New Books in Film

What can a cultural history of the heartthrob teach us about women, desire, and social change? From dreams of Prince Charming or dashing military heroes, to the lure of dark strangers and vampire lovers; from rock stars and rebels to soulmates, dependable family types or simply good companions, female fantasies about men tell us as much about the history of women as about masculine icons.When girls were supposed to be shrinking violets, passionate females risked being seen as "unbridled," or dangerously out of control. Change came slowly, and young women remained trapped in double-binds. You may have needed a husband in order to survive, but you had to avoid looking like a gold-digger. Sexual desire could be dangerous: a rash guide to making choices. Show attraction too openly and you might be judged "fast" and undesirable.Education and wage-earning brought independence and a widening of cultural horizons. Young women in the early twentieth century showed a sustained appetite for novel-reading, cinema-going, and the dancehall. They sighed over Rudolph Valentino's screen performances, as tango-dancer, Arab tribesman, or desert lover. Contemporary critics were sniffy about "shop-girl" taste in literature and in men, but as consumers, girls had new clout.In Hearthrobs: A History of Women and Desire (Oxford University Press, 2017), social and cultural historian Carol Dyhouse draws upon literature, cinema, and popular romance to show how the changing position of women has shaped their dreams about men, from Lord Byron in the early nineteenth century to boy-bands in the early twenty-first. Reflecting on the history of women as consumers and on the nature of fantasy, escapism, and "fandom," she takes us deep into the world of gender and the imagination. A great deal of feminist literature has shown women as objects of the "male gaze": this book looks at men through the eyes of women.In this interview, Jana Byars, the academic director of SIT Amsterdam, talks with Dyhouse about Hearthrobes. Though clearly rooted in her earlier academic work, this divergence into popular history provides a smart and delightful read. Jana and Carol talk about the female gaze, male stereotypes, and the power of popular culture. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Jennifer Cazenave’s An Archive of the Catastrophe: The Unused Footage of Claude Lanzmann’s Shoah (SUNY Press, 2019) is a fascinating analysis of the 220 hours of outtakes edited out of the final nine and a half-hour 1985 film with which listeners and readers might be familiar. Well known around the world as one of the greatest documentary films ever made, and certainly one of the most important works/artifacts of Holocaust history and memory, Lanzmann’s eventual finished film emerged from an astonishing 230 hours of interview footage shot in various locations. Commissioned originally by the State of Israel to make a film about the catastrophe, Lanzmann collected these testimonies over a period of several years before beginning the epic task of editing the film. He saved the outtakes as a vital repository of accounts of those who had lived through the Shoah. The footage has since been acquired, preserved, and digitized as an archive by the United States Holocaust Memorial Museum.The chapters of Cazenave’s book explore the film’s conceptualization and production, reframing the final film in terms of all that it left out, to think about what was included in relationship to those stories and scenes excluded for different reasons. Over years from an initial dissertation project to this volume, Cazenave pursued the story of the film and its outtakes through archival research, detective work, and close technical, aesthetic and theoretical consideration. The resulting analysis takes author and reader from consideration of the film/archive in relationship to Holocaust trials (and especially the Eichmann trial of 1961), to issues of gender and the feminine, to the question of rescue and refugees, as well as debates about representation, witnessing, and testimony. The book is a wonderful and complex study that will be of great interest to readers in Holocaust and cinema studies. The magnum opus of a French filmmaker working with a largely French crew, and produced with funding provided in part by the French government, the film also illuminates, in its own ways (including its silences) the difficult French past and politics of Holocaust history and memory.Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars (2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, '"No Hiroshima in Africa": The Algerian War and the Question of French Nuclear Tests in the Sahara' appeared in the Spring 2019 issue of History of the Present. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Stephen Dyson has provided a fascinating and engaging analysis of political science, the discipline, and political television in his new book, Imagining Politics: Interpretations in Political Science and Political Television (University of Michigan Press, 2019). By examining particular popular culture narratives, in this case, nine popular and engaging television series, Dyson is not only analyzing the tropes and themes of these series, but he is braiding them together with broader disciplinary frameworks and concepts from political science. Thus, this book presents dual interpretative perspectives—from political science and from televisual narratives. Dyson’s larger point is that politics itself is a form of narrative that political scientists attempt to explain and make sense of through our own narrative constructions by way of conceptual theories of interpretation. In so doing, Imagining Politics is weaving together fictional and non-fictional narratives to compel the reader to consider how we frame and think about our understanding of politics and how we explain politics, especially in a discipline largely developed and devoted to making sense out of public life within contemporary western democracies.Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Today we are joined by Seán Crosson, leader of the Sport and Exercise Research Group at NUI Galway, co-director of the MA in Sports Journalism and Communication, and Professor at the Huston School of Film and Digital Media. He is also the author of Gaelic Games on Film: From Silent Films to Hollywood Hurling, Horror, and the Emergence of Irish Cinema (Cork University Press, 2019).In our conversation, we discussed the first depictions of Gaelic Games on film; American and British portrayals of hurling and Gaelic football that popularized and subverted Irish stereotypes; the role of the Gaelic Games in promoting Irish Nationalism, and the contemporary subversion of conservative notions of Irishness through representations of the games since the 1960s. Along the way, we discussed numerous popular films such as Knocknagow (1918), The Quiet Man (1952), and The Wind that Shakes the Barley (2006).In Gaelic Games on Film, Crosson traces out the use of Irish sports in Irish, American, and British cinema. His analysis engages with different kinds of cinema, including dramas, silent and horror films, as well as non-fiction accounts in documentaries and newsreels. Many of these accounts challenged the normative description of hurling and Gaelic football presented by the Gaelic Athletic Association. Depictions of Gaelic games in American and British films relied upon and subverted stereotypes about the Irish, especially their supposed propensity to violence, to both situate Irish nationhood within its international context with its closest neighbours and to manage the integration of Irish migrants leaving the country in great numbers in the middle of the twentieth century.Their Irish cinema counterparts, who with few exceptions took to cinema work a little later, following the redevelopment of the Irish film industry after independence, used hurling and Gaelic football to both articulate and critique notions of Irish masculinity, religiosity, and conservativism. Here Crosson points out that the popularity and legibility of sports contributed to the development of Irish cultural institutions such as the National Film Institute of Ireland and Gael Linn, who both produced newsreels of the Gaelic Games to sell to cinemas around the country and benefitted from the popularity of those movies.Listeners interested in seeing some clips of the films in question can watch another interview with Crosson here.Crosson’s work offers innovative perspectives on the interplay between histories of sport and cinema. This book will appeal to readers interested in Irish, sports, and film studies.Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In his new book, Hollywood’s Dirtiest Secret: The Hidden Environmental Costs of the Movies (Columbia University Press, 2019), Hunter Vaughan offers a new history of the movies from an environmental perspective, noting that both filmmaking and film viewing has an often-hidden impact on the environment. He reviews four blockbusters, "Gone with the Wind," "Singin’ in the Rain," "Twister," and "Avatar" to provide useful examples of the ecological toll of movies. Hunter is the Environmental Media Scholar-in-Residence at the University of Colorado, Boulder. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

What does Friends mean to us now? In Friends: A Reading of the Sitcom (Palgrave Macmillan, 2019), Simone Knox, an Associate Professor in the Department of Film, Theatre, and Television at the University of Reading, and Kai Hanno Schwind, an Associate Professor in the School of Arts, Design and Media at Kristiania University College, explore this question in one of the first major academic books about the show. They think through the importance of the show 25 years after the first broadcast, along with the recent critical reception and ‘backlash’, and the global influence of the show. The book also offers a detailed engagement with theories of humour and comedy, theories of performance, along with analysis of Friends’ relationship to genre, sceneography, and production process. The book will be essential reading for humanities and media and communications scholars, as well as anyone interested in Friends! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at? Social media has made charts, infographics, and diagrams ubiquitous―and easier to share than ever. We associate charts with science and reason; the flashy visuals are both appealing and persuasive. Pie charts, maps, bar and line graphs, and scatter plots (to name a few) can better inform us, revealing patterns and trends hidden behind the numbers we encounter in our lives. In short, good charts make us smarter―if we know how to read them.However, they can also lead us astray. Charts lie in a variety of ways―displaying incomplete or inaccurate data, suggesting misleading patterns, and concealing uncertainty―or are frequently misunderstood, such as the confusing cone of uncertainty maps shown on TV every hurricane season. To make matters worse, many of us are ill-equipped to interpret the visuals that politicians, journalists, advertisers, and even our employers present each day, enabling bad actors to easily manipulate them to promote their own agendas.In How Charts Lie: Getting Smarter about Visual Information (W. W. Norton, 2019), data visualization expert Alberto Cairo teaches us to not only spot the lies in deceptive visuals, but also to take advantage of good ones to understand complex stories. Public conversations are increasingly propelled by numbers, and to make sense of them we must be able to decode and use visual information. By examining contemporary examples ranging from election-result infographics to global GDP maps and box-office record charts, How Charts Lie demystifies an essential new literacy, one that will make us better equipped to navigate our data-driven world. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Claudia Moscovici’s recent book, Holocaust Memories: A Survey of Holocaust Memoirs, Histories, Novels, and Films (Hamilton Books, 2019), is intended for educators and politicians to draw attention to and educate people about the Never Again Education Act.Moscovici: “Nearly eighty years have passed since the Holocaust. There have been hundreds of memoirs, histories and novels written about it, yet many fear that this important event may fall into oblivion. As Holocaust survivors pass away, their legacy of suffering, tenacity and courage could be forgotten. It is up to each generation to commemorate the victims, preserve their life stories and hopefully help prevent such catastrophes. These were my main motivations in writing this book, Holocaust Memories, which includes reviews of memoirs, histories, biographies, novels and films about the Holocaust.It was difficult to choose among the multitude of books on the subject that deserve our attention. I made my selections based partly on the works that are considered to be the most important on the subject; partly on wishing to offer some historical background about the Holocaust in different countries and regions that were occupied by or allied themselves with Nazi Germany, and partly on my personal preferences, interests and knowledge.The Nazis targeted European Jews as their main victims, so my book focuses primarily on them. At the same time, since the Nazis also targeted other groups they considered dangerous and inferior, I also review books about the sufferings of the Gypsies, the Poles and other groups that fell victim to the Nazi regimes.In the last part, I review books that discuss other genocides and crimes against humanity, including the Stalinist mass purges, the Cambodian massacres by the Pol Pot regime and the Rwandan genocide. I want to emphasize that history can, indeed, repeat itself, even if in different forms and contexts. Just as the Jews of Europe were not the only targets of genocide, Fascist regimes were not its only perpetrators.” Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Since the fall of the Indonesian New Order regime in 1998 there has been a steady rise of Islamic popular culture in the nation. Muslim consumers and producers have cultivated a mediated domain where they can encounter commercial entertainment though the prism of spiritual reflection and piety. In Gender and Islam in Indonesian Cinema (Palgrave Macmillan, 2017), Alicia Izharuddin, Women's Studies in Religion Program Research Associate at Harvard Divinity School, explores the development of the Islamic film genre with a specific focus on gender representation. Indonesian cinema throughout the New Order era focused on Muslim characters, both men and women, frequently framing them in nationalistic ideals. But after the record success of 2008’s film, Ayat-Ayat Cinta (Verses of Love), the viewing preferences of Indonesian Muslim audiences were met with a slew of Islamically themed films. These often contained the repetition of formulaic tropes and symbols deemed Islamic in order to sell out the box office. In our conversation we discussed the characteristics of the film Islami genre, the importance of gender analysis and feminist methodologies, the role of women as actors and filmmakers, idealized masculinities, the public piety of celebrity actresses, producing a “Good Muslim”/ “Bad Muslim” narrative dichotomy, films about the famous Wali Songo saints, and mediated public Islamic values in contemporary Indonesia.Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

What is it about ancient monsters that popular culture still finds so enthralling? Why do the monsters of antiquity continue to stride across the modern world? In Tracking Classical Monsters in Popular Culture (Bloomsbury Academic, 2019), the first in-depth study of how post-classical societies use the creatures from ancient myth, Liz Gloyn reveals the trends behind how we have used monsters since the 1950s to the present day, and considers why they have remained such a powerful presence in our shared cultural imagination. She presents a new model for interpreting the extraordinary vitality that classical monsters have shown, and their enormous adaptability in finding places to dwell in popular culture without sacrificing their connection to the ancient world.Her argument takes her readers through a comprehensive tour of monsters on film and television, from the much-loved creations of Ray Harryhausen in Clash of the Titans to the monster of the week in Hercules: The Legendary Journeys, before looking in detail at the afterlives of the Medusa and the Minotaur. She develops a broad theory of the ancient monster and its life after antiquity, investigating its relation to gender, genre and space to offer a bold and novel exploration of what keeps drawing us back to these mythical beasts. From the siren to the centaur, all monster lovers will find something to enjoy in this stimulating and accessible book.Aven McMaster and Mark Sundaram are historians and the hosts of the excellent podcast The Endless Knot. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film