which should we use and which should we leave out?Support the show

We writers can use lovely phrases and perceptive observations when describing our character in our story, and yet the reader may still quickly forget the character.  Here's how to make a character stick in the reader's mind.  Also, are you a born writer?  Maybe so.  Here's why you might be.Support the show

We can show (as opposed to tell) as we create a setting for our story.  Showing will make our settings vivid, and will allow the setting description to do double duty: describe the place and suggest a mood.  Also, reasons to avoid meetings in our story.Support the show

We'll build our character as we write along, adding descriptions and actions and dialogue.  But there is a way with only one or two sentences to reveal something powerful and memorable about the character--in just a few words--and I'll talk about the technique here.  Also, Joyce Carol Oates's rules of writing.  And punctuating dialogue, with important techniques about our character's spoken sentences so that our dialogue is a clear window to the story.Support the show

Jack Bickham's three sentences on scene construction are the best I've found regarding how to write a scene.  Here are why these sentences are important for us writers.  Also: Sarah Ann Waters' terrific ten rules of writing.  And avoiding the word "not."Support the show

Many listeners are writing literary novels and stories.  Here is an important technique regarding construction of a literary story, and it also applies to commercial novels.  Support the show