On the Media

Nearly a quarter of American adults reported drinking more at home to cope with their pandemic blues. This week, we take a deep dive into the ancient history of booze, how Americans normalized drinking alone, and how the media shaped the shifting reputation of red wine. Plus, can scientists cook up a synthetic alcohol with all its perks, and none of its dangers? 1. Kate Julian [@katejulian], senior editor at the Atlantic, on America's long and fraught history with solitary drinking. Listen. 2. Iain Gately, author of Drink: A Cultural History of Alcohol, on the ancient origins of our core beliefs about booze. Listen. 3. Robert Taylor, managing editor at Wine Spectator Video, on red wine's constantly changing reputation as a healthy substance. Listen. 4. David Nutt [@ProfDavidNutt], psychologist at Imperial College London, on his alcohol substitute, once called "alcosynth," now rebranded as "alcarelle." Listen. Music: When I Get Low I Get High - Ella Fitzgerald Tomorrow Never Knows - Quartetto D/Archi Dell'Orchestra Sinfonica Di Milano Il Casanova Di Federico Fellini - Solisti E Orchestre Del Cinema Italiano Option with Variations - Kronos Quartet/composer Rhiannon Giddens On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

There are many Americas. Nowadays they barely speak to each other. But during the most perilous years of the last century, one young composer went in search of a sound that melded many of the nation's strains into something singular and new. He was a man of the left, though of no political party: gay, but neither closeted nor out; Jewish, but agnostic, unless you count music as a religion. This independence day (or near enough!), we revisit Sara Fishko's 2017 piece on the story of Aaron Copland.   On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

This week marks six months since January 6th, the day a pro-Trump mob stormed the US Capitol. Over 500 rioters have since been arrested, but the legal consequences of what they did are only just beginning to roll in. In this hour, we revisit reporting by OTM's Micah Loewinger surrounding the organizing tactics, media narratives, and evolution of far-right militias.  1. OTM reporter Micah Loewinger [@MicahLoewinger] on the efforts to shape the media narrative among gun rights activists at Virginia's Lobby Day. Listen. 2. OTM reporter Micah Loewinger [@MicahLoewinger] and Militia Watch founder Hampton Stall [@HamptonStall] investigate how a walkie-talkie app called Zello is enabling armed white supremacist groups to gather and recruit. Featuring: Joan Donovan [@BostonJoan] Research Director of the Shorenstein Center at Harvard University, and Megan Squire [@MeganSquire0] Professor of Computer Science at Elon University. Listen. 3. OTM reporter Micah Loewinger [@MicahLoewinger] on Zello's role in the January 6th insurrection, and what the app is finally doing about its militia members. Featuring: Marcy Wheeler [@emptywheel] national security reporter for Emptywheel, and Cynthia Miller-Idriss [@milleridriss] Director of Polarization and Extremism Research and Innovation Lab at American University. Listen. Music: Tick Of The Clock by ChromaticsCyclic Bit by Raymond ScottGenocide by Link WrayProcession Of The Grand Moghul by Korla Pandit Gormenghast by John Zorn On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

It's been noted that Trump’s Big Lie and the violence it produced is reminiscent of the Lost Cause of the Confederacy — a potent narrative of grievance after the Civil War recasting the South’s stand as heroic and patriotic. Undergirded by racism, the Lost Cause apologia would stymie Reconstruction, justify decades of lynching and throughout the South, and prove as impossible to uproot as Kudzu. When it comes to art identified with the Lost Cause of the Confederacy, “The Night They Drove Old Dixie Down” by The Band may be pop culture’s most celebrated, and misunderstood, contribution. Despite its charged subject matter, the song is rock-and-roll canon, listed as one of the best of all time by Time Magazine and Rolling Stone. On paper, its lyrics read as if lifted from the Lost Cause playbook: a nostalgic retelling of the end of the Civil War history seen through the eyes of a downtrodden Southern farmer, laden with grief but not a trace of white supremacy. But the song is not what it seems, or what it seemed when it was first loosed upon the world. The Band’s lead guitarist Robbie Robertson, a Canadian, hadn’t logged much time in the South when he penned “The Night They Drove Old Dixie Down” in 1969. But in the ensuing decades, some have claimed it as a Neo-Confederate anthem. This uncomfortable fact led Early James, a songwriter from Alabama, to alter the lyrics when he performed the song at an annual The Band tribute concert last summer. Inspired by last summer's racial reckoning, James sang about toppling Confederate monuments.  According to Jack Hamilton, Slate pop critic and author of Just Around Midnight: Rock and Roll and the Racial Imagination, the meaning behind the song is both more and less complex than many fans know. On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

June 28th marks the anniversary of a mass shooting that took place inside a newsroom in Annapolis, Maryland, killing five journalists. On this week's On the Media, an intimate portrait of the staff of the Capital Gazette in the immediate aftermath of the death of their colleagues — and then over the next several years as they contend with a corporate takeover, buyouts, and the loss of their newsroom. Reported by Chris Benderev of NPR's Embedded. Part 1: The Attack. Listen. Part 2: The Aftermath. Listen. Part 3: The Layoffs. Listen. Music in this week's show: Time Is Late — Marcos Ciscar feat. Joakim Johansson We Insist — Zoë Keating On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

