Pop Pantheon

Part 2/4!Beyoncé’s latest solo album, Renaissance, drops on July 29th so to get everyone prepared, Pop Pantheon will be releasing a series of four episodes on the work and legacy of Queen Bey, each with a different guest!In our second installment, DJ Louie is joined by author and journalist Julianne Escobedo Shepherd to discuss the first decade of Beyoncé’s solo career. Louie and Julianne begin with Beyoncé’s first steps outside of Destiny’s Child, including her film appearances in 2001’s MTV’s Carmen: A Hip Hopera and 2002’s Austin Powers in Goldmember, as well as on record with “Work It Out” and, most importantly, her feature on future-husband Jay-Z’s smash 2002 hit “‘03 Bonnie and Clyde”. They then discuss the major themes of the first period of Beyoncé’s solo music: ecstatic monogamous love, betrayal and infidelity, wealth accumulation and imbalanced gender dynamics and how they’re all represented on Beyoncé’s first solo album, 2003’s blockbuster Dangerously in Love and amplified on her second, 2006’s funky, terse fan-favorite, B’Day. They then dig into how B’Day’s harder edge and relative commercial underperformance-- and the attention her co-star Jennifer Hudson swept up from under Beyoncé in the film adaptation of the musical Dreamgirls-- led to the more widely-appealing, if less singular, I Am… Sasha Fierce in 2008, and, after firing her father Mathew as manager, how Bey began to shape a new phase of career with 2011’s languid, lowkey 4, in which she was no longer beholden to trends or hit-chasing, expanding her impact into something much greater than conventional pop stardom and providing the platform for the thrilling audio-visual projects which would both define the next decade of her career and change the music industry forever. Stay tuned for next week’s installment, in which we’ll dive into 2013’s BEYONCÉ the visual album, 2016’s Lemonade, 2018’s Everything is Love, 2019’s Homecoming and 2020’s Black is King! Check out Louie's Beyoncé Essentials Playlist on SpotifyJoin the Pop Pantheon Discord!Follow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on TwitterFollow Julianne Escobedo Shepherd on Twitter

Part 1/4!In the first of four episodes in our new series covering the work and career of pop titan Beyoncé, DJ Louie is joined by Senior Writer at Rolling Stone, Brittany Spanos, to discuss the group that started it all: Destiny’s Child.  Louie and Brittany begin with a broad history of black R&B girl groups, specifically the ‘90s wave of which DC was a part, and the ever-evolving way black women have presented themselves in the pop space. They then discuss Beyoncé’s early life, how she and her father Mathew Knowles helped form Destiny’s Child with the initial lineup including Kelly Rowland, LaTavia Roberson and Letoya Luckett, their 1998 self-titled debut and it’s surprise #3 hit, the remix of their ballad “No No No”, “No No No Pt. 2” featuring Wyclef Jean which showcased Beyoncé’s signature singing-rapping hybrid. Next, they dive into their smash sophomore album, 1999’s The Writing’s on the Wall and its innovative singles, all of which featured the groups virtuosic harmonies, a sharp pop feminist perspective that often traded in the role money plays in gender dynamics, and futuristic staccato R&B production courtesy Darkchild and others, before diving into all the tea on how, at the peak of their success, the initial line-up very messily and publicly gave way to a new trio: Beyoncé, Kelly and new member Michelle Williams. Louie and Brittany then cover DC’s blockbuster third album, largely an answer to the negative press of the group shake-ups, 2001’s Survivor and its attendant hits, the member’s various solo endeavors, and how Beyoncé returned to the group following her solo success for one final chapter, 2004’s Destiny Fulfilled. Finally, Louie and Brittany rank Destiny’s Child in the official Pop Pantheon.Stay tuned next week for our next episode, Beyoncé Pt. 1, which will cover the first half of Beyoncé’s solo career from 2003’s Dangerously in Love through 2011’s 4!Tickets to see Louie DJ Pop Music at Gorgeous Gorgeous 7/16 in DTLA!Check out Louie's Destiny's Child Essentials Playlist on SpotifyJoin the Pop Pantheon Discord!Follow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on TwitterFollow Brittany Spanos on Twitter

In this week's B-Side episode, Executive Director of Music at Billboard Jason Lipshutz joins DJ Louie to discuss the Song of the Summer! Louie and Jason dig into the history of the concept and Billboard's SOTS Chart, discuss the most recent winners and what makes for the ideal Song of the Summer, whether having a SOTS can meaningfully change the trajectory of pop star's career, and then each name their favorite Songs of the Summer of all time. Tickets to see Louie DJ Pop Music at Gorgeous Gorgeous 7/16 in DTLA!Check out Pop Pantheon's Song of the Summer Essentials Playlist on SpotifyJoin the Pop Pantheon Discord!Follow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on TwitterFollow Jason Lipshutz on Twitter

Journalist and author of the 33 ⅓ book Duran Duran’s Rio, Annie Zaleski, joins DJ Louie for a deep-dive into ‘80s British pop-rock band and seminal music video-pioneers, Duran Duran. First, Louie and Annie parse the various music scenes-- glam rock, new wave, “The New Romantics”-- from which Duran Duran emerged before discussing the band’s formation in Birmingham in the late ‘70s and early ‘80s, their deal with storied label EMI, and what factors lead their 1981 self-titled debut, a prescient blend of rock and dance music, to become a smash overseas but fail to impact here in America. They then move on to the band’s second record, 1982’s blockbuster Rio, their groundbreaking and trendsetting videos for singles like “Rio” and “Hungry Like the Wolf”, the latter of which won the inaugural Best Music Video prize at the 1984 VMAs, how the group cleverly broke onto American radio thanks to their then-novel use of dance remixes, and how their massive success with teenage girls led them to be dismissed as fluff by the rockist critical establishment. Louie and Annie then lay out Duran Duran’s continued success with albums like 1983’s Seven and the Ragged Tiger and 1986’s Nile Rodgers-produced Notorious, why the band quickly fell out of favor with mainstream audiences during the late ‘80s and early ‘90s, how they made one of the most unlikely comebacks in pop history with 1993’s Duran Duran (The Wedding Album) featuring two of their definitive hits, “Ordinary World” and “Come Undone”, and what their recent induction into the Rock ‘n Roll Hall of Fame means for their legacy. Finally, Louie and Annie rank Duran Duran in the official Pop Pantheon. Tickets to see Louie DJ Pop Music at Gorgeous Gorgeous 7/16 in DTLA!Buy Annie Zaleksi's 33 1/3 Book on Duran Duran's RioCheck out Louie's Duran Duran Essentials Playlist on SpotifyJoin the Pop Pantheon Discord!Follow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on TwitterFollow Annie Zaleski on Twitter

In an emergency B-Side (Bey-Side??), DJ Louie, along with Pop Pantheon producer Russ, break down everything about Beyoncé's latest single, the '90s house-nodding club anthem "Break My Soul", which dropped last night. Louie and Russ lay out where Beyoncé's commercial and artistic trajectory stands leading into this new era, from which genres, songs and artists "Break My Soul" draws, whether or not it's any good, pontificate on whether Bey can score a radio hit in the third decade of her in her career, what the song might portend for the rest of her forthcoming solo album, Renaissance Pt. 1,  her first in 6 years, and what they each hope the album sounds like. Listen to Louie's appearance on Eat, Pray, BritneyJoin the Pop Pantheon Discord!Follow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on Twitter

My dad, Tim, is not only the biggest Pop Pantheon fan who loves to share his many opinions on all the episodes, but is also a music fanatic and entertainment attorney who specializes in music. As such, I had the privilege of growing up in a household where the two of us bonded over our mutual love of pop and often got to experience it together. His passion for it all was (obviously) formative to my own identity, career and life. For this bonus episode of Pop Pantheon, in honor of Father's Day this Sunday, I invited him on the show to talk a little about his own musical journey, a lot about our shared pop memories (including him taking me to see Alanis Morissette at Roseland Ballroom when I was 7, playing me "...Baby One More Time" for the first time in the car and screaming "We Are Never Ever Getting Back Together" at The 1989 Tour together), all of his opinions on the episodes and rankings, and of course, whether he thinks his fav pop girlie of all time, Taylor Swift, is in Tier 1 or Tier 2 of the Pop Pantheon. Join the Pop Pantheon Discord!Follow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on Twitter

This week, DJ Louie is joined by music journalist and co-host of the podcast Legends Only, Bradley Stern, to discuss the original American Idol, Kelly Clarkson! First, Louie and Bradley discuss Kelly’s legendary run on Idol, from being deemed “forgettable” by Simon Cowell to winning the show and America’s hearts in a landslide victory, her display of down-home affability and incredible versatility on the show, equally adept at Motown as she was at rock, show-tunes and pop ballads, her first album, 2003’s Thankful, which played up her chameleonic and powerful vocal talent but played down her singular personality to middling results, how she fought tooth and nail to take more control of her artistry on her juggernaut second album, 2004’s more rock-oriented classic Breakaway, and calcified her on-record scorned-by-resilient persona on its signature hit, the iconic kiss-off anthem “Since U Been Gone”. Louie and Bradley then cover Kelly’s legendary and very public battle with label-boss Clive Davis over her third record, 2007’s largely self-penned My December, her mea-culpa for that defiance, 2009’s All I Ever Wanted, how Kelly eventually reached a detente with the powers that be in the 2010s and unlocked a very successful second decade of her pop career, and how all the qualities that made us fall in love with her twenty years ago as a cocktail waitress with a big voice and a dream on Idol lead to a third wave of her career as a beloved daytime talk show host, as well as to her viral covers series, “Kellyoke”. Finally, Louie and Bradley rank Kelly Clarkson in the official Pop Pantheon.  Check out Louie's Kelly Clarkson Essentials Playlist on SpotifyJoin the Pop Pantheon Discord!Follow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on TwitterFollow Bradley Stern on Twitter

Bloghouse has come up a number of times in episodes of Pop Pantheon, from Robyn to Kesha to Scissor Sisters. So for this Week’s B-Side, DJ Louie is joined by Lina Abascal, author of the book Never Be Alone Again: How Bloghouse United the Internet and the Dancefloor, to discuss the late aughts micro-movement and how it influenced mainstream pop. Louie and Lina dig into what exactly bloghouse was, how the internet, innovations in music software and dance music trends came together to bring it into being, the major artists and songs of the era, how it evolved for its five year run, and how it influenced a generation of pop stars like Lady GaGa, Robyn, Kesha, Marina and The Diamonds, Kanye West, Katy Perry, Charli XCX, Calvin Harris, Britney Spears, Rina Sawayama, Dua Lipa, and more. Finally, Louie and Lina share some of their favorite classics of the era. Check out Louie's Bloghouse Essentials Playlist on SpotifyCheck out Lina's book, Never Be Alone Again: How Bloghouse United the Internet and the DancefloorLA Niche Legends! Grab tix for DJ Louie's Queer Pop Party, Gorgeous Gorgeous: Pride Edition, Friday, June 10 at Resident in DTLA!Join the Pop Pantheon Discord!Follow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on TwitterFollow Lina Abascal on Instagram

Happy Pride! To celebrate Pride Month, Fluxblog's Matthew Perpetua joins DJ Louie to talk one of the most iconic gay pop acts of the century, Scissor Sisters. Louie and Matthew talk the history of queer men in mainstream pop, Scissor Sisters' formation in the downtown NYC electroclash scene of the late '90s and early '00s, their fluke first hit, a BeeGees-esque cover of "Comfortably Numb", how their 2004 self-titled debut album played like a expertly made, fun-loving tour through gay music history, why they exploded as pop stars in the UK but remained a cult phenomenon here in America, and how they presaged artists like Robyn and Charli XCX by carving out a space for alternative pop stars stateside. They then talk about their second album, 2006's Ta-Dah, it's myriad of slightly obscure pop historical references, the smash hit and their signature song, "I Don't Feel Like Dancin'", their turn towards more sex-forward music on their 2010 Stuart Price-produced masterpiece, Night Work, and Louie shares a bit about what the record meant to him in his personal journey with his sexuality. Next, Louie and Matthew discuss their final album, 2012's Magic Hour, how they mainstreamed the word "kiki" on their gay club hit "Let's Have a Kiki" and the impact they've had on future queer pop stars like Mika, Sam Smith and Lil Nas X, as well as on campier American pop icons who followed in their footsteps like Lady GaGa and Katy Perry. Finally, Louie and Matthew rank Scissor Sisters in the official Pop Pantheon. Read Matthew's review of Night Work in Pitchfork Check out Louie's Scissor Sisters Essentials Playlist on SpotifyLA Niche Legends! Grab tix for DJ Louie's Queer Pop Party, Gorgeous Gorgeous: Pride Edition, Friday, June 10 at Resident in DTLA! Join the Pop Pantheon Discord!Follow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on TwitterFollow Matthew Perpetua on Twitter

We’re halfway through 2022 so for this week’s Pop Pantheon B-Side, DJ Louie is joined by Who? Weekly's Lindsey Weber to talk all their favorite pop songs and albums of the year so far, any trends they're spotting (short songs, short albums, and where are the main girlies??!!) and finally, Louie and Lindsey go through 15 buzzy new bottom tier Whos and decide whether they have a shot at top tier Themdom.LA Niche Legends! Grab tix for DJ Louie's Queer Pop Party, Gorgeous Gorgeous: Pride Edition, Friday, June 10 at Resident in DTLA!  Check out a playlist of Louie and Lindsey's 2022 FavsListen to Louie and Lindsey's previous Pop Pantheon Episode on Carly Rae JepsenJoin the Pop Pantheon Discord!Follow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on TwitterFollow Lindsey Weber on Twitter