The Book Show

American author Richard Ford says, "I write for the audience today" and not for immortality. Now 79, and with Be Mine, his fifth Frank Bascombe novel, Ford also shares his ideas about death and dying and why he's not scared. Also, New Zealand author Stephanie Johnson on her novel Kind featuring villainous and duplicitous characters.

Tracey Lien watched Judge Judy as a child and Nina Wan learnt English at 10 when she migrated from China to Australia. Now they have both published entertaining and moving debut novels: All That's Left Unsaid and The Albatross. 

Indigenous writer, lawyer and filmmaker Larissa Behrendt speaks to writers Anita Heiss and Ellen van Neerven about the past and the future of First Nations writing in Australia.

Interviews with all six shortlisted authors for the 2023 Miles Franklin Literary Award from RN's The Bookshelf and Book Show (in alphabetical order). The shortlist was announced on 20 June; the winner will be announced on 25 July.

A double bill of Booker Prize winners with reigning champion Shehan Karunatilaka and previous winner Damon Galgut. 

American author Lisa See's Lady Tan's Circle of Women set during the Chinese Ming dynasty, Robert Gott's comedy of manners, Saman Shad's contribution to the rom-com and a tour of Mark Brandi's writing space. 

Bestselling Australian author Kate Morton's personal story of home and her latest novel Homecoming, Stephanie Bishop's psycho thriller The Anniversary and Zoya Patel's story of a migrant family torn apart by a romantic relationship which took inspiration from her own, difficult experience. 

Pulitzer Prize winner Barbara Kingsolver and British author Max Porter turn their attention to lost boys failed by society.

My Own Sweet Time was a memoir said to be written by Wanda Koolmatrie, a member of the Aboriginal stolen generation. But it was a hoax and this final episode of Fakes and Frauds explores its long lasting impacts. Plus, American author Don Winslow explains why he's stepping away from writing fiction. 

Richard Powers, Hannah Kent, Elif Shafak and Michael Christie all use trees in their fiction to touch on themes of roots and connections, growth and rebirth, the family tree. But as our climate changes, is the way novelists use trees also changing to make the natural world the star of the story?