New Books in Critical Theory

The Hungarian Marxist philosopher George Lukács has long occupied a complicated place in the Marxist canon of thinkers, both his lived and theoretical practice subject to much critical commentary and debate. While History and Class Consciousness is considered to be a classic of critical sociology, it has also often been held at arms length by Marxists, many of whom find it’s use of Hegelian speculative philosophy unhelpful, while others find the overemphasis on praxis at the expense of other forms of life and inquiry reductive. In spite of these hesitations, the text has maintained a canonical status for a century now, leaving philosophers on the left with a difficult set of questions about how to read it and what to do with it.Stepping into this difficult terrain is Daniel Andres Lopez with his massive book Lukács: Praxis and the Absolute (Haymarket Books, 2020). Lopez’s work reconstructs Lukács’ thought of the 1920’s by putting it back into it’s tumultuous context, allowing us not only to get a close look at the theory, but it’s purpose in maintaining political, historical and philosophical clarity in a world filled with war, revolution and upheaval. Much like our current moment, Lukács occupied a time where everything seemed possible, but translating the infinite possibilities into concrete realities was a formidable challenge, and would require not only the courage to step into physical danger, but also political confusion. Nothing in this moment was guaranteed, so rigorous philosophical speculation was required, and Lukács stepped in to provide communists with a rigorous theoretical framework.However, this book goes well beyond simply reconstructing Lukács theoretical output. Rather than be satisfied with writing a straightforward commentary, this book is interested in wrestling with Lukács’ successes as well as his limitations. To that effect, Lopez works through a number of critiques of Lukács, both of others as well as his own. This allows him to explore various other questions on the margins of Lukács’ work about the relation between philosophical theory and political practice, and the role of critical thinking in emancipatory movements. The scope and rigor of the text, as well as the various questions and themes it addresses, will make this an incredible resource not just for newcomers to Lukács, or those seasoned in his thought, but for all those interested in learning how to think, and how to translate that thinking into action.Published as part of the Historical Materialism book series.Daniel Andres Lopez is an honorary research associate with the Thesis Eleven Forum for Social and Political Theory. His work has appeared in a number of places, including the journal Historical Materialism. He is an editor at Jacobin. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

(Re:) Claiming Ballet (Intellect Books, 2021) by Dr. Adesola Akinleye explores the history of movement through ballet, representation, and the future of dance. Though ballet is often seen as a white, cis-heteropatriarchal form of dance, in fact it has been, and still is, shaped by artists from a much broader range of backgrounds. This collection looks beyond the mainstream, bringing to light the overlooked influences that continue to inform the culture of ballet. Essays illuminate the dance form’s rich and complex history and start much-needed conversations about the roles of class, gender normativity, and race, demonstrating that despite mainstream denial and exclusionary tactics, ballet thrives with “difference.” With contributions from professional ballet dancers and teachers, choreographers, and dance scholars in Europe and the United States, the volume introduces important new thinkers and perspectives. An essential resource for the field of ballet studies and a major contribution to dance scholarship more broadly, (Re:) Claiming Ballet will appeal to academics, researchers, and scholars; dance professionals and practitioners; and anyone interested in the intersection of race, class, gender, and dance.For her choreographic work, Akinleye has been awarded ADAD Trailblazer, Bonnie Bird, New Choreography Award and One Dance UK Champion Trailblazer. For her work in community dance and education she was awarded Woman of the year in Community Dance by the Town of Islip, New York. She is a Fellow of the Higher Education Academy (FHEA), Royal Society of Arts (RSA). She holds a PhD from Canterbury Christ Church University, and MA (distinction) in work-based learning Dance in Community and education (2007), and an MA in Film (distinction) 2020 from Middlesex University. Akinleye is also a certified Gyrotonic® and Gyrokinesis® instructor. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What is the future of care? In The Care Crisis: What Caused It and How Can We End It? (Verso, 2021),  Emma Dowling, an assistant professor at the Department of Sociology, University of Vienna, introduces the extent of the global crisis of care. Drawing on a feminist perspective, the book thinks through the multiple ways that care is rendered invisible in contemporary society, subject to a public storm of privatisation and austerity. The crisis is exacerbated by broader social trends, from the monitoring and exploitation of precarious workers to the individualisation of self-care. Most crucially, the book offers ways to properly value care, democratising and de-financialising this most important part of society. The book is essential reading. