Guest June Thomas joins to discuss Kenneth Branagh's return as Hercule Poirot, Wenner's disastrous interview, and Naomi Klein's reflections on selfhood in the internet age. Plus, the panel shares cleaning playlists and endorsements.

This week, Stephen and Dana are joined by guest host Kat Chow, journalist and author of the 2021 memoir Seeing Ghosts. The panel begins by wading through HELL, Chris Fleming’s new hour-long comedy special that’s both puzzling and delightfully goofy. Then, the three consider Astrakan, a deeply dark and unsettling first feature from director David Depesseville, and attempt to parse through the film’s (intentionally?) ambiguous messages. Finally, they conclude by discussing Rotten Tomatoes, the widely used critical review aggregation site and subject of the recent Vulture exposé by Lane Brown, “The Decomposition of Rotten Tomatoes,” which details a “gaming of the system” by Hollywood PR teams. In the exclusive Slate Plus segment, the panel dives into the 2023 U.S. Open, specifically the effect of extreme heat on gameplay and how the sport will need to contend with climate change going forward. Email us at culturefest@slate.com. Endorsements:Kat: C Pam Zhang’s brilliant upcoming novel The Land of Milk and Honey. Dana: One of the best novels she’s read in years, Idlewild by James Frankie Thomas.Stephen: The Guest by Emma Cline, a novel that serves as a “carefully observed ethnography of the super rich.” Outro music: “On the Keys of Steel” by Dusty Decks.Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the panel jumps into Bottoms, the chaotic second feature from director and co-writer Emma Seligman that satirizes… something (what that thing is, they have yet to discover). They then discuss Telemarketers, a Michael Moore-style documentary that exposes the telemarketing industry’s dark underbelly in a weirdly captivating tour de force. Finally, the trio takes on Strike Force Five, a new Spotify podcast hosted by late-night veterans Jimmy Kimmel, Jimmy Fallon, Stephen Colbert, John Oliver, and Seth Meyers that deals with the ins and outs of the trade and raises money for their striking writing staffs. In the exclusive Slate Plus segment, the panel considers the joys of trains and sleeper cars, inspired by Bryn Stole’s essay for Slate, “Wake on a Train.” Email us at culturefest@slate.com. Endorsements:Dana: A very funny, investigative piece in The Guardian by Elif Batuman: “Proust, ChatGPT and the case of the forgotten quote.” Julia: In a wonderfully kismet moment, Julia stumbled upon Hilltown Hot Pies, a neapolitan-ish pizzeria in the Berkshires run by chef Rafi Bildner, who previously owned one of Stephen’s favorite pizza spots in Ghent. Stephen: “The Inheritance Case That Could Unravel an Art Dynasty” by Rachel Corbett for The New York Times Magazine, an essay that lays bare an empire built on shell companies, weird art depots, and paintings sequestered in vaults.Outro music: “Break The Line” by Coma SvenssonPodcast production by Cameron Drews. Production assistance by Kat Hong.If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Julia is joined by Slate associate culture writer Nadira Goffe and Jamelle Bouie, opinion columnist at The New York Times. The panel begins by test driving Gran Turismo, a sports movie that is essentially a Playstation commercial based on popular intellectual property and “real life.” Then, they explore Mask Girl, a visually stylish K-drama that tackles men, capital letters, systemic violence, Korean beauty standards, and fame through smart social satire. Finally, the three discuss the virtues, or lack thereof, found in Oliver Anthony’s number one hit song “Rich Men North of Richmond” (which Jamelle also covered in his essay “The Irony in the ‘Rich Men North of Richmond’”).In the exclusive Slate Plus segment, the panel considers prep, preppy style, and their relationships to the American art form, inspired by Natalia Mehlman Petrzela’s piece for The New Republic, “We’re All Preppy Now.” Email us at culturefest@slate.com. Endorsements:Jamelle: The films of Satoshi Kon, the legendary Japanese film director, animator, and screenwriter. Jamelle particularly enjoys Perfect Blue and Millennium Actress, which he calls a “love letter to mid-century Japanese filmmaking.” Julia: A recent tomato sandwich devotee, Julia endorses Eric Kim’s furikake tomato sandwich recipe for The New York Times. It calls for Wonder Bread, a bit of mayonnaise, heirloom tomatoes, and a sprinkling of the dry Japanese condiment. Nadira: British neo-funk electronic collective, Jungle, and the dance-based music videos for their latest album, Volcano, specifically “Candle Flame,” “Dominoes,” and viral sensation “Back on 74,” brilliantly choreographed by Shay Latukolan. Outro music: "Warefare" by Sandra BjurmanPodcast production by Cameron Drews. Production assistance by Kat Hong. HostsJulia Turner, Nadira Goffe, Jamelle Bouie Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Laura Miller and Rebecca Onion discuss Passages, a controversial film involving a love triangle. They also talk about the revival of the TV show Justified and the scandal surrounding Michael Oher's adoption. The exclusive Slate Plus segment explores nature writing. Finally, they endorse the detective series Deadlock and Anya Liftig's memoir, Holler Rat.

The panel dissects the critical darling Teenage Mutant Ninja Turtles: Mutant Mayhem. They review The Retrievals, a podcast that exposes the healthcare system’s negligence towards women's pain. Wesley Morris discusses his essay on how hip-hop conquered the world. The exclusive Slate Plus segment celebrates hip-hop's 50th anniversary. Endorsements include a Sinéad O’Connor documentary and Taylor Swift’s concert in Los Angeles.

Guest Chris Molanphy joins the panel for their annual Summer Strut episode. They discuss their top picks from an extensive listener-suggested summer playlist, including Kylie Minogue's 'Pardam Pardam' and a New Zealand indie rock band's tragic breakup song. They also explore the origins of 'Guava Jelly' by the Ka'au Crater Boys and share their admiration for the English rock and roll scene.

This week, the panel begins by diving into Theater Camp, a mockumentary-style comedy about gloriously talented misfits. Then, they pay tribute to Sinéad O’Connor, the dearly missed Irish singer, songwriter, and activist whose 1992 performance on Saturday Night Live rocked the world. Then, the trio is joined by screenwriter (and co-host of the Scriptnotes podcast) John August to discuss the WGA and SAG-AFTRA strikes, what’s going on in Hollywood, and how this “double strike” feels different than others past.  In the exclusive Slate Plus segment, the panel chews over our relationships to our digits, inspired by the delightfully small yet cerebral piece by Charlie Warzel for The Atlantic, “In Praise of Phone Numbers.”Email us at culturefest@slate.com. Endorsements:Dana: While not released on one of her albums, Sinéad O’Connor’s performance of “The Foggy Dew” with The Chieftains at the 1995 IRMA awards in Dublin perfectly captures the singer’s gift for singing live. Julia: A big fan of lighting candles at dinner, Julia recommends Mole Hollow, a Massachusetts-based company that produces stunning handmade candles in bright, vibrant colors. John: Amal El-Mohtar and Max Gladstone’s novel, This is How You Lose the Time War, is a beautiful and intimate story with science fiction influences, told through the exchanging of letters, epistolary-style. Shout out to Twitter user @maskofbun for the viral recommendation. Stephen: He doesn’t normally join the bandwagon of clear winners, but Patrick Radden Keefe’s profile of art dealer Larry Gagosian for The New Yorker is so impressive, it left Stephen speechless. Outro music: “Forbidden Love” by OTEPodcast production by Cameron Drews. Production assistance by Kat Hong. This episode is sponsored by the podcast About the Journey. Learn more here: https://traveler.marriott.com/about-the-journey/If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the panel begins by examining Barbie, Greta Gerwig’s hot pink, record-breaking movie about the iconic Mattel doll. Then, the trio dives into Christopher Nolan’s Oppenheimer, which chronicles the life of the “Father of the Atomic Bomb,” and explores whether the film achieves its aims. Finally, they are joined by Slate’s Chris Molanphy to discuss the controversy behind country singer Jason Aldean’s latest song, “Try That In A Small Town.” In the exclusive Slate Plus segment, the panel is once again joined by Chris Molanphy to discuss all things Summer Strut. With the annual show just weeks away, the four pull back the curtain to detail their processes, weird observations, and more. Email us at culturefest@slate.com. Endorsements:Dana: In line with her theme of the week, “Yay movies and go, go, go to the theater,” Dana highly recommends Theater Camp, a delightful film by Ben Platt and Molly Gordon. Julia: Yotam Ottolenghi’s recipe for zucchini pasta with crispy capers and pistachios isn’t the sort of thing Julia would normally endorse (for one, it’s extremely laborious and you will need to fry individual basil leaves), but it’s vegan, a showstopper, and completely worth it. Stephen: In honor of the late singer, Stephen recommends two Tony Bennett albums: “The Tony Bennett/Bill Evans Album” (1975) and “Tony Bennett at Carnegie Hall” (1962). Outro music: “Last Sunday” by OTEPodcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Slate culture writer Nadira Goffe fills in for Julia. The panel begins by discussing Mission: Impossible — Dead Reckoning Part One, Tom Cruise’s latest romp against rogue A.I. Then, the trio review Wham!, a bittersweet and perhaps hollow documentary following the ‘80s English pop duo’s rise to fame. Then, they explore Spill, a new image-based platform claiming to be the next “Black Twitter” and its role in the current social media landscape. In the exclusive Slate Plus segment, the panel discusses the lost art of handwriting, inspired by this piece in The Atlantic: “How Handwriting Lost Its Personality” by Rachel Gutman-Wei. Email us at culturefest@slate.com. Endorsements:Nadira: Adele’s tribute to George Michael — The singer’s performance of “Fastlove” at the 2017 Grammy’s is far from perfect, but it’s exactly those flaws and her raw emotion that makes this rendition so moving. Also, NewJeans! Nadira adores this shapeshifting K-pop girl group and the ways they evoke nostalgia using Y2K visuals and hip hop elements. Stream their latest songs “Super Shy” and the self-titled “New Jeans.” (She also likes “Ditto” and “Attention”)Dana: Billie Eilish, “What Was I Made For?” — Longtime Billie Eilish fan, Dana, recommends the pop star’s most recent music video, which was directed by Eilish and beautifully captures the melancholy of a doll’s role. It’s also a bit of free promotion for the upcoming Barbie film, which uses “What Was I Made For” in its final scenes.  Stephen: George Michael, “Waiting for That Day” — Stephen will never forget the day when he, free from the bias against Wham! and pop music he grew up with, finally realized that George Michal was a musical genius. This song about loss and an inherent sadness is especially moving.Outro music: Adele's tribute to George Michael at the 2017 Grammys.Podcast production by Jessamine Molli. Audio engineering by Merritt Jacob. Production assistance by Kat Hong.   Learn more about your ad choices. Visit megaphone.fm/adchoices