The Book Show

Pulitzer Prize-winning author Geraldine Brookes says she "didn't grow up as a horse obsessed girl" but rather her interest in horses was a result of a midlife crisis which led her to the history of a famous American thoroughbred that was the inspiration for her latest novel, simply called Horse.Also, John Purcell talks about his second official novel, The Lessons, and reveals his brief career writing erotica and Karen Manton explains the inspiration for her evocative novel, The Curlew's Eye, set in remote Northern Territory.

Meg Mason thought her second novel, Sorrow and Bliss wouldn't be published, it was and is now shortlisted for this year's Women's Prize for Fiction, which will be announced this week.Also Australian writer Ennis Ćehić on his playful collection, Sadvertising, and American writer Leila Motley's debut novel, Nightcrawling, which she wrote at just 17.

Booker-winning writer Damon Galgut wasn’t always aware of his privilege, growing up as a white man in South Africa. Instead, he describes a ‘slow-shifting of consciousness’, that culminated in The Promise, a book he calls ‘my most South African novel'.Also, The Rosie Project author, Graeme Simsion, gives a tour of his writing space and Hilde Hinton on her second novel, A Solitary Walk on the Moon.

Julian Barnes, a renowned British novelist and Booker Prize winner, reflects on the impact of his teaching family on his non-didactic writing style. He talks about the essence of a great teacher and shares insights from his latest novel, Elizabeth Finch, which centers on a transformative educator. Barnes delves into his thoughts on mortality, his agnostic views on religion, and the subtle joys and challenges of the writing process. He candidly discusses self-doubt and the complexities of legacy as a writer.

Canadian author, Emily St John Mandel, says the pandemic changed her as a writer. Her latest, Sea of Tranquility, was written during lockdown in New York and while it's a standalone novel, also features links to her previous books, Station Eleven and The Glass Hotel.Also, Goan-Anglo-Indian Australian writer Michelle Cahill's novel, Daisy and Woolf, is a literary homage and post-colonial critique of Virginia Woolf’s classic Mrs Dalloway.

Here Goes Nothing is the last in what Steve Toltz calls his trilogy of fear which began with A Fraction of the Whole. This latest book is narrated by a ghost who discovers there is an afterlife hierarchy and he is at the bottom. Also, Irish writer Audrey Magee on her second novel The Colony which is colonisation in microcosm and Toni Jordan's sixth novel, Dinner with the Schnabels, billed as a family dramedy.

Booker winner Douglas Stuart's second novel, Young Mungo, is again set in gritty working class Glasgow, but also explores blossoming queer love.And, two debut novels also exploring queer identity with Indyana Schneider's 28 Questions and Omar Sakr's Son of Sin.

We meet some of the most remarkable mothers in recent fiction, with authors including Dawn French, Douglas Stuart, Anne Enright, Lisa Taddeo, Larissa Behrendt and Alice Pung. These literary mums can be loving, neglectful and sometimes cruel – and they often reveal something about the author’s own relationship with their mother or children. Other featured authors include George Haddad, Craig Sherborne, Lydia Kiesling and Kate Mildenhall.

Jennifer Down doesn't turn away from uncomfortable truths in her Stella Prize shortlisted novel, Bodies of Light, about the systemic failures of the residential and foster care systems in the 70s and 80s. Also, we revisit our interview with Jonathan Franzen who talks about faith and family, which are two themes in his latest book, Crossroads.

Hannah Kent reflects on her time as an exchange student in Iceland and how it allowed her to pursue writing, and Michelle Johnston tells Claire Nichols about her novel, Dustfall, for the international literary event called Literature Live Around the World which was hosted by the Bergen International Literary Festival in Norway.