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In the last two decades, amid the global spread of smartphones, state killings of civilians have increasingly been captured on the cameras of both bystanders and police. Screen Shots: State Violence on Camera in Israel and Palestine (Stanford UP, 2021) studies this phenomenon from the vantage point of the Israeli occupation of Palestinian territories. Here, cameras have proliferated as political tools in the hands of a broad range of actors and institutions, including Palestinian activists, Israeli soldiers, Jewish settlers, and human rights workers. All trained their lens on Israeli state violence, propelled by a shared dream: that advances in digital photography-closer, sharper, faster-would advance their respective political agendas. Most would be let down.Drawing on ethnographic work, Rebecca L. Stein chronicles Palestinian video-activists seeking justice, Israeli soldiers laboring to perfect the military's image, and Zionist conspiracy theorists accusing Palestinians of "playing dead." Writing against techno-optimism, Stein investigates what camera dreams and disillusionment across these political divides reveal about the Israeli and Palestinian colonial present, and the shifting terms of power and struggle in the smartphone age.Mathew Gagné in an independent writer, scholar, and educator, currently teaching in the Department of Anthropology at the University of Toronto Mississauga. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Today, journalists, legal professionals, activists, and artists challenge the state's monopoly on investigation and the production of narratives of truth. They probe corruption, human rights violations, environmental crimes, and technological domination. Organisations such as WikiLeaks, Bellingcat, or Forensic Architecture pore over open-source videos and satellite imagery to undertake visual investigations. This combination of diverse fields is what Fuller and Weizman call 'investigative aesthetics': the mobilisation of sensibilities associated with art, architecture, and other such practices in order to challenge power.Investigative Aesthetics draws on theories of knowledge, ecology and technology; evaluates the methods of citizen counter-forensics, micro-history and art. These new practices take place in the studio and the laboratory, the courtroom and the gallery, online and in the streets, as they strive towards the construction of a new common sense.Matthew Fuller and Eyal Weizman speak to Pierre d'Alancaisez about the logics behind Forensic Architecture and the evidentiary turn: the aesthetics of distributed sensing, the investigative commons, and the condition of hyperaesthesia.Matthew Fuller is a Professor of Cultural Studies at Goldsmiths, University of London. He is the author of Media Ecologies, and with Andrew Goffey, Evil Media.Eyal Weizman is the founder and director of Forensic Architecture and Professor of Spatial and Visual Cultures at Goldsmiths, University of London. He is the author of Hollow Land, The Least of All Possible Evils, and Forensic Architecture: Violence at the Threshold of Detectability. Forensic Architecture investigation archive. Investigation: The Bombing of Rafah, 2015 Investigation: The Killing of Mark Duggan, 2020 ICA London exhibiiton. Investigation: Triple-Chaser, 2019 Protests surrounding the Whitney Museum's trustee Warren Kanders' involvement with Safariland. Kanders divests from his arms production holdings. Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How have Black women lead a digital revolution? In Digital Black Feminism (NYU Press, 2021), Catherine Knight Steele, an assistant professor of communication at the University of Maryland, places digital Black feminism within the longer-term context of Black feminism and Black women’s experiences in America. The book considers examples from the Black feminist blogosphere and offers a comparative analysis of early Black feminist pioneers and key contemporary voices. Posing questions as to the dangers of commodification and the limits of the digital sphere, as well as celebrating Black feminist success, the book is essential reading across the humanities and social sciences and for anyone interested in digital life today.Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

One of the fifty most influential living philosophers, a “self-promoting charlatan” (Brian Leiter), and the orchestrator of an “online orgy of stupidity” (Ray Brassier). In Skirmishes: With Friends, Enemies, and Neutrals (Punctum Books, 2020), Graham Harman responds with flair and wit to some of his best-known critics and fellow travelers. Pulling no punches, Harman gives a masterclass in philosophical argumentation by dissecting, analyzing, and countering their criticism, be it from the Husserlian, Heideggerian, or Derridean corner. At the same time, Skirmishes provides an excellent introduction to the hottest debates in Speculative Realism and Object-Oriented Ontology, a speculative style of philosophy long foreclosed by the biases of mainstream continental thought, but which has turned in recent years into one of the most encompassing philosophies of our time, with a major impact on the arts, humanities, and architecture.Part One considers four prominent books on speculative realism. In dialogue with Tom Sparrow’s The End of Phenomenology, Harman expresses agreement with Sparrow’s critique while taking issue with Lee Braver’s “transgressive realism” as not realist enough. Turning to Steven Shaviro’s The Universe of Things, Harman defends his own object-oriented model against Shaviro’s brand of process philosophy, while also engaging in side-debate with Levi R. Bryant’s distinction between virtual proper being and local manifestations. In the third chapter, on Peter Gratton’s Speculative Realism: Problems and Prospects, Harman opposes the author’s attempt to use Derridean notions of time and difference against Speculative Realism, in what amounts to his most extensive engagement with Derrida to date. Chapter Four gives us Harman’s response to Peter Wolfendale’s massive polemic in Object-Oriented Philosophy, which he shows is based on a failed criticism of Harman’s reading of Heidegger and a grumpy commitment to rationalist kitsch.Part Two responds to a series of briefer criticisms of object-oriented ontology. When Alberto