Pop Pantheon

For the second in our three-part series on Mariah Carey, NPR Pop Culture Happy Hour's Aisha Harris joins the show to unpack some of the most fascinating, liberated and enduring music Mariah has made, as well as a professional nadir from which it once seemed she'd never recover. Louie and Aisha pick up with Mariah's self-described magnum opus, 1997’s Butterfly, then move on to her final album under her deal with Sony and Tommy Mottola, 1999’s Rainbow, before digging into the embarrassing blunder of 2001’s Glitter film and soundtrack, the first and only release on Mariah's historic $100 million with Virgin Records. Finally, they tackle Mariah’s initial attempt at a comeback in 2002, Charmbracelet.Join us next week for Part 3 which will cover Mariah’s triumphant comeback with 2005’s The Emancipation of Mimi, her later period work, her legacy and her impact on pop. Plus, we'll rank Mariah Carey in the official Pop Pantheon. Buy Aisha's book, Wannabe: Reckonings with the Pop Culture that Shapes MeListen to Pop Pantheon's Mariah Carey EssentialsJoin Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreCome to Gorgeous Gorgeous LA on December 16Shop Merch in Pop Pantheon's StoreFollow Aisha Harris on TwitterFollow Aisha Harris on InstagramFollow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on Twitter

In a preview of this week's Pop Pantheon: All Access episode, The Wall Street Journal's John Jurgensen, who has chronicled Mariah's ascent to the Queen of Christmas over the last 30 years, joins DJ Louie to discuss just how she's come to claim that title. Louie and John are talking Merry Christmas and "All I Want For Christmas Is You", the historical relationship between pop and Christmas music and how social media, stan culture, Love Actually, and a good-old fashioned banger came together to eventually make Mariah the biggest pop star in the world once again for two festive months, every single year. To hear the rest of the this episode plus receive at least three episodes of the show per month, gain access to our Discord channel and so much more, subscribe to Pop Pantheon: All Access at the Icon Tier. 

In the first of three new episodes on pop icon Mariah Carey, DJ Louie is joined by The New School's Dr. Brittnay L. Proctor to discuss Mariah's origin story and early career. They begin with her upbringing on Long Island as the product of a biracial marriage, her first forays into the music industry as a demo singer and background vocalist and her chance meeting with future husband Tommy Mottola which resulted in her smash self-titled debut album, home to four consecutive number one hits. They then discuss her pivot towards Black dance styles on her sophomore album, Emotions, her juggernaut, adult-contemporary-leaning third album, 1993's Music Box, her Christmas classic "All I Want for Christmas is You" and finally, her pivotal 1995 album Daydream, a blockbuster which saw Mariah defying Mottola's influence on her life and music, embracing hip hop and R&B into her sound and paving the way for her future as an artist and woman. Join us next week for Part 2 where we will be talking Mariah's middle period, beginning with 1997's Butterfly through 2002's Charmbracelet. Listen to Pop Pantheon's Mariah Carey EssentialsJoin Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreCome to Gorgeous Gorgeous LA on December 16Shop Merch in Pop Pantheon's StoreFollow Dr. Brittany L. Proctor on TwitterFollow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on Twitter

Music writer Shaad D'Souza joins DJ Louie to discuss pop music in 2023. They each share and discuss their three favorite albums, three favorite songs, greatest disappointments, major trends in the genre and more. Check out a Spotify Playlist of Louie and Shaad's 2023 FavsJoin Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreCome to Gorgeous Gorgeous LA on December 16Shop Merch in Pop Pantheon's StoreFollow Shaad D'Souza on InstagramFollow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on Twitter

Bonnie McKee is the songwriter behind many of the most enduring pop hits of the last 15 years including Taio Cruz' "Dynamite", Britney Spears' "Hold it Against Me" and no fewer than 5 (!) of Katy Perry's #1s. She's also a pop star in her own right, having run the gamut from singer-songwriter-aspirant in the early 2000s through numerous major label deals and finally, her current career as an indie pop act. Bonnie joins DJ Louie to talk about it all: her love of pop music, how she writes it, her experience as song-crafter to the stars, how the "song machine" works when it comes to major pop stars, the difference between writing songs for yourself and for other artists and how the pop music ecosystem has changed over her nearly 20 year career. Listen to Bonnie McKee's "Don't Get Mad Get Famous"Join Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreCome to Gorgeous Gorgeous X Who? Weekly on November 16Shop Merch in Pop Pantheon's StoreFollow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on Twitter

