New Books in Critical Theory

Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism discusses her forthcoming book with writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.)In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory.Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars. Autotheory challenges dominant approaches to philosophizing and theorizing while enabling new ways for artists and writers to reflect on their lives. She argues that Kraus's 1997 I Love Dick marked the emergence of a newly performative, post-memoir “I”; recasts Piper's 1971 performance work Food for the Spirit as autotheory; considers autotheory as critique; examines practices of citation in autotheoretical work, including Maggie Nelson's The Argonauts; and looks at the aesthetics and ethics of disclosure and exposure, exploring the nuanced feminist politics around autotheoretical practices and such movements as #MeToo. Fournier formulates autotheory as a reflexive movement, connecting thinking, making art, living, and theorizing.Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Since the Founding, Americans have debated the true meaning of freedom. For some, freedom meant the provision of life's necessities, those basic conditions for the "pursuit of happiness." For others, freedom meant the civil and political rights enumerated in the Bill of Rights and unfettered access to the marketplace--nothing more. As Mark Paul explains, the latter interpretation--thanks in large part to a particularly influential cadre of economists--has all but won out among policymakers, with dire repercussions for American society: rampant inequality, endemic poverty, and an economy built to benefit the few at the expense of the many.In The Ends of Freedom: Reclaiming America's Lost Promise of Economic Rights (University of Chicago Press, 2023), Paul shows how economic rights--rights to necessities like housing, employment, and health care--have been a part of the American conversation since the Revolutionary War and were a cornerstone of both the New Deal and the Civil Rights Movement. Their recuperation, he argues, would at long last make good on the promise of America's founding documents. By drawing on FDR's proposed Economic Bill of Rights, Paul outlines a comprehensive policy program to achieve a more capacious and enduring version of American freedom. Among the rights he enumerates are the right to a good job, the right to an education, the right to banking and financial services, and the right to a healthy environment.Replete with discussions of some of today's most influential policy ideas--from Medicare for All to a federal job guarantee to the Green New Deal--The Ends of Freedom is a timely and urgent call to reclaim the idea of freedom from its captors on the political right--to ground America's next era in the country's progressive history and carve a path toward a more economically dynamic and equitable nation.Mark Paul is an assistant professor of economics at the Bloustein School of Planning and Public Policy at Rutgers University.Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Indigenous thinker and leader, Ailton Krenak, exposes the destructive tendencies of our ‘civilization’ in Life is not Useful  (Polity, 2023), which is translated by Jamille Pinheiro Dias & Alex Brostoff. The problematic symptoms of our modernity include rampant consumerism, environmental devastation, and a narrow and restricted understanding of humanity’s place on this Earth. For many centuries, Brazil’s Indigenous peoples have bravely faced threats of total annihilation and, in extremely adverse conditions, have reinvented their lives and communities. At a time when the COVID-19 pandemic has forced the rest of the world to reconsider its lifestyle, Ailton Krenak’s clear and urgent thinking emerges with newfound impact and offers a vital perspective on the enormous challenges we face today: the ravages of the pandemic and the devastation caused by global warming, to name just two. Krenak questions the value of going back to normal when ‘normal’ is a vision of humanity divorced from nature, actively destroying the planet and digging deep trenches of inequality between peoples and societies. The ‘civilized’ world insists on giving life a purpose but life is not ‘useful’ and ‘civilization’ is not destiny. We must learn to embrace the joy of living life to its fullest, and inhabit the stillness that comes with not always being useful. In the wake of the pandemic, we have an opportunity to create deep and meaningful change in the way we live: this, more than ever, is a time to listen to voices that are one with the body of the Earth.Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

As European empires crumbled in the 20th century, the power structures that had dominated the world for centuries were up for renegotiation. Yet instead of a rebirth for democracy, what emerged was a silent coup – namely, the unstoppable rise of global corporate power.Exposing the origins of this epic power grab as well as its present-day consequences, Silent Coup: How Corporations Overthrew Democracy (Bloomsbury, 2023) by Claire Provost & Matt Kennard is the result of two investigative journalist's reports from 30 countries around the world. It provides an explosive guide to the rise of a corporate empire that now dictates how resources are allocated, how territories are governed, and how justice is defined.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode we discuss how secrecy structures both official knowledge and refugee epistemologies about militarism and forced migration as found in Ma Vang’s book History on the Run: Secrecy, Fugitivity, and Hmong Refugee Epistemologies (Duke University Press, 2021).During its secret war in Laos (1961–1975), the United States recruited proxy soldiers among the Hmong people. Following the war, many of these Hmong soldiers migrated to the United States with refugee status. In History on the Run Ma Vang examines the experiences of Hmong refugees in the United States to theorize refugee histories and secrecy, in particular those of the Hmong. Vang conceptualizes these histories as fugitive histories, as they move and are carried by people who move. Charting the incomplete archives of the war made secret through redacted US state documents, ethnography, film, and literature, Vang shows how Hmong refugees tell their stories in ways that exist separately from narratives of U.S. empire and that cannot be traditionally archived. In so doing, Vang outlines a methodology for writing histories that foreground refugee epistemologies despite systematic attempts to silence those histories.How do we engage with the elusiveness of histories that are systematically kept secret? How does centering the refugee’s story and refusals complicate and create histories on the run? Find out in our conversation!.Donna Doan Anderson (she/her) is a PhD candidate in History and Asian American Studies at the University of California, Santa Barbara. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

On the centenary of the fascist party's ascent to power in Italy, Curating Fascism: Exhibitions and Memory from the Fall of Mussolini to Today (Bloomsbury, 2022) examines the ways in which exhibitions organised after the fall of Mussolini's regime to the present day have shaped collective memory, historical narratives, and political discourse around the Italian ventennio. It charts how shows on fascism have evolved since the postwar period in Italy, explores representations of Italian fascism in exhibitions across the world, and highlights blindspots in art and cultural history, as well as in exhibition practices. Curating Fascism treats fascism as both a historical moment and a major paradigm through which critics, curators, and the public at large have defined the present moment. It interweaves historical perspectives, critical theory, and direct accounts of exhibitions from the people who conceived them or responded to them most significantly in order to examine the main curatorial strategies, cultural relevance, and political responsibility of art exhibitions focusing on the Fascist period. Sharon Hecker and Raffaele Bedarida speak to Pierre d'Alancaisez about the role which post-war exhibitions played in shaping our understandings of Italian Modernist art's relationship with Fascism, their contested curatorial and art historical strategies, and the continuing difficulty of reading political signs in aesthetics.  Post Zang Tumb Tuuum at Fondazione Prada Maaza Mengiste's Project 3541 On 'fascism' in contemporary art: Larne Abse Gogarty. ‘The Art Right’. Art Monthly, April 2017. Read and weep.Sharon Hecker is an art historian and curator specializing in modern and contemporary Italian art. She is the author of A Moment’s Monument: Medardo Rosso and the International Origins of Modern Sculpture, and co-editor of Postwar Italian Art History: Untying the Knot and Lead in Modern and Contemporary Art . For her work on Italian art, Hecker has received fellowships from the Getty, Fulbright, and Mellon Foundations.Raffaele Bedarida is Associate Professor of Art History at Cooper Union, USA. An art historian specializing in transnational modernism and politics, Bedarida focuses on cultural diplomacy, migration, and cultural exchange between Italy and the United States. He is the author of Corrado Cagli: La pittura, l’esilio, L’America and Exhibiting Italian Art in the United States from Futurism to Arte Povera. Bedarida has received fellowships from the Center for Italian Modern Art and the Terra Foundation for American Art.Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What is the future of media? In Secret Cinema and the Immersive Experience Industry (Manchester UP, 2022), Sarah Atkinson, a Professor of Screen Media at Kings College London, and Helen W Kennedy, Professor of Creative and Cultural Industries, at the University of Nottingham, explore the rise of immersive experiences using the detailed case study of Secret Cinema. The book offers both a rich and extensive history of Secret Cinema, as well as analysis of the evolution of key trends in media production and consumption more generally. The book covers the key performances, including mainstream hits such as Back To The Future, Casino Royale, and Stranger Things, as well as the companies evolution and smaller projects. As live experiences and media industries evolve in the post-pandemic era, the book will be essential reading across media and cultural studies, as well as across humanities and social sciences, and for anyone interested in the future of media and live performance industries. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Cheryl Narumi Naruse talks about the transformation of Singapore over the past decades into a site of postcolonial promise, with economic prosperity and cultural soft power. She discusses a range of texts ranging from official state documents to the immensely popular book and movie adaptation of Crazy Rich Asians, which bear witness to and contribute to this change.Cheryl Narumi Naruse (nah-roo-seh) is Assistant Professor of English and the Andrew W. Mellon Assistant Professor of the Humanities at Tulane University. Her research and teaching interests include contemporary Anglophone literatures and cultures (particularly those from Southeast Asia and the Pacific Islands), diasporic Asian and Asian American literature, postcolonial theory, cultures of capitalism, and genre studies. Her first book, Becoming Global Asia: Contemporary Genres of Postcolonial Capitalism in Singapore is forthcoming from University of California Press in 2023. She is also working on a second monograph which explores the illegibility of Singapore/Malaysia—as the comparatively “cold” Southeast nations in the context of the Vietnam War—in Asian American and postcolonial studies. Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Jacqueline Mondros and Joan Minieri's book Organizing for Power and Empowerment: The Fight for Democracy (Columbia UP, 2023) draws on extensive research to portray how social-action organizations have evolved over the past twenty-five years, building power in the struggle for social and economic justice. It explores how organizers increasingly target corporate influence and attacks on democracy. Their strategies and theories of change confront racial, gender, and economic inequity and fight pervasive intersectional injustice. The book tells the stories of a variety of geographically and racially diverse organizations and features the voices and experiences of more than forty organizers working across a range of issues. The organizers describe campaigns that activate people around issues that matter in their daily lives--work schedules, bail reform, schools, voting, and affordable housing--and connect them to broader topics such as racial justice, immigration, climate change, criminal justice, and workers' rights. They share their thoughts on building community organizations and empowering ordinary citizens to become leaders. The book underscores the leadership of Black Americans, other people of color, women, and LGBTQ+ people as they lead campaigns to address the disparate effects of inequality faced by their communities. It provides detailed analysis of new organizational structures and change strategies, including electoral activism, statewide organizing, and community-labor coalitions. This book sheds important new light on foundational organizing practices and the challenges and opportunities for progressive social action today.Stephen Pimpare is director of the Public Service & Nonprofit Leadership program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Climate change is devastating the planet, and globalisation is hiding it. Laurie Parsons's book Carbon Colonialism: How Rich Countries Export Climate Breakdown (Manchester UP, 2023) opens our eyes. Around the world, leading economies are announcing significant progress on climate change. World leaders are queuing up to proclaim their commitment to tackling the climate crisis, pointing to data that shows the progress they have made. Yet the atmosphere is still warming at a record rate, with devastating effects on poverty and precarity in the world's most vulnerable communities. Are we being deceived? Outsourcing climate breakdown explores the murky practices of exporting a country's environmental impact. A world in which corporations and countries are allowed to maintain a clean, green image while landfills in the world's poorest countries continue to expand and droughts and floods intensify under the auspices of globalisation, deregulation and economic growth. Taking a wide-ranging, culturally engaged approach to the topic, the book shows how this is notonly a technical problem, but a problem of cultural and political systems and structures - from nationalism to economic logic - deeply embedded in our society. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory