New Books in Film

This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture.From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons & Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators.The Fantasy of the Middle Ages: An Epic Journey Through Imaginary Medieval Worlds (J. Paul Getty Museum, 2022) aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars.This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022.Larisa Grollemond is the assistant curator of manuscripts at the J. Paul Getty Museum. She received her Ph.D. in art history from the University of Pennsylvania and was a contributing editor for Book of Beasts: The Bestiary in the Medieval World (Getty Publications, 2019).Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of the global Middle Ages and fantasy medievalisms. He holds a Ph.D. from the Courtauld Institute of Art, at the University of London.Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master’s in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In Autonomy: The Social Ontology of Art under Capitalism (Duke University Press, 2019), Nicholas Brown offers a fresh perspective on aesthetic autonomy and its political value, one of the great debates of the twentieth century. The monograph illustrates the viability of the modernist project in the era after postmodernism while offering one illuminating reading after another of contemporary examples in novels, photography, sculpture, popular music, TV, or movies. Brown defends art as a liberatory force in an age dominated by markets. By exploring the nuances of artistic production, Autonomy is a feast of delicious and insightful appraisals of artwork—with surprising turns and twists—within a larger context of the dialectics between art and market. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In this podcast, the host, Lara Momesso, interviews the Taiwanese movie director Asio Liu on his most recent movie project on the Vietnamese refugee camps in Penghu. Many of us are familiar with the inexorable flow of Vietnamese boat people right after the end of the war in Vietnam. Though, very few know that some of the Vietnamese boat people landed in Penghu, in the Taiwan Strait, just off the west coast of Taiwan and they ended up living there until they were resettled. The Penghu refugee camps were destroyed at the beginning of the 2000s. By revealing the process of discovering the refugee camps in Penghu and connecting with the refugees who have been there, Asio discusses personal and collective aspects of a phenomenon that brings together global, regional and local issues and which has become the subject of a 20 year-long project.For those who are interested to know more about this issue, here you can find some links: Asio Liu asio.liu@gmail.com Instagram: The Chiangmei Refugee Archive (CRAA) Facebook: @澎湖難民營三部曲 Penghu Refugee Camps Trilogy at the Taiwan Strait Twitter: @CRAA_Chiangmei Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Dive into the question of why audiences love Shakespeare’s plays and Game of Thrones so much, despite their depictions of prejudice and violence, and discuss the unique power of tragic art. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In The Politics of the Marvel Cinematic Universe (UP of Kansas, 2022), Drs. Nicholas Carnes and Lilly J. Goren ask what lessons does Marvel – a “hulking, hegemonic media franchise” teach the public? What might we learn about ourselves and our understanding of the world from this “cinematic juggernaut?”Popular texts encourage audiences to imagine worlds different from their own. Questioning their current political worlds is at the heart of speculative fiction. The Marvel Cinematic Universe is a “cultural leviathan” with numerous interconnected movies, streaming series on Disney+, and an increasingly diverse cast of superheroes. The Politics of the Marvel Cinematic Universe brings together over 25 scholars with diverse specialties and methodologies to analyze how the MCU narrates, reproduces, mirrors, and impacts political and social ideas. Dr. Carnes and Dr. Goren break the book into three main parts focusing on political origin stories, use and abuse of political power and evolving diversity in the bodies of the heroes, villains, and victims. The contributors interrogate how the MCU engages – and affects – political society using language accessible to MCU fans and providing contributions to research in various subfields of political science. They conclude that “Entertaiment media is itself a site where politically relevant messages are sent and received – pop culture is itself an arena of contemporary politics.”Nicholas Carnes is Professor of Public Policy and Sociology at Duke University. His publications include The Cash Ceiling: Why Only the Rich Run for Office—And What We Can Do About It (Princeton University Press, 2018) and White-Collar Government: The Hidden Role of Class in Economic Policy Making (University of Chicago Press, 2013).Lilly J. Goren is a Professor of Political Science and Global Studies at Carroll University and co-host of New Books in Political Science. Her publications include co-editing Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Publishers, 2015) and Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

What role do imaginary games have in story-telling? Why do fiction authors outline the rules of a game that the reader will never watch or play? Combining perspectives from philosophy, literature and game studies, Fictional Games: A Philosophy of Worldbuilding and Imaginary Play (Bloomsbury, 2023) provides the first in-depth investigation into the significance of games in fictional worlds. With examples from contemporary cinema and literature, from The Hunger Games to the science fiction of Iain M. Banks, Stefano Gualeni and Riccardo Fassone introduce four key functions that different types of imaginary games have in worldbuilding. First, fictional games can emphasize the dominant values and ideologies of the fictional society they belong to. Second, some games function as critical, utopian tools, inspiring shifts in the thinking and political orientation of the fictional characters. Third, imaginary games, especially those with a magical component, are conducive to the transcendence of a particular form of being, such as the overcoming of human corporeality. And fourth, fictional games can deceptively blur the boundaries between the contingency of play and the irrevocable seriousness of "real life", either camouflaging life as a game or disguising a game as something with more permanent consequences. With illustrations in every chapter, bringing the imaginary games to life, Gualeni and Fassone creatively inspire us to consider fictional games anew: not as moments of playful reprieve in a storyline, but as significant and multi-layered rhetorical devices.Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

John W. Bubbles was an actor, singer, comedian, and most importantly, a dancer. Born in 1902, Bubbles was an innovator in the jazz tap style and half of the great vaudeville act, "Buck and Bubbles," with his partner pianist Buck Washington. Brian Harker tells Bubbles' story in Sportin’ Life: John W. Bubbles, An American Classic (Oxford University Press, 2022). Bubbles’ long career, which largely ended after a stroke in 1967, spanned several significant shifts in American popular entertainment. He started entertaining audiences in vaudeville just as films began to dominate the landscape followed by television. Harker tells the story of Bubbles’ tumultuous life and situates his career as a Black dancer within segregated America and an entertainment industry that perpetuated racist stereotypes and exploited its workers—especially those from minoritized communities. Although Bubbles originated the role of Sportin’ Life in George Gershwin’s Porgy and Bess, he has largely slipped out of American memory. Harker restores Bubbles to his rightful place as an innovative dancer and an important figure in twentieth-century American popular entertainment.Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

For this installment, we had the pleasure of hosting Maja Korbecka, a PhD candidate at Freie Universitat Berlin. We chatted about five East Asian films released between 2016 and 2022, and the topics of queer, sci-fi and the family. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Beginning in the 1920s, audiences around the globe were seduced not only by Hollywood films but also by lavish movie theaters that were owned and operated by the major American film companies. These theaters aimed to provide a quintessentially “American” experience. Outfitted with American technology and accoutrements, they allowed local audiences to watch American films in an American-owned cinema in a distinctly American way.In a history that stretches from Buenos Aires and Tokyo to Johannesburg and Cairo, Ross Melnick considers these movie houses as cultural embassies. He examines how the exhibition of Hollywood films became a constant flow of political and consumerist messaging, selling American ideas, products, and power, especially during fractious eras. Melnick demonstrates that while Hollywood’s marketing of luxury and consumption often struck a chord with local audiences, it was also frequently tone-deaf to new social, cultural, racial, and political movements. He argues that the story of Hollywood’s global cinemas is not a simple narrative of cultural and industrial indoctrination and colonization. Instead, it is one of negotiation, booms and busts, successes and failures, adoptions and rejections, and a precursor to later conflicts over the spread of American consumer culture. A truly global account, Hollywood's Embassies: How Movie Theaters Projected American Power Around the World (Columbia UP, 2022) shows how the entanglement of worldwide movie theaters with American empire offers a new way of understanding film history and the history of U.S. soft power.Ross Melnick is professor of film and media studies at the University of California, Santa Barbara. He is the author of American Showman: Samuel “Roxy” Rothafel and the Birth of the Entertainment Industry, 1908–1935 (Columbia, 2012) and co-editor of Rediscovering U.S. Newsfilm: Cinema, Television, and the Archive (2018).Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

For this instalment, we had the pleasure of hosting Teri Silvio, who works as Research Fellow at the Academia Sinica Institute of Ethnology. We chatted about Teri’s recently published book, Puppets, Gods and Brands. Theorizing the Age of Animation from Taiwan (2019), her previous work and current projects.To find out more about performance and animation, a Taiwan-centered mode of animation (ang-a), cute gods and designer toys, please listen to this episode! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film