New Books in Critical Theory

Marshall Poe
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Sep 5, 2022 • 42min

Erin James, "Narrative in the Anthropocene" (Ohio State UP, 2022)

In Narrative in the Anthropocene (Ohio State UP, 2022), Erin James poses two complementary questions: What can narrative teach us about our current geological epoch, defined and marked by the irrevocable activity of humans on the Earth’s geology and ecosystems? and What can our current geological epoch teach us about narrative? Drawing from a wide range of sources—including Jane Austen’s Mansfield Park,Maria Popova’s collective biography Figuring, Richard McGuire’s graphic novel Here,Indigenous and Afrofuturist speculative fiction, and more—James argues that a richer understanding of the forms and functions of narrative in the Anthropocene provides us with invaluable insight into how stories shape our world. At the same time, she contends that the Anthropocene alters the very nature of narrative. Throughout her exploration of these themes, James lays the groundwork for an “Anthropocene narrative theory,” introducing new modes of reading narrative in the Anthropocene; new categories of narrative time, space, narration, and narrativity; and a new definition of narrative itself as a cognitive and rhetorical tool for purposeful worldbuilding.Prof. Erin James teaches world literatures in English, Critical Theory and literatures of the Climate Crisis at the University of Idaho.Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
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Sep 2, 2022 • 1h 14min

Paul A. Silverstein, "Postcolonial France: The Question of Race and the Future of the Republic" (Pluto Press, 2018)

France is a bellwether for the postcolonial anxieties and populist politics emerging across the world today. Postcolonial France: The Question of Race and the Future of the Republic (Pluto Press, 2018) explores the dynamics and dilemmas of the present moment of crisis and hope in France, through an exploration of recent moral panics.Taking stock of the tensions as they have emerged over the last quarter of a century, Paul Silverstein looks at urban racial violence, female Islamic dress and male public prayer, anti-system gangster rap, and sporting performances in and around which debates over France's multicultural future have arisen. It traces these conflicts to the unresolved tensions of an imperial project, the present-day effects of which are still felt by many.Despite the barriers, which include neo-nationalist racism and Islamophobia, French citizens of various backgrounds have found ways to build flourishing lives. Silverstein shows how they have responded to urban marginalisation, police violence and institutional discrimination in remarkably creative ways.Paul Silverstein is Professor of Anthropology at Reed College, USA. He is author of Postcolonial France (Pluto, 2018) and Algeria in France: Transpolitics, Race and Nation (Indiana UP, 2004). He writes on identity politics, postcoloniality, and diasporic popular culture in France and North Africa. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
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Sep 1, 2022 • 1h 1min

Philipp Felsch, "The Summer of Theory: History of a Rebellion, 1960-1990" (Polity Press, 2021)

'Theory' - a magical glow has emanated from this word since the sixties. Theory was more than just a succession of ideas: it was an article of faith, a claim to truth, a lifestyle. It spread among its adherents in cheap paperbacks and triggered heated debates in seminar rooms and cafés. The Frankfurt School, Structuralism, Post-Structuralism, Adorno, Derrida, Foucault: these and others were the exotic schools and thinkers whose ideas were being devoured by young minds. But where did the fascination for dangerous thoughts come from?In The Summer of Theory: History of a Rebellion, 1960-1990 (Polity Press, 2021), Philipp Felsch follows the hopes and dreams of a generation that entered the jungle of difficult texts. His setting is West Germany in the decades from the 1960s to the 1990s: in a world frozen in the Cold War, movement only came from big ideas. It was the time of apocalyptic master thinkers, upsetting reading experiences and glamorous incomprehensibility. As the German publisher Suhrkamp published Adorno's Minima Moralia and other High Theory works of the Frankfurt School, a small publisher in West Berlin, Merve Verlag, provided readers with a steady stream of the subversive new theory coming out of France.By following the adventures of the publishers who provided the books and the reading communities that consumed and debated them, Philipp Felsch tells the remarkable story of an intellectual revolt when the German Left fell in love with Theory.Kirk Meighoo is Public Relations Officer for the United National Congress, the Official Opposition in Trinidad and Tobago. His career has spanned media, academia, and politics for three decades. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
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Sep 1, 2022 • 1h 23min

Anthony Downey, "Critique in Practice: Renzo Martens' Episode III (Enjoy Poverty)" (Sternberg Press, 2020)

In 2008, the artist Renzo Martens released his controversial film Episode 3: Enjoy Poverty filmed in the Democratic Republic of Congo. The film portrayed the artist as a colonial explorer travelling around the Congo’s plantations with the naiveté of the cartoon character Tintin. Martens encounters poverty, hunger, and abuse, all the while narrating the way in which these experiences enrich him as a western observer.In a manner now familiar in mainstream critical culture, the film was labelled as 'problematic'. Martens’ work and method were critiqued widely by an array of commentators. Some have changed their mind in light of Martens’ further work. Others - and I know this from speaking with an editor of a prominent art magazine - won’t come anywhere near it even twelve years on "for fear of inadvertently promoting the Martens' practice".Critique in Practice: Renzo Martens' Episode III (Enjoy Poverty) (Sternberg Press, 2020), a volume edited by Anthony Downey brings together a range of responses to Enjoy Poverty, some dating from 2008, others more recent. It contains essays by the likes of Dan Fox, Ana Teixeira Pinto, Artur Zmijewski, TJ Demos, JJ Charlesworth, Ariella Aisha Azoulay, JA Koster, and Gregory Sholette. The book explores the limits of artistic practice as critique, challenging both Martens and the writers.Because it would be impossible to speak to them and because I already interviewed Anthony Downy not long ago, I invited Renzo Martens, the subject of the book and its critiques to join me. Watch Episode III: Enjoy Poverty Institute of Human Activities The Cercle d’Art des Travailleurs de Plantation Congolaise (CATPC) CATPC at Sculpture Center Article in The New Yorker The Balot NFT My interview with Anthony Downey Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
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Aug 31, 2022 • 50min

Leslie Kern, "Gentrification is Inevitable and Other Lies" (Verso, 2022)

What does gentrification look like? Can we even agree that it is a process that replaces one community with another? It is a question of class? Or of economic opportunity? Who does it affect the most? Is there any way to combat it? In Gentrification is Inevitable and Other Lies (Verso, 2022), Leslie Kern travels from Toronto, New York, London, Paris, and San Francisco and scrutinises the myth and lies that surround this most urgent urban crisis of our times.First observed in 1950s London, and theorised by leading thinkers such as Ruth Glass, Jane Jacobs and Sharon Zukin, this devastating process of displacement now can be found in every city and most neighbourhoods. Beyond the Yoga studio, farmer’s market and tattoo parlour, gentrification is more than a metaphor, but impacts the most vulnerable communities. Kern proposes an intersectional way of looking at the crisis that seek to reveal the violence based on class, race, gender, and sexuality. She argues that gentrification is not natural. That it cannot be understood in economic terms, or by class. That it is not a question of taste. That it can only be measured only by the physical displacement of certain people. Rather, she argues, it is a continuation of the settler colonial project that removed natives from their land. And it can be seen today is rising rents and evictions, transformed retail areas, increased policing, and broken communities.But if gentrification is not inevitable, what can we do to stop the tide? In response, Kern proposes a genuinely decolonial, feminist, queer, anti-gentrification. One that demands the right to the city for everyone and the return of land and reparations for those who have been displaced.Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
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Aug 30, 2022 • 23min

Property Technology

In this episode of High Theory, Erin McElroy talks with Nathan Kim about Property Technology. This is the first episode in the High Theory in STEM series, that tackles topics in science, technology, engineering, and medicine from a highly theoretical perspective.Not only is “property technology” a term for digital tools and other methods used by landlords to track and dispossess tenants, but property itself is a technology. In the episode, Nathan references Erin’s article “Property as Technology,” in which they write that "property itself has long served as a technology of racial dispossession, constituting a palimpsest for the contemporary gentrifying moment." You can read the whole article here: McElroy, Erin. "Property as technology: temporal entanglements of race, space, and displacement." City 24, no. 1-2 (2020): 112-129. <https://www.tandfonline.com/doi/abs/10.1080/13604813.2020.1739910>Erin McElroy is an assistant professor in American Studies at UT Austin, a co-founder of the Anti-Eviction Mapping Project, and an editor of the Radical Housing Journal. They are fighting the good fight. We hope you do too.This week’s image was made by Saronik Bosu for this episode. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
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Aug 29, 2022 • 50min

Jennifer Jill Fellows and Lisa Smith, "Gender, Sex, and Tech!: An Intersectional Feminist Guide" (Canadian Scholars, 2022)

In this timely collection, gender, sex, and technology are explored through an intersectional and interdisciplinary lens. Gender, Sex, and Tech!: An Intersectional Feminist Guide (Canadian Scholars, 2022) provides insight into the ways that technology affects, and is affected by, cultural perceptions of gender and sex. Through an examination of a range of past and present issues, the text highlights our relationships to technology and illustrates how gendered relations are shaped and transformed through social and technological innovations. Contributors bring to the fore feminist, decolonizing, and anti-racist methods to examine our everyday uses of technology, from the mundane to the surreal to the playful to the devastating. Original research and scholarship is skillfully grounded in real-world scenarios like revenge pornography, gender bias in artificial intelligence, menstrual tracking, online dating, and the COVID-19 pandemic, inviting students to take a closer look at technological transformations and their impact on gendered lived experience and to consider how the benefits of technology are inequitably shared within society. Centring Canadian scholars and Canadian perspectives without losing sight of the broader global connection, Gender, Sex, and Tech! is bursting with timely and of-the-moment content, making this collection a must-read for courses focused on gender and technology.Dr. Iqra Shagufta Cheema writes and teaches about transnational feminisms, Global South #MeToos, postmodernist postcolonial literatures, transnational feminisms, and global cinema. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
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Aug 26, 2022 • 58min

Ruben Espinosa, "Shakespeare on the Shades of Racism" (Routledge, 2021)

In Shakespeare on the Shades of Racism (Routledge, 2021), Ruben Espinosa explores the works of the early modern dramatist in the context of Trump-era immigration policies, anti-Black police violence, and the enduring legacy of white supremacy in American life. Espinosa is Professor of English at Arizona State University. He is the author of the previous monograph, Masculinity and Marian Efficacy in Shakespeare’s England, and the co-editor of the collection Shakespeare and Immigration, both available through Routledge. Shakespeare on the Shades of Race, an urgent new book that offers an important critique of racism and white supremacy to bear on As You Like It, The Tempest and Othello, alongside Luis Alