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New Books in Film

Latest episodes

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Aug 2, 2023 • 60min

Alix Beeston and Stefan Solomon, "Incomplete: The Feminist Possibilities of the Unfinished Film" (U California Press, 2023)

This field-defining collection establishes unfinished film projects--abandoned, interrupted, lost, or open-ended--as rich and under-appreciated resources for feminist film and media studies. In deeply researched and creatively conceived chapters, scholars join with film practitioners in approaching the unfinished film as an ideal site for revealing the lived experiences, practical conditions, and institutional realities of women's film production across historical periods and national borders. Alix Beeston and Stefan Solomon's Incomplete: The Feminist Possibilities of the Unfinished Film (U California Press, 2023) recovers projects and practices marginalized in film industries and scholarship alike, while also showing how feminist filmmakers have cultivated incompletion as an aesthetic strategy. Objects of loss and of possibility, incomplete films raise profound historiographical and ethical questions about the always unfinished project of film history, film spectatorship, and film studies.Host Annie Berke sits down with editors Alix Beeston and Stefan Solomon to ask how this project originated, what makes a film "incomplete," and what unfinished work has to tell us about the nature of cinema and art.Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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Jul 31, 2023 • 24min

The Great Dictator

What’s the most edgy film you’ve ever seen—one that makes you uncomfortable and doesn’t tell you how to feel or react? We’d bet that it isn’t as close to the bleeding edge as Charlie Chaplin’s 1940 The Great Dictator, his first talkie and still highest-grossing film. Chaplin’s beloved Tramp fumbling with a soup spoon is one thing; his running from stormtroopers is quite another. Join Mike and Dan for a conversation about the issues raised in Chaplin’s greatest work as well as his bravery in making it.In this episode, Dan reads a quotation by Charlie Chaplin, quoted in Scott Eyman’s terrific 2023 biography, Charlie Chaplin vs. America. (Check out the New Books Network later this fall for an interview with the author.) You can read what Chaplin himself said about The Great Dictator in this collection of interviews and his own autobiography.Follow us on Twitter or Letterboxd. Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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Jul 30, 2023 • 36min

Film Chat: Hsin-Chien Huang on VR Film in Taiwan

The host was Adina Zemanek, in conversation with Hsin-Chien Huang, a new media creator with a background in art, design and digital entertainment, whose works have been exhibited and won awards at many renowned international venues. We talked about his experience in creating immersive films, major themes his works have addressed, the role of immersive film in expanding our field of vision and its particularities in terms of storytelling strategies, as well as Taiwan as an environment for producing VR film. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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Jul 26, 2023 • 56min

Penelope Ingram, "Imperiled Whiteness: How Hollywood and Media Make Race in 'Postracial' America" (UP of Mississippi, 2023)

In Imperiled Whiteness: How Hollywood and Media Make Race in "Postracial" America (University Press of Mississippi, 2023), Penelope Ingram examines the role played by media in the resurgence of white nationalism and neo-Nazi movements in the Obama-to-Trump era. As politicians on the right stoked anxieties about whites “losing ground” and “being left behind,” media platforms turned whiteness into a commodity that was packaged and disseminated to a white populace. Reading popular film and television franchises (Planet of the Apes, Star Trek, and The Walking Dead) through political flashpoints, such as debates over immigration reform, gun control, and Black Lives Matter protests, Ingram reveals how media cultivated feelings of white vulnerability and loss among white consumers. By exploring the convergence of entertainment, news, and social media in a digital networked environment, Ingram demonstrates how media’s renewed attention to “imperiled whiteness” enabled and sanctioned the return of overt white supremacy exhibited by alt-right groups in the “Unite the Right” rally in Charlottesville in 2017 and the Capitol riots in 2021.Anna E. Lindner received her doctorate in Communication from Wayne State University. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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Jul 24, 2023 • 20min

Mission Impossible: Dead Reckoning Part One

Ethan Hunt’s mission in this seventh installment of the series might seem as challenging as Tom Cruise’s: to get people back in theaters for an almost three-hour movie that they know won’t be resolved at the end. But is there anything Tom Cruise can’t do? Mike and Dan react to Dead Reckoning Part One and how it fits in the chain of the Mission Impossible films. Along the way, they talk about how Tom Cruise is like Jackie Chan, why creating the character of Gabriel lets the filmmakers have an AI plot and fistfights on a train, and how a successful film franchise resembles the Grateful Dead. This episode ends with Dan going on record about what will happen in Dead Reckoning Part Two—do you agree? Listen and let them know!Check out Amy Johnston’s How to Stunt in Hollywood for interviews with professionals who do the terrifying work for all the rest of the actors who aren’t Tom Cruise. You might also enjoy Danger on the Silver Screen, Scott McGee’s appreciation of cinema’s greatest stunts.Follow us on Twitter or Letterboxd. Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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Jul 20, 2023 • 20min

Bombay Talkies

Debashree Mukherjee talks about the pioneering film studio founded in 1934 in the city of Bombay (now Mumbai) by Himansu Rai and Devika Rani. Its cast and crew of diverse global origins and training, offer new ways of writing the history of labor in Indian Cinema. In the accompanying B-Side episode, she focuses on her new book Bombay Talkies: An Unseen History of Indian Cinema, which features rare behind-the-scenes photographs from the personal archive of cinematographer Josef Wirsching. Wirsching brought the influence of German Expressionism to Indian cinema, and was responsible for the cinematic stylings of groundbreaking films like Achhyut Kanya (1936), Mahal (1949), and Pakeezah (1972).Debashree Mukherjee is Associate Professor of film and media in the Department of Middle Eastern, South Asian, and African Studies (MESAAS) at Columbia University. Her first book, Bombay Hustle: Making Movies in a Colonial City (2020), approaches film history as an ecology of material practices and practitioners. Her second book project, Camera Obscura: Media at the Dawn of Planetary Extraction, develops a media history of oceanic migrations and plantation capitalism. Debashree edits the peer-reviewed journal BioScope: South Asian Screen Studies and in a previous life she worked in Mumbai’s film and TV industries as an assistant director, writer, and cameraperson.Image: Sourced from Bombay Talkies: An Unseen History of Indian Cinema with permission. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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Jul 20, 2023 • 14min

Wirsching: Bombay Talkies B-Side

In this episode of High Theory, we continue our conversation with Debashree Mukherjee about the pioneering film studio Bombay Talkies, founded in 1934 in the city of Bombay (now Mumbai) by Himansu Rai and Devika Rani. Here, she focuses on cinematographer Josef Wirsching, whose rare behind-the-scenes photographs of life and work at the studio appear in her new book Bombay Talkies: An Unseen History of Indian Cinema. Wirsching fled fascism in Europe, and brought the influence of German Expressionism to Indian cinema, and was responsible for the cinematic stylings of groundbreaking films like Achhyut Kanya (1936), Mahal (1949), and Pakeezah (1972). His experiences teach us about the stifling effects of fascism on art and the peculiarity of national cinema as an analytic category. The diverse global origins and training of the cast and crew his photographs document offer new ways of writing the history of labor in Indian Cinema.If you want to learn more about Debashree’s research, and her new book, listen back to our earlier episode called “Bombay Talkies.”Debashree Mukherjee is Associate Professor of film and media in the Department of Middle Eastern, South Asian, and African Studies (MESAAS) at Columbia University. Her first book, Bombay Hustle: Making Movies in a Colonial City (2020), approaches film history as an ecology of material practices and practitioners. Her second book project, Camera Obscura: Media at the Dawn of Planetary Extraction, develops a media history of oceanic migrations and plantation capitalism. Debashree edits the peer-reviewed journal BioScope: South Asian Screen Studies and in a previous life she worked in Mumbai’s film and TV industries as an assistant director, writer, and cameraperson.Image: Sourced from Bombay Talkies: An Unseen History of Indian Cinema with permission. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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Jul 19, 2023 • 1h 27min

Mani Sharpe, "Late-Colonial French Cinema: Filming the Algerian War of Independence" (Edinburgh UP, 2023)

In Late-Colonial French Cinema: Filming the Algerian War of Independence, Mani Sharpe peploys the term “late-colonial” to describe (mostly) French films made during, and in response to, the Algerian War of Independence (1954-1962). Sharpe argues that late-colonial cinema represents a formally and thematically important, yet unappreciated tendency in French cinema; one that has largely been overshadowed by a scholarly focus on the French New Wave. Sharpe contends that whilst late-colonial French cinema cannot be seen as a coherent cinematic movement, school of filmmaking, or genre, it can be seen as a coherent ethical trend, with many of the fifteen central case studies explored in Late-colonial French Cinema filtering the Algerian War of Independence through a discourse of “redemptive pacifism”.Dr. Mani Sharpe about Late-Colonial French Cinema: Filming the Algerian War of Independence out in 2023 with Edinburgh University Press. Dr. Sharpe is a Lecturer in Film Studies at the University of Leeds. He previously taught Film Studies at Newcastle University and La Sorbonne – Paris 3. Dr. Sharpe’s areas of expertise include: cinema and war; film studies; violence and visuality; de-colonisation; contemporary film theory; French cinema; the French New Wave; cultural studies; defacement; and the politics of the close-up. Dr. Sharpe earned his B.A. and M.A. at Leeds and his Ph.D. at Newcastle University. He is the author of several articles on late-colonial French cinema, having published in French Studies, Journal of European Studies, Journal of War and Culture Studies, and Studies in French Cinema, amongst others.Late-colonial French Cinema: Filming the Algerian War of Independence is his first book.Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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Jul 18, 2023 • 1h 23min

Xiaoning Lu, "Moulding the Socialist Subject: Cinema and Chinese Modernity (1949-1966)" (Brill, 2020)

Xiaoning Lu received her BA and MA in Chinese Literature and Language from Nanjing University and Fudan University respectively. She then earned her PhD in Comparative Literature from the State University of New York at Stony Brook. Prior to joining SOAS in 2010, she had taught cinema and cultural studies, modern Chinese literature and popular culture at Stony Brook University and Ludwig-Maximilian University of Munich.Xiaoning’s research focuses on the complex relationship between cultural production and state governance in modern China. She is the author of Moulding the Socialist Subject: Cinema and Chinese Modernity 1949-1966 (Brill, 2020) and co-editor of The Oxford Handbook of Communist Visual Cultures (OUP, 2020). Her writings on various aspects of Chinese socialist cinema and culture have appeared in journals and edited collections, including Journal of Chinese Cinemas, Journal of Contemporary China, Chinese Film Stars, Maoist Laughter, Surveillance in Asian Cinema: Under Eastern Eyes and Words and Their Stories: Essays on the Language of the Chinese Revolution. She was recently a recipient of a Leverhulme Research Fellowship through which she researched transnational film practices in the People’s Republic of China from 1949 to 1989.In addition to her scholarly work, Xiaoning is passionate at introducing contemporary Chinese films to UK audiences. With colleagues at Shanghai Art Film Federation, she co-curated Chinese Art Film Festival London Showcase from 2016 to 2018 exploring social and cultural issues in contemporary Chinese society, including the persistence of traditional values in China’s modernization and Chinese women’s filmmaking. Recognized for her regional expertise, she was invited to provide advice on China-related cultural production for the National Theatre, RDF television, and other media companies in the UK.Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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Jul 17, 2023 • 48min

Michele Meek, "Consent Culture and Teen Films: Adolescent Sexuality in US Movies" (Indiana UP, 2023)

Teen films of the 1980s were notorious for treating consent as irrelevant, with scenes of boys spying in girls' locker rooms and tricking girls into sex. While contemporary movies now routinely prioritize consent, ensure date rape is no longer a joke, and celebrate girls' desires, sexual consent remains a problematic and often elusive ideal in teen films.In Consent Culture and Teen Films: Adolescent Sexuality in US Movies (Indiana UP, 2023), Michele Meek traces the history of adolescent sexuality in US cinema and examines how several films from the 2000s, including Blockers, To All the Boys I've Loved Before, The Kissing Booth, and Alex Strangelove, take consent into account. Yet, at the same time, Meek reveals that teen films expose how affirmative consent ("yes means yes") fails to protect youth from unwanted and unpleasant sexual encounters. By highlighting ambiguous sexual interactions in teen films—such as girls' failure to obtain consent from boys, queer teens subjected to conversion therapy camps, and youth manipulated into sexual relationships with adults—Meek unravels some of consent's intricacies rather than relying on oversimplification.By exposing affirmative consent in teen films as gendered, heteronormative, and cis-centered, Consent Culture and Teen Films suggests we must continue building a more inclusive consent framework that normalizes youth sexual desire and agency with all its complexities and ambivalences.Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

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