Is there such thing as an Irish voice in fiction? 

Cannibalism, telepathy and celibacy are just some of the false claims about Australian Aboriginal people that Marlo Morgan made in her 1990s new age hit, Mutant Message Down Under, and this episode of Fakes and Frauds exposes the lies. 

Booker winner Ian McEwan explores his 1960s childhood in his latest novel and reigning Booker winner Paul Lynch on his unflinching dystopian novel set in Ireland.

Find out how to catch a con-artist in this episode of Fakes and Frauds that delves into the fake memoir Forbidden Love by Norma Khouri 20 years after the book was first published. 

Pulitzer Prize winners Barbara Kingsolver and Hernán Diaz discuss their novels about poverty and astronomical wealth. They delve into growing up impoverished, the difficult journey of the protagonist, the taboo around money, immigration experiences and erased histories, and the different locations where the podcast is produced.

Fakes and Frauds is a new series that unpacks famous Australian literary scandals. The first and most recent controversy was the discovery of plagiarism in the work of award winning Australian writer John Hughes. Find out how the plagiarism was uncovered and why it matters.

Australian writers Anna Funder and Paul Jennings on what it takes to be a writer.

Naomi Alderman takes on tech giants and survivalists in a novel that imagines the end of the world, and an atheist joins a monastery in Charlotte Wood's meditative new book.

Miles Franklin winner Amanda Lohrey asks where we find community in our secular world, Matthew Reilly's latest adventure and the restorative power of the pool with Katherine Brabon.

Paul Lynch is the 2023 Booker Prize winner for his novel Prophet Song. Prophet Song (Bloomsbury) is an unflinching dystopian novel set in Ireland where a populist government has taken control and becoming increasingly authoritarian. Activists are being disappeared and the main character Eilish Stack is trying to keep her family together. Paul Lynch spoke to the Book Show's Sarah L'Estrange about the writer's responsibility to truth and how to craft a novel that resembles myth.