New Books in Film

It’s The Pop Culture Professors, and we analyze the first two episodes of Vince Gilligan’s new series Pluribus. The show posits an extraordinary intervention in worldwide politics and culture producing a utopia (that is of course simultaneously a dystopia) of quiescent bliss. Is the show shaping up to be another hit for the showrunner, previously responsible for Breaking Bad and Better Call Saul? Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Have you ever felt that you keep making the same mistakes or that you have fallen into a pattern that could be Exhibit A as proof of reincarnation? The Beast (2023) uses all kinds of world-building and three different timelines to explore these ideas–and does so while faithfully adapting a 1903 story by Henry James. It’s the kind of film in which one could be lost in the red arrows that point out movie Easter eggs all over YouTube, but the real draw of the film is its incredible performances and how it combines intricate plotting with emotional weight. One of the many collections of James’s stories that includes “The Beast in the Jungle,” the basis for The Beast, can be found here. Incredible bumper music by John Deley. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd–and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla’s substack, The Grumbler’s Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Film City Urbanism in India: Hyderabad, from Princely City to Global City ,1890-2000 (Cambridge UP, 2025) is about the reciprocal relationship between cinema and the city as two institutions which co-constitute each other while fashioning the socio-political currents of the region. It interrogates imperial, postcolonial, socio-cultural, and economic imprints as captured, introduced, and left behind by politics of cinema, in the site of Hyderabad. It traverses through the makings and remakings of Hyderabad as princely city, linguistic capital city, and global city, studied through capital, labour, and organization of the film industry. It brings together diverse, and rich historical material to narrate the social history of Hyderabad, over a hundred years. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Entrenched in the myth of being victim of the Nazi aggression, Austrian elites pursued a politics of memory that symbolically shook off any responsibility for the emergence, development and consequences of National Socialism. Authors of the vast majority of films produced early after 1945 were not interested in dealing with the recent Nazi past of their country. There were, however, exceptions. Through detailed analysis of the narratives, stylistic patterns and reception of films that were set during or immediately after World War II, Remembering National Socialism in Austrian Post-war Film" (1945-1955) (Brill, 2025) explains how cinema corroborated Austrian national self-stereotypes, at the same time offering a critique of the Nazi regime. Guest: Jakub Gortat (he/him) is an Assistant Professor in the Department of German Studies at the University of Lodz. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke: here Linktree: here Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In this episode of International Horizons, Interim Director Eli Karetny speaks with film scholar Nathan Abrams about the enduring relevance of Stanley Kubrick and what his work can teach us about our current era. From the nuclear absurdities of Dr. Strangelove to the cosmic rebirth of 2001: A Space Odyssey, Kubrick’s films expose the fragile line between technological mastery and moral collapse. Abrams unpacks Kubrick’s fascination with war, authority, and obedience, his roots in the New York Jewish intellectual tradition, and his exploration of mystical and mythic themes—from Kabbalah to The Odyssey. Together, they reveal how Kubrick’s cinematic universe reflects our own: a world where human creativity, paranoia, and power intertwine in both terrifying and illuminating ways. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

My Dinner with Andre (1981) is a film that uses the simple premise of two men sharing a meal as a vehicle for exploration of how we should live our lives. It asks fundamental questions about happiness and self-fulfillment that it doesn't wholly answer. The Trip (2010) uses the same premise as a way to dramatize two men earnestly debating who does the better impressions of Michael Caine, Al Pacino, and Sean Connery. But for all its playground sensibility, The Trip is not without ideas regarding how friendships are formed and sustained. Join us for a conversation about the real reason why men befriend each other and what they want from each other. Hint: it’s not sympathy, high regard, or a non-judgmental ear. If watching The Trip makes you want to make a reservation at your favorite spot, you may want to first read Adam Reiner’s The New Rules of Dining Out: An Insider's Guide to Enjoying Restaurants. Incredible bumper music by John Deley. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on X and on Letterboxd–and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla’s substack, The Grumbler’s Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The history of film calls to mind unforgettable photographs, famous directors, and the glitz and hustle of the media business. But there is another tale to tell that connects film as a material to the twentieth century's history of war, destruction, and cruelty. This story comes into focus during World War II at the factories of Tennessee Eastman, where photographic giant Kodak produced the rudiments of movie magic. Not far away, at Oak Ridge, Kodak was also enriching uranium for the Manhattan Project--uranium mined in the Belgian Congo and destined for the bomb that fell on Hiroshima. While the world's largest film manufacturer transformed into a formidable military contractor, across the ocean its competitor Agfa grew entangled with Nazi Germany's machinery of war. After 1945, Kodak's film factories stood at the front lines of a new, colder war, as their photosensitive products became harbingers of the dangers of nuclear fallout. Following scientists, soldiers, prisoners, and spies through Kodak's and Agfa's global empires, Alice Lovejoy links the golden age of cinema and photography to colonialism, the military-industrial complex, radioactive dust, and toxic waste. Revelatory and chilling, Tales of Militant Chemistry shows how film became a weapon whose chemistry irrevocably shaped the world we live in today. Alice Lovejoy is author of the award-winning Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military. A former editor at Film Comment, she is Professor of film and media studies at the University of Minnesota. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In Kathryn Robson's Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film (Liverpool UP, 2025), happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women's writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women's writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the 'happiness turn' is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women's writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms. Author Dr. Kathryn Robson is a reader in French at Newcastle University and the author in 2019 of I Suffer Therefore I Am: Engaging with Empathy in Contemporary French Women’s Writing and in 2004 Writing Wounds: The Inscription of Trauma in Post-1968 French Women's Life-writing. Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Chinese cinema has a long history of engagement with China’s art traditions, and literati (wenren) landscape painting has been an enduring source of inspiration. Literati Lenses: Wenren Landscape in Chinese Cinema of the Mao Era (U Hawai’i Press, 2019) explores this interplay during the Mao era, a time when cinema, at the forefront of ideological campaigns and purges, was held to strict political guidelines. Through four films―Li Shizhen (1956), Stage Sisters (1964), Early Spring in February (1963), and Legend of Tianyun Mountain (1979)― Mia Liu reveals how landscape offered an alternative text that could operate beyond political constraints and provide a portal for smuggling interesting discourses into the film. While allusions to pictorial traditions associated with a bygone era inevitably took on different meanings in the context of Mao-era cinema, cinematic engagement with literati landscape endowed films with creative and critical space as well as political poignancy. Liu not only identifies how the conventions and aesthetics of traditional literati landscape art were reinvented and mediated on multiple levels in cinema, but also explores how post-1949 Chinese filmmakers configured themselves as modern intellectuals in the spaces forged among the vestiges of the old. In the process, she deepens her analysis, suggesting that landscape be seen as an allegory of human life, a mirror of the age, and a commentary on national affairs. Jing Li teaches Chinese language, literature, and film. Her research explores rural China and independent cinema. She’s also guest editor for the Chinese Independent Cinema Observer. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production? In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film