Author of the book Baby Girl: Better Known as Aaliyah Kathy Iandoli returns to Pop Pantheon to unpack the far too short career of one of the most exciting pop recording artists of her generation, Aaliyah. Kathy and Louie discuss Aaliyah’s upbringing in Detroit, her connection to soul legend Gladys Knight and how she came to create 1994’s Age Ain’t Nothing But a Number with R. Kelly, a convicted sexual predator who married her illegally as a teen. Then they examine one of the most forward-thinking pieces of R&B futurism ever produced, 1996’s One in a Million, a collaboration largely with innovative songwriting and production duo Timbaland and Missy Elliott, which is widely considered one of the best albums of the ‘90s. Next, they dissect Aaliyah’s showcase of triple-threat talent in Romeo Must Die and Queen of the Damned, her thrilling soundtrack songs, "Are You That Somebody" and "Try Again,” the blend of R&B traditionalism and avant garde genre experiments on Aaliyah’s 2001’s self-titled album, released just one month before her untimely death and how her early passing as impacted her legacy. Finally, they rank Aaliyah in the official Pop Pantheon.Buy Kathy's Book Baby Girl: Better Known as AaliyahListen to Pop Pantheon's Aaliyah Essentials PlaylistJoin Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreCome to Gorgeous Gorgeous LA on November 10Come to Gorgeous Gorgeous X Who? Weekly on November 16Shop Merch in Pop Pantheon's StoreFollow Kathy Iandoli on TwitterFollow Kathy Iandoli on InstagramFollow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on Twitter

Pop Pantheon had it's first live show ever last night at the Crawford Auditorium in Pasadena, courtesy of LAist!In a preview of this week's Pop Pantheon: All Access episode, USC's Jason King, Beyond the Blinds' Troy McEady and Gloss Angeles' Kirbie Johnson were all on stage with DJ Louie to discuss all things Britney: her new memoir, The Woman in Me, her legacy as a pop star and musician, why she mattered and continues to impact the world of pop and generations of stars who came after her, and finally, of course, where she might fit into the Pop Pantheon.To hear the rest of the this episode plus receive at least three episodes of the show per month, gain access to our Discord channel and so much more, subscribe to Pop Pantheon: All Access at the Icon Tier. 

Back in August, Lizzo was sued by a number of her former dancers for creating a hostile work environment, with allegations including racial and sexual harassment, disability discrimination, illegal retaliatory termination and assault, and more. This flew directly in the face of her brand, which champions positivity, inclusivity and authenticity above all else (including even her music). The Sunday Times' Megan Agnew and journalist and culture critic Hanna Phifer join DJ Louie to break down how this scandal has played out for Lizzo, where it fits in with and differs from other pop star scandals past and present, and what, if anything, she can do fix the damage it's caused to her brand and image. Join Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreBuy Tickets to Pop Pantheon Live: Britney's Memoir, Music & Legacy on 11/2 In PasadenaCome to Gorgeous Gorgeous LA on November 10Come to Gorgeous Gorgeous X Who? Weekly on November 16Shop Merch in Pop Pantheon's StoreFollow Megan Agnew on TwitterFollow Hanna Phifer on TwitterFollow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on Twitter

There sure is a lot of Taylor Swift happening right now but when is there not these days? In a preview of this week's Pop Pantheon: All Access episode, Louie and Russ got together to talk about it all: 1989 (Taylor's Version), which dropped Friday, its attendant "from the vault" tracks, The Eras Tour film which was released a few weeks ago, her new high-profile relationship with football star Travis Kelci and, with Taylor having the biggest monocultural moment in recent history, whether we'll ever reach a tipping point of Too Much Taylor. To hear the rest of the this episode plus receive at least three episodes of the show per month, gain access to our Discord channel and so much more, subscribe to Pop Pantheon: All Access at the Icon Tier. 

Stereogum’s Tom Breihan returns to Pop Pantheon to dissect the career of pop history’s greatest mimic, Bruno Mars. Louie and Tom dive into how Bruno spent his childhood impersonating greats like Elvis and Michael Jackson, his failed start on Motown and early work for other artists, including via his production group The Smeezingtons. Then they discuss his tightly-stitched 2010 debut, Doo-Wops and Hooligans, 2012’s pop history grab-bag, Unorthodox Jukebox, and the cultural sensation of his 2014 Mark Ronson-collab, the Morris Day-tributing “Uptown Funk.” Next, they explore Bruno’s  tour through Black pop and soul history on 2016’s 24K Magic and his Philly Soul and Parliament-Funkadelic-homaging super-duo with Anderson .Paak., Silk Sonic, as they parse whether Bruno is central to his music at all or simply a nostalgia curator. Finally, they rank Bruno Mars in the official Pop Pantheon.Read Tom's Number Ones Column write-ups of "Just The Way You Are" & "Grenade"Listen to Pop Pantheon's Bruno Mars EssentialsJoin Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreBuy Tickets to Pop Pantheon Live: Britney's Memoir, Music & Legacy on 11/2 In PasadenaCome to Gorgeous Gorgeous NYC: Halloween Edition on October 27Come to Gorgeous Gorgeous LA on November 10Come to Gorgeous Gorgeous X Who? Weekly on November 16Shop Merch in Pop Pantheon's StoreFollow Tom Breihan on TwitterFollow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on Twitter