In the 1800s, New Bedford, Massachusetts was the world’s “center of whaling.” More than half of the world’s whaling ships in the 1840s came from New Bedford. The small city was so emblematic of a New England whaling town that it served as the setting for Herman Melville’s novel Moby Dick. According to the New York Times, it was then the richest city per capita on the continent.  Now, more than a fifth of its approximately 95,000 citizens live in poverty.  But this exceptional historic town is representative of a phenomenon happening in small towns across the United States. It’s local daily newspaper, The Standard-Times, has been bought by Gannett, a hedge fund-backed news conglomerate and stripped down to barebones. It’s become what’s known as a “ghost newspaper," called such for its trimmed down staff and scant original reporting. The mayor of New Bedford was quoted in the New York Times saying: “It used to be that I couldn’t sneeze without having to explain myself. Now, I have to beg people to show up at my press conferences. Please, ask me questions!”  A year and a half ago, a small group of concerned community members gathered to try to address this dearth of local journalism. The result? A new, non-profit news outlet called The New Bedford Light. Brooke talks to Barbara Roessner, the founding editor of The New Bedford Light, about the challenges facing the fledgling outlet and the benefits that local journalism brings to the civic health of a community.  On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

New reports show that the Trump Department of Justice spied on reporters. But that’s just a small part of a much longer story, going back decades. This week, we examine when and why the government surveils journalists. And, following their first meeting this week, is there a headline beyond “Putin and Biden talked to each other?” Plus, on the 50th anniversary of the Pentagon Papers, how the story’s biggest lessons were lost to time.  1. Alexey Kovalev [@Alexey__Kovalev], investigative editor at Meduza, on what Russian and American media got right and wrong about Putin and Biden's first meeting. Listen. 2. Matt Apuzzo [@mattapuzzo], New York Times reporter, on how the government seizes journalists’ records and chills speech under guise of protecting national security. Listen. 3. Kurt Andersen [@KBAndersen], host of Nixon At War, says Watergate might have been Nixon's downfall, but the Vietnam War was his real undoing. Listen. 4. The late Les Gelb, the man who supervised the team that compiled the Pentagon Papers, explains how the media misinterpreted the documents. Listen. Music: Tymperturbably Blue by Duke EllingtonFergus River Roundelay by Gerry O’BeirneWhispers of a Heavenly Death by John ZornTrance Dance by John ZornMiddlesex Times by Michael AndrewsTribute to America (Medley) by The O’Neill Brothers Group On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

Over the last couple of weeks we’ve taken on some of the battles in the ongoing culture war. The granddaddy of them all is cancel culture. Michael Hobbes, co-host of the podcast You’re Wrong About, told us that there isn’t a situation that has been labeled a cancellation that couldn’t benefit from a more accurate word to describe what had happened. So and so was fired...such and such was met with disagreement on twitter. Cancel need not apply. He also explained on his own podcast with Sarah Marshall that there were a few pivotal events along the way that led to the term cancel culture becoming the moral panic that it is today. One of them was the 2015 release of Jon Ronson’s book “So You’ve Been Publicly Shamed.” A series of case studies of people who were canceled before we started using that word.    On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

Trump may be out of office, but the GOP's campaign to limit voting rights, free speech, and reproductive rights is still in full-swing. On this week’s On the Media, where do you focus your attention when there are little fires everywhere? Plus, a look at a chilling new look for America: the "authoritarian mullet" — culture war in the front, the destruction of democracy in the back. And, how critical race theory became a right-wing bogeyman.  1. Jay Rosen [@jayrosen_nyu], professor of journalism at New York University and media critic for PressThink, on why journalists should still be in "emergency mode." Listen. 2. Jake Grumbach [@JakeMGrumbach], assistant professor of political science at the University of Washington, on how Republican state lawmakers reduce "democratic performance" when they take power. Listen. 3. Ryan P. Delaney [@rpatrickdelaney], education reporter for St. Louis Public Radio, on a Missouri school district's debate over Critical Race Theory, and Adam Harris [@AdamHSays], staff writer at The Atlantic, on how conservatives constructed the critical race theory boogeyman. Listen. Music: Little Motel - Modest Mouse  Auld Lang Syne  - Salsa Celtica  L’Illusionista - Nino Rota   Paperback Writer - Quartetto d'Archi Dell'orchestra Sinfonica di Milano Guiseppe Verdi Milestones - Bill Evans Trio Going Home - Hank Jones & Charlie Haden  (post at 2:24 or 3:07) Quizás, Quizás, Quizás - Ramón Solé (back time this) In the Bath - Randy Newman On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

Record numbers of journalists formed unions over the last few years, surpassing data even from the surges of labor organizing in the 1930s. And the pandemic didn't slow the trend. Just this week journalists at the Atlantic announced that they were forming a union affiliated with the News Guild. But even with all the recent coverage, it's unlikely that you've heard of the very first person to lead a journalism unionization effort. Marvel Cooke was a crusading Black journalist who organized one of the first chapters of the Newspaper Guild...and she reported on labor and race until she was pushed out of journalism by redbaiting.   Lewis Raven Wallace is the creator of The View from Somewhere, a podcast about journalism with a purpose, and author of the book The View from Somewhere: Undoing the Myth of Journalistic Objectivity.  For years he’s been researching journalists in U.S. history whose stories haven’t been thoroughly told — because they were marginalized by a structure that didn’t see them as “real” “objective” reporters. And that’s what happened to Marvel Cooke... On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.