Rope (1948) may not be top-shelf Hitchcock, but that doesn’t mean it isn’t interesting and worth repeated viewings. After arguing back at those who find Jimmy Stewart miscast, Mike and Dan talk about how the film stands as another example of Hitchcock using violence to dramatize the sex lives of his characters. Mike lists the ways in which the director resembles the killer, specifically Brandon: a Nabokovian figure through which Hitchcock shows the audience what it’s like to have an artistic temperament. Another Russian, Dostoevsky, comes into the conversation when Dan talks about Philip’s complaint that his former teacher is “plating Crime and Punishment.” It’s the kind of unscripted, enthusiastic conversation you have with your friends in the car on the way home from the movies—so put down the pâté and give it a listen!So many books have been written about Hitchcock, but the book-length interview by Francois Truffaut still stands as one of the best. It never gets old.Follow us on Twitter or Letterboxd. Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The New True Crime: How the Rise of Serialized Storytelling Is Transforming Innocence (NYU Press, 2023) by Dr. Diana Rickard examines how serialized crime shows became an American obsession.TV shows and podcasts like Making a Murderer, Serial, and Atlanta Monster have taken the cultural zeitgeist by storm, and contributed to the release of wrongly imprisoned people—such as Adnan Syed. The popularity of these long-form true crime docuseries has sparked greater attention to issues of inequality, power, social class, and structural racism. More and more, the American public is asking, Who is and is not deserving of punishment, and who is and is not protected by the law? In The New True Crime, Dr. Rickard argues that these new true crime series deserve our attention for what they reveal about our societal understanding of crime and punishment, and for the new light they shine on the inequalities of the criminal justice system. Questioning the finality of verdicts, framing facts as in the eye of the beholder—these new series unmoor our faith in what is knowable, even as, Rickard critically notes, they often blur the lines between “fact” and “fiction.”With a focus on some of the most popular true crime podcasts and streaming series of the last decade, Dr. Rickard provides an in-depth analysis of the ways in which this new media—which allows for binge-listening or watching—makes crime into a public spectacle and conveys ideological messages about punishment to its audience. Entertainment values have always been entwined with crime news reporting. Newsworthy stories, Rickard reminds us, need to involve sex, violence, or a famous person, and contain events that can be framed in terms of individualism and conservative ideologies about crime. Even as these old tropes of innocent victims and deviant bad guys still dominate these docuseries, Dr. Rickard also unpacks how the new true crime has been influenced by the innocence movement, a diverse group of organizers and activists, be they journalists, lawyers, formerly incarcerated people, or family members, who now have a place in mainstream consciousness as DNA evidence exonerates the wrongly convicted.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Godzilla emerged from the sea to devastate Tokyo in the now-classic 1954 film, produced by Tōhō Studios and directed by Ishirō Honda, creating a global sensation and launching one of the world’s most successful movie and media franchises. Awakened and transformed by nuclear weapons testing, Godzilla serves as a terrifying metaphor for humanity’s shortsighted destructiveness: this was the intent of Shigeru Kayama, the science fiction writer who drafted the 1954 original film and its first sequel and, in 1955, published these novellas.Although the Godzilla films have been analyzed in detail by cultural historians, film scholars, and generations of fans, Kayama’s two Godzilla novellas—both classics of Japanese young-adult science fiction—have never been available in English. Godzilla and Godzilla Raids Again: The Original Novellas by Shigeru Kayama (U Michigan Press, 2023) finally provides English-speaking fans and critics the original texts with these first-ever English-language translations of Godzilla and Godzilla Raids Again. The novellas reveal valuable insights into Kayama’s vision for the Godzilla story, feature plots that differ from the films, and clearly display the author’s strong antinuclear, proenvironmental convictions.Kayama’s fiction depicts Godzilla as engaging in guerrilla-style warfare against humanity, which has allowed the destruction of the natural world through its irresponsible, immoral perversion of science. As human activity continues to cause mass extinctions and rapid climatic change, Godzilla provides a fable for the Anthropocene, powerfully reminding us that nature will fight back against humanity’s onslaught in unpredictable and devastating ways.Shigeru Kayama (1904–1975) was a science fiction writer and scenarist whose early stories about monsters and mutated sea creatures attracted the attention of Tōhō Studios, which asked him to draft the first two Godzilla films.Jeffrey Angles is professor of Japanese at Western Michigan University. He is the author of Writing the Love of Boys: Origins of Bishonen Culture in Modernist Japanese Literature (Minnesota, 2011) and the award-winning translator of Orikuchi Shinobu’s The Book of the Dead (Minnesota, 2017) and Hiromi Ito’s The Thorn Puller.Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In 1973, William Friedkin terrorized the world with The Exorcist and then decided to make a film even more grim: a remake of George Clouzot’s The Wages of Fear. This was an audacious move, since the 1953 original was already well-loved and regarded as one of the most suspenseful films of all time. But Friedkin followed his muse and created Sorcerer (1977), which belongs in the pantheon of Great Underappreciated Films. Like The Exorcist, it’s a frightening peek into Hell; unlike that film, however, evil is pervasive rather than localized. No exorcist can cleanse Porvenir of evil; Max Von Sydow isn’t showing up any time soon. You can try to outrun the Sorcerer, but it’s like driving a truck and trying to drive away from its contents. Rarely has a completely nihilistic and sobering film experience been so exhilarating.William Friedkin’s memoir, The Friedkin Connection, is an engaging read and includes a chapter on the making of Sorcerer.Follow us on Twitter or Letterboxd. Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Published earlier this year from Running Press, Kristen Lopez’s But Have You Read the Book?: 52 Literary Gems That Inspired Our Favorite Films looks at almost a hundred years of film adaptations of novels. The book offers a survey of how directors, actors, and screenwriters have transformed the raw material of fiction into works that were sometimes transgressive, sometimes reverential, and always compelling. Among the adaptations are William Wyler’s Wuthering Heights (1939) from the Emily Bronte novel; Steven Spielberg’s Jurassic Park (1993) from Michael Crichton’s novel; Ridley Scott’s Blade Runner (1982) from Philip K. Dick’s “Do Androids Dream of Electric Sheep?”; and Sophia Coppola’s The Virgin Suicides (1999) from Jeffrey Eugenides 1993 novel.I am excited to have Kristen Lopez on the podcast to discuss the book. Kristen has been the Film Editor at The Wrap since 2022 and the creator of the podcast Ticklish Business. Kristen’s work has also been published in Culturess, Forbes, The Movie Isle, Citizen Dame, and Remezcla.John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities. Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub.Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Jake and Elwood sing “Everybody Needs Someone to Love” and everybody loves The Blues Brothers: “You … me … them … everybody!” Join Mike and Dan for a conversation about John Landis’s 1980 film that has become movie comfort-food for people raised on the original SNL and others who have come to the film without any knowledge of John Belushi or Dan Ackroyd’s careers. So many comedy sketches fall flat when stretched into the length of a film, but Landis and Ackroyd avoided this when writing The Blues Brothers. How did they do it? What makes this film so rewatchable and affirming, like Singin’ in the Rain? What did Landis get right about the way to make a musical with people who were bigger celebrities than the leads of the movie? Get your four fried chickens, your dry white toast, and a Coke–and then give it a listen!Interested in a book-length examination of The Blues Brothers? Check out Daniel de Visé’s The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic.Follow us on X or Letterboxd. Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The Disney Princesses are a billion-dollar industry, known and loved by children across the globe.In The Disney Princess Phenomenon: A Feminist Analysis (Bristol University Press, 2023) Dr. Robyn Muir provides an exploratory and holistic examination of this worldwide commercial and cultural phenomenon in its key representations: films, merchandising and marketing, and park experiences. Muir highlights the messages and images of femininity found within the Disney Princess canon and provides a rigorous and innovative methodology for analysing gender in media.Including an in-depth examination of each princess film from the last 83 years, the book provides a lens through which to view and understand how Disney Princesses have contributed to the depiction of femininity within popular culture.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

How are women represented in Chinese crime films? In what ways do the representation reflect traditional Chinese values and contemporary Chinese social-cultural norms? How did boys’ love culture emerge in China? What is the role of the Chinese state in queer media production and queer culture in China? In a conversation with Joanne Kuai, PhD candidate at Karlstad University, Sweden, and an affiliated PhD student at NIAS, Tingting Hu talked about her book Victims, Perpetrators and Professionals: The Representation of Women in Chinese Crime Films and her latest research on A Transmedia ‘Third’ Space: The Counterculture of Chinese Boys’ Love Audio Dramas.Tingting Hu is an Assistant Professor at the Department of Media and Communication, Xi’an Jiaotong Liverpool University. Her research interest lies in the articulation of film, media and cultural studies with feminist theories, and transmedia studies in various social and cultural contexts. You can connect with Tingting at tingting.hu_academic@hotmail.com.Victims, Perpetrators and Professionals examines the representation of women in relation to violence in Chinese crime films made on the mainland, and in Hong Kong and Taiwan. It introduces a new trajectory in the investigation of the cinematic representation of female figures in relation to gender issues by interweaving Western feminist and postfeminist critiques with traditional Chinese sociocultural discourse.The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical, and well-edited discussions of new research and developments about Asia.About NIAS: http://www.nias.ku.dk/Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars.In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it.Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come.Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee.Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film