New Books in Film

With her book Hollywood in China: Behind the Scenes of the World's Largest Movie Market (New Press, 2022), media scholar Ying Zhu explores the 100+ year relationship between what are now the world's two largest movie markets: China and the United States. Zhu is a Professor at Hong Kong Baptist University's Academy of Film, and the founder/chief editor of Global Storytelling: Journal of Digital and Moving Images. Hollywood in China (July 2022, The New Press) is her fourth book, and it offers a comprehensive chronology of the Hollywood-China relationship, with numerous specific case studies. In this podcast, Anthony Kao chats with Zhu about the book, and delves into matters like reactions to "China-humiliation films" during the 1911-1949 Republican Era, Madame Mao's penchant for Hollywood classics, and what the future might hold for relations between China and Hollywood. Some movie recommendations from Ying Zhu (learn more by listening until the end of this episode): From the 1990s: Zhang Yimou's To Live and Tian Zhuangzhuang's Blue Kite (discussed more in one of Ying's earlier books) From the 2000s: Li Yang's Blind Shaft (analyzed in one of Ying's articles) From the 2010s: Feng Xiaogang's I Am Not Madame Bovary (explored in Hollywood in China) Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, The Diplomat, and Eater. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

When Maya Phillips first saw the opening of Star Wars, Episode V: The Empire Strikes Back, she knew her life would change forever. She then spent her formative years loving not just the Star Wars saga but superhero cartoons, anime, Buffy the Vampire Slayer, Harry Potter, Tolkien, and Doctor Who. In Nerd: Adventures in Fandom from This Universe to the Multiverse (Atria Books, 2022), Phillips, a critic at large for the New York Times, presents an incisive essay collection that explores race, religion, sexuality, class, and gender through the lens of pop culture fandoms.Maya Phillips received her BFA in writing, literature, and publishing with a concentration in poetry from Emerson College and her MFA in poetry from Warren Wilson's MFA Program for Writers.Latoya Johnson is an editor, writer, and bibliophile with a master's in humanities. Her research and writing interests include reading in popular culture, the public history of fiction writing, and women in Greco-Roman mythology. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In this episode, Dr. Kenny Linden, an environmental and animal historian of Mongolia and Inner Asia, joins me to discuss the Disney+ Star Wars prequel series Andor and its real-world parallels to pastoralism and the treatment of pastoralists in Central and East Asia by state authorities. We talk about nomadism in the Star Wars universe, depictions of nomads in pop culture, and the planet Aldhani in Andor as a reflection of modern histories of pastoralism and nomad-state relations in Central and Inner Asia.Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Chris Kempshall's The History and Politics of Star Wars: Death Stars and Democracy (Routledge, 2022) provides the first detailed and comprehensive examination of all the materials making up the Star Wars franchise relating to the portrayal and representation of real-world history and politics.Drawing on a variety of sources, including films, published interviews with directors and actors, novels, comics, and computer games, this volume explores the ways in which historical and contemporary events have been repurposed within Star Wars. It focuses on key themes such as fascism and the Galactic Empire, the failures of democracy, the portrayal of warfare, the morality of the Jedi, and the representations of sex, gender, and race. Through these themes, this study highlights the impacts of the fall of the Soviet Union, the War on Terror, and the failures of the United Nations upon the ‘galaxy far, far away’. By analysing and understanding these events and their portrayal within Star Wars, it shows how the most popular media franchise in existence aims to speak about wider contemporary events and issues.If you are interested in the purchase of the book, you may use the following code for a 25% discount: HPSW25.Roberto Mazza is visiting professor at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter: @robbyref Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In 1966 Stanley Kubrick told a friend that he wanted to make “the world’s scariest movie.” A decade later Stephen King’s The Shining landed on the director’s desk, and a visual masterpiece was born. J. W. Rinzler and Lee Unkrich's book Stanley Kubrick's The Shining (Taschen, 2023) is the definitive compendium of the film that transformed the horror genre features hundreds of never-before-seen photographs, rare production ephemera from the Kubrick Archive, and extensive new interviews with the cast and crew.Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Dr. Tim Harte's Faster, Higher, Stronger, Comrades!: Sports, Art, and Ideology in Late Russian and Early Soviet Culture (U Wisconsin Press, 2020) looks at sport as artistic subject matter, in late Imperial and early Soviet Russia. In sport, artists found inspiration that could be applied both to improvement of the self and to social progress as artists defined it. In the long run, the constraints of the Socialist Realist aesthetic came to constrain the creative freedom of artists, but until the late 1920's, sport served as a focus of genuine artistic interest, for its own sake and for its ability to provide a reservoir of metaphors that artists could use to make broader, more ideological commentary.Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Today Recall this Book welcomes Zachary Horton, Associate Professor of Literature and director of the Vibrant Media Lab at University of Pittsburgh; game designer, filmmaker and camera designer. Out of all these endeavors, he came to talk about his book The Cosmic Zoom Scale, Knowledge, and Mediation.This dizzying book begins with a bravura description of a movie we both loved as kids: The Powers of Ten by Charles and Ray Eames. It's a view of two people enjoying a picnic zooms up and away to show their surroundings, all the way up into space then zooms back in for a close-up of the hand of the picnicker, ending top at the atomic level . The book, uses the cosmic zoom as a starting point to develop a cross-disciplinary theory of scale as mediated difference.Zack shares his worries about scale literacy, and what happens when we diverge from the "meso-scale of the human sensorium." John approaches scale by way of Naturalism and SF in the late 19th century, both of which refuse the meso-scale aesthetic realism of their day in order to anchor it at a different scale. Elizabeth asks about temporal scales and geology's activation of human sense of humans' scalar insignificance.Mentioned in this episode: Italo Calvino The Complete Cosmicomics The Holy Bible Kees Boeke, Cosmic View: the University in 40 Jumps PBS, The Bigger Picture Voltaire, Micromegas Mark Twain, 3000 Years Among the Microbes Read transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Art has a long history of engaging with conflict and violence. From the antiquities, through Goya, to Guernica, our museums are filled with depictions of battles, pogroms, uprisings, and their suppression. Not all of these stories are told from the perspective of the victors.Many contemporary creatives have continued this tradition. While the position of the official war artist seems to have gone out of fashion, conflict hasn’t. Artists are compelled to document the violence and conflict that for some is the matter of the everyday.Kaelan Wilson-Goldie's Beautiful, Gruesome, and True: Artists at Work in the Face of War (Columbia Global Reports, 2022) is an account of the lives and practices of three such artists Teresa Margolles, Amar Kanwar, and the collective Abounadorra. The documents which these practices produce have found their way into the mainstream contemporary art world, for better, or often worse.Kaelan Wilson-Goldie speaks about the implicit contracts artists enter with their communities, the art world's exploitative interest in conflict, and the role of aesthetic expression in mediating, if not ameliorating conflict.Kaelen Wilson-Goldie is a writer and critic who contributes regularly to Artforum, Aperture, and Afterall, among other publications. She is the author of Etel Adnan, a monographic study on the paintings of the Lebanese-American poet Etel Adnan, and a contributor to numerous books on modern and contemporary art, including Art Cities of the Future: 21st-Century Avant-Gardes and Huguette Caland: Everything Takes the Shape of a Person. She lives in New York City and Beirut.Teresa Margolles was born in Culiacán, Mexico, and is a conceptual artist known for incorporating the physical memory of conflict and pain into her work. Documentation of Margolles' pavilion in in Venice in 2009, Her works at Mor Charpenter and Peter Kilchmann, Her Fourth Plinth proposal for London. Abounaddara is an anonymous collective known for producing more than 400 short films chronicling the uprising and civil war in Syria. Abounaddara at Documenta 14, The Right to the Image (in Arabic) The Islamic State for Dummies - Part One, 2014. Amar Kanwar was born in New Delhi, India, and has distinguished himself through films and multi‐media works which explore the politics of power, violence and justice. Amar Kanwar's The Season Outside, 1997, and Many Faces of Madness, 2000. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Alan Moore’s and Dave Gibbons’s Watchmen fundamentally altered the perception of American comic books and remains one of the medium’s greatest hits. Launched in 1986—“the year that changed comics” for most scholars in comics studies—Watchmen quickly assisted in cementing the legacy that comics were a serious form of literature no longer defined by the Comics Code era of funny animal and innocuous superhero books that appealed mainly to children.After Midnight: Watchmen After Watchmen (U Mississippi Press, 2022) looks specifically at the three adaptations of Moore’s and Gibbons’s Watchmen—Zack Snyder’s Watchmen film (2009), Geoff Johns’s comic book sequel Doomsday Clock (2017), and Damon Lindelof’s Watchmen series on HBO (2019). Divided into three parts, the anthology considers how the sequels, especially the limited series, have prompted a reevaluation of the original text and successfully harnessed the politics of the contemporary moment into a potent relevancy. The first part considers the various texts through conceptions of adaptation, remediation, and transmedia storytelling. Part two considers the HBO series through its thematic focus on the relationship between American history and African American trauma by analyzing how the show critiques the alt-right, represents intergenerational trauma, illustrates alternative possibilities for Black representation, and complicates our understanding of how the mechanics of the show’s production can complicate its politics. Finally, the book’s last section considers the themes of nostalgia and trauma, both firmly rooted in the original Moore and Gibbons series, and how the sequel texts reflect and refract upon those often-intertwined phenomena.Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The traditional folklore and animistic beliefs of the Sámi, the Indigenous nomadic peoples of northern Sweden, Norway, Finland, and Russia, are under-studied and their cultural significance rarely acknowledged, even in the Scandinavian countries where Sámi traditions have intermingled with mainstream ones. The spread of Christianity and the influence of Christian missionaries in the Scandinavian north have especially distorted and shaped the reception and transmission of Sámi religious beliefs and practices in the modern era. The traditional Sámi religion recently gained widespread attention and reconsideration from a somewhat unexpected source, however, thanks to the incorporation of elements of Sámi folklore in Walt Disney Animation Studios' Frozen movie series. In this episode, artist and folklorist Niina Niskanen joins me to discuss her research into Sámi religious systems, folklore and oral culture, the cultural impacts of Sámi beliefs on mainstream Scandinavian society, how Sámi folklore traditions are represented in mass media, and how pop culture artifacts like Disney's Frozen have prompted a resurgence of interest in Sámi folklore and introduced Sámi culture to a new audience. This episode is part two of a two-part series looking at the Sámi in Disney's Frozen movies; part one, focusing on the making of Frozen II, can be listened to here.Music in this episode: Desert City by Kevin MacLeod. License. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film