Toscano accuses Harman and Bruno Latour of “neo-monadological” and anti-scientific thinking, Harman responds that the philosophical factors pushing Leibniz into monadology are still valid today. When Christopher Norris mocks Harman for seeing merit in the occasionalist school, he shows why Norris’s middle-of-the-road scientific realism misses the point. In response to Dan Zahavi’s contention that phenomenology has little to learn from speculative realism, Harman exposes the holes in Zahavi’s reasoning. In a final response, Harman gives a point-by-point answer to Stephen Mulhall’s critical foray in the London Review of Books. Amidst these lively debates, Harman sheds new light on what he regards as the central bias of philosophical modernism, which he terms the taxonomical standpoint. It is a book sure to provoke lively controversy among both friends and foes of object-oriented thought.Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

With Imperial Nostalgia: How the British Conquered Themselves (Manchester UP, 2020) Peter Mitchell offers a “history of the present”. That is to say, it is not a narrative of how we got to where we are, but rather a sustained reflection on how history shapes and interacts with our current world. Mitchell also engages the uses history for contemporary political purposes. Mitchell argues that memories of empire are at the root almost every aspect of Britain’s culture wars. From battles over statues to skirmishes within hallowed Oxbridge halls he argues that imperial nostalgia infects British politics.Dr. Mitchell earned his doctorate at Queen Mary, University of London in 2014. His dissertation was on the India Office records and the historiography of the early modern British Empire. In addition to Imperial Nostalgia, he is the co-author of Ruling the World: Freedom, Civilization and Liberalism in the Nineteenth Century British Empire with Alan Lester and Kate Boehme also with Cambridge University Press, 2021. Peter Mitchell is currently an Oral History and Public Engagement Officer with the University of Manchester working on “NHS: Voices of Covid-19” (funded by the AHRC and in partnership with the British Library Oral History Archive).Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Dr. Erica R. Edwards's The Other Side of Terror: Black Women and the Culture of US Empire (New York University, 2021) reveals the troubling intimacy between Black women and the making of US global power. The year 1968 marked both the height of the worldwide Black liberation struggle and a turning point for the global reach of American power, which was built on the counterinsurgency honed on Black and other oppressed populations at home. The next five decades saw the consolidation of the culture of the American empire through what Erica R. Edwards calls the “imperial grammars of blackness.” This is a story of state power at its most devious and most absurd, and, at the same time, a literary history of Black feminist radicalism at its most trenchant. Edwards reveals how the long war on terror, beginning with the late–Cold War campaign against organizations like the Black Panther Party for Self-Defense and the Black Liberation Army, has relied on the labor and the fantasies of Black women to justify the imperial spread of capitalism. Black feminist writers not only understood that this would demand a shift in racial gendered power, but crafted ways of surviving it. The Other Side of Terror offers an interdisciplinary Black feminist analysis of militarism, security, policing, diversity, representation, intersectionality, and resistance, while discussing a wide array of literary and cultural texts, from the unpublished work of Black radical feminist June Jordan to the memoirs of Condoleezza Rice to the television series Scandal. With clear, moving prose, Edwards chronicles Black feminist organizing and writing on “the other side of terror”, which tracked changes in racial power, transformed African American literature and Black studies, and predicted the crises of our current era with unsettling accuracy.Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelledmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In the 1960s, the radical youth of Western Europe’s New Left rebelled against the democratic welfare state and their parents’ antiquated politics of reform. It was not the first time an upstart leftist movement was built on the ruins of the old. New Lefts: The Making of a Radical Tradition (Princeton University Press, 2021) traces the history of neoleftism from its antifascist roots in the first half of the twentieth century, to its postwar reconstruction in the 1950s, to its explosive reinvention by the 1960s counterculture. Terence Renaud demonstrates why the left in Europe underwent a series of internal revolts against the organizational forms of established parties and unions. He describes how small groups of militant youth such as New Beginning in Germany tried to sustain grassroots movements without reproducing the bureaucratic, hierarchical, and supposedly obsolete structures of Social Democracy and Communism. Neoleftist militants experimented with alternative modes of organization such as councils, assemblies, and action committees. However, Renaud reveals that these same militants, decades later, often came to defend the very institutions they had opposed in their youth. Providing vital historical perspective on the challenges confronting leftists today, this book tells the story of generations of antifascists, left socialists, and anti-authoritarians who tried to build radical democratic alternatives to capitalism and kindle hope in reactionary times.Mathias Fuelling is a doctoral candidate in History at Temple University, working on a political history of Czechoslovakia in the immediate post-WWII years. He can be found on Twitter at https://twitter.com/bucephalus424 Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory