New Books in Film

First introduced in the pages of X-Men, Storm is probably the most recognized Black female superhero. She is also one of the most powerful characters in the Marvel Universe, with abilities that allow her to control the weather itself. Yet that power is almost always deployed in the service of White characters, and Storm is rarely treated as an authority figure.Hero Me Not: The Containment of the Most Powerful Black, Female Superhero (Rutgers UP, 2023) offers an in-depth look at this fascinating yet often frustrating character through all her manifestations in comics, animation, and films. Chesya Burke examines the coding of Storm as racially “exotic,” an African woman who nonetheless has bright white hair and blue eyes and was portrayed onscreen by biracial actresses Halle Berry and Alexandra Shipp. She shows how Storm, created by White writers and artists, was an amalgam of various Black stereotypes, from the Mammy and the Jezebel to the Magical Negro, resulting in a new stereotype she terms the Negro Spiritual Woman.With chapters focusing on the history, transmedia representation, and racial politics of Storm, Burke offers a very personal account of what it means to be a Black female comics fan searching popular culture for positive images of powerful women who look like you.Katrina Anderson is a doctoral candidate at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Today’s episode of POSTSCRIPT explores and examines director Greta Gerwig’s film, Barbie. This Warner Brothers’ movie has been in theaters for under a month but has crossed the $1 billion dollar mark during that time, breaking all kinds of box office records and making Gerwig the first solo female director to enter this rarified realm. Barbie is now Warner Brothers’ most successful film, surpassing Christopher Nolan’s The Dark Knight, which had held that position at Warner Brothers. Barbie has hit a kind of cultural and cinematic sweet spot—with a marketing campaign around the movie establishing pink as the new black, bringing in Barbie-connected products across almost all consumer platforms, from Barbie-themed furniture to holiday home rentals, from lunchboxes and tee-shirts to new Mattel Barbies reflecting characters in the film. Barbie has also received positive reviews in the United States and globally, with audience members attending the film in pink clothing and accessories, often accompanied by friends and family members. Thus, Barbie is more than a summer tent-pole release, though it certainly has fulfilled that particular role. Barbie is more of an event—driving theater attendance, conversations, and in-person community experiences.In this episode, I am joined by four scholars and experts to discuss “all things Barbie” as we examine the narrative of the film itself, the questions of gender and feminism, patriarchy, and sexuality. We also dive into the marketing campaign, the tensions between capitalism, neoliberalism, postfeminism, and an original intellectual property based on a consumer product. Dr. Linda Beail (Point Loma Nazarene University), Dr. Shuchi Kapila (Grinnell College), Dr. Danielle Hanley (Clark University), and Dr. Susan Liebell (St. Joseph University and co-host of the New Books in Political Science podcast) take up all these dimensions of this brightly colored film as we explore our thinking about this movie event that has landed in the post-Covid landscape of 2023.We all found the experience of seeing Barbie, in a movie theater, to be one filled with joy and fun, for ourselves, and among those in the theater with us. Join in our conversation about Barbie, since this is both a delightful cinematic experience and a film with something to say to its audience and the world around us.Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

How much will a viewer tolerate? What if you took away all the quick and easy ways in which movies dole out information? What if you made the hero less-than-wholly-admirable and the villain less-than-wholly-terrible? Would audiences still come along for the ride in that brown Le Mans with Popeye Doyle as he tries to catch the sniper who missed him? William Friedkin bet that they would--and won. Join us for a conversation about The French Connection, the classic 1971 police procedural. Topics include the chase, of course, but also the ways in which Popeye Doyle is not Dirty Harry, how the film’s perfect structure allows the viewers to go through a process along with the detectives, and how Popeye resembles a great literary figure from a novel that also ends in a thrilling chase.William Friedkin’s memoir, The Friedkin Connection, is an engaging read and includes much about the making of The French Connection. Robin Moore’s original book that inspired the film—which Friedkin claimed to never have finished reading—can be found here.Follow us on Twitter or Letterboxd. Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

David Humphrey’s The Time of Laughter: Comedy and the Media Cultures of Japan (U Michigan Press, 2023) examines the roles of mediated laughter in the media and cultural history of postwar Japan, with a strong focus on the temporality of laughter. As the book shows, comedy has been central to Japanese entertainment from the age of television to the age of social media, identifying the 1980s as a transformative decade. Humphrey’s narrative is particularly attentive to the ambivalent functions of laughter as both unifier and divider. Here, his attention to the gendering of laughter is particularly illuminating. The Time of Laughter is a welcome academic intervention to a critical but, at least in the English-language literature, largely overlooked aspect of the history and culture of Japan over the past seven decades.Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

“Drifting” seems like a great word to describe many of Robert Altman’s films, especially California Split, his 1974 buddy film with Elliott Gould and George Segal as gamblers whose friendship is strengthened by their losses. But Mike argues that the film has a deep structure—and one based on a Disney film that we’ve all seen a hundred times. Elliott Gould’s special brand of cool, how gambling relies upon a combination of conviction and control, and the ways in which the film is as interested in poker players as the game itself all come into the conversation. Go ahead—draw on that inside straight and give it a listen!In this episode Dan reads a short passage from Frederick and Steven Barthelme’s memoir Double Down: Reflections on Gambling and Loss, a terrific glimpse into what motivates otherwise rational people to bet thousands of dollars on the turn of a card. Frederick Barthelme’s Bob the Gambler and Paul Auster’s The Music of Chance are two of the hosts’ favorite gambling-related novels.Follow us on Twitter or Letterboxd. Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

From the noted Hollywood biographer comes this celebration of the great American love story—the romance between Lauren Bacall and Humphrey Bogart—capturing its complexity, contradictions, and challenges as never before.In Bogie and Bacall: The Surprising True Story of Hollywood's Greatest Love Affair (Harper, 2023), William Mann offers a deep and comprehensive look at Lauren Bacall, Humphrey Bogart, and the unlikely love they shared. Mann details their early years—Bogart’s effete upbringing in New York City; Bacall’s rise as a model and actress. He paints a vivid portrait of their courtship and twelve-year marriage: the fights, the reconciliations, the children, the affairs, Bogie’s illness and Bacall’s steadfastness until his death. He offers a sympathetic yet clear-eyed portrait of Bacall’s life after Bogie, exploring her relationships with Frank Sinatra and Jason Robards, who would become her second husband, and the identity crisis she faced.Surpassing previous biographies, Mann digs deep into the celebrities’ personal lives and considers their relationship from surprising angles. Bacall was just nineteen when she started dating the thrice-married forty-five-year-old Bogart. How might that age gap have influenced their relationship? In addition to what she gained, what might Bacall have lost by marrying a Hollywood superstar more than twice her age? How did Bogart, a man of average looks, become one of the greatest movie stars of all time? Throughout, Mann explains the unparalleled successes of their individual careers as well as the extraordinary love between them and the legend that has endured.Filled with entertaining details and thoughtful insights based on newly available records and correspondence, and illustrated with 30-40 photographs, Bogie & Bacall offers a fresh look at this famous couple, their remarkable relationship, and their legacy.William J. Mann has written biographies of Marlon Brando, Katherine Hepburn, Barbara Streisand, and Elizabeth Taylor. In his words, “I live in two of the most beautiful places on the planet: Provincetown, Massachusetts, with its exquisite light and ever-shifting dunes in the summer and the fall, and Palm Springs, California, with its majestic mountains and invigorating desert air in the winter and the spring. I am indeed blessed.”Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

What is it like to experience emotions without being able to identify their sources? What happens when a person feels intense self-loathing but cannot articulate why—even as his star rises? Join Mike and Dan for an extended conversation about Raging Bull, Martin Scorsese’s 1980 masterpiece and a film that it took the guys three years of podcasting to get the nerve to tackle. Dan explains why Raging Bull is a film that Flannery O’Connor would have admired; Mike talks about what happens when the violence confined by sports to a specific place spills over into other spaces; both debate the degree to which Jake can understand himself at the end of the film. As a portrait of a soul in distress, Raging Bull is one of the best.Peter Biskind’s terrific Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'N' Roll Generation Saved Hollywood tells the story of how Raging Bull was made and how it marked the end of one of the greatest eras in American film.Follow us on Twitter or Letterboxd. Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Jonathon Fessenden, theologian and editor of Missio Dei, invited me to talk about The Fourth Wise Man, the 1985 film based on the 1895 Henry van Dyke novella, The Other Wise Man. It was a tale I had known as a children’s story, but it was a delight to learn more about it, to watch this movie (a few times), and to share this discussion with Jonathon. Martin Sheen plays Artaban, a Persian astrologer, a magus (one of the magi), who is following the star to the birth of Christ. But he arrives too late and spends the next thirty years pursuing Jesus, always one step behind, but always in His footsteps.The first link below is to the movie itself (71 minutes) on YouTube: The film, The Fourth Wise Man, on YouTube, also on Formed, and on Amazon. Our video of this discussion on the Missio Dei website and also on YouTube. Henry van Dyke’s eulogy for Mark Twain from the New York Times. Henry van Dyke’s poem, “Time Is.” Henry van Dyke’s The Other Wise Man on Wikipedia. Jonathon Fessenden on Almost Good Catholics, episode 37: Catholic Movies, Pt. 1: Silence and The Scarlet and the Black Jonathon Fessenden on Almost Good Catholics, episode 49: Catholic Movies, Pt. 2: The Mission and A Man for All Seasons Jonathon Fessenden on Almost Good Catholics, episode 58: The Book of Job: Why Do Bad Things Happen to Good People? Krzysztof Odyniec is a historian of Medieval and Early Modern Europe; he is also the host of the 'Almost Good Catholics' podcast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Computer graphics (or CG) has changed the way we experience the art of moving images. Computer graphics is the difference between Steamboat Willie and Buzz Lightyear, between ping pong and PONG. It began in 1963 when an MIT graduate student named Ivan Sutherland created Sketchpad, the first true computer animation program. Sutherland noted: "Since motion can be put into Sketchpad drawings, it might be exciting to try making cartoons." This book, the first full-length history of CG, shows us how Sutherland's seemingly offhand idea grew into a multibillion dollar industry.In Moving Innovation, Tom Sito--himself an animator and industry insider for more than thirty years--describes the evolution of CG. His story features a memorable cast of characters--math nerds, avant-garde artists, cold warriors, hippies, video game enthusiasts, and studio executives: disparate types united by a common vision. Sito shows us how fifty years of work by this motley crew made movies like Toy Story and Avatar possible.Tom Sito has been a professional animator since 1975. One of the key players in Disney’s animation revival of the 1980s and 1990s, he worked on such classic Disney films as The Little Mermaid (1989), Beauty and the Beast (1991), and The Lion King (1994). He left Disney to help set up the Dreamworks Animation Unit in 1995. He is Professor of Cinema Practice in the School of Cinematic Arts at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

This field-defining collection establishes unfinished film projects--abandoned, interrupted, lost, or open-ended--as rich and under-appreciated resources for feminist film and media studies. In deeply researched and creatively conceived chapters, scholars join with film practitioners in approaching the unfinished film as an ideal site for revealing the lived experiences, practical conditions, and institutional realities of women's film production across historical periods and national borders. Alix Beeston and Stefan Solomon's Incomplete: The Feminist Possibilities of the Unfinished Film (U California Press, 2023) recovers projects and practices marginalized in film industries and scholarship alike, while also showing how feminist filmmakers have cultivated incompletion as an aesthetic strategy. Objects of loss and of possibility, incomplete films raise profound historiographical and ethical questions about the always unfinished project of film history, film spectatorship, and film studies.Host Annie Berke sits down with editors Alix Beeston and Stefan Solomon to ask how this project originated, what makes a film "incomplete," and what unfinished work has to tell us about the nature of cinema and art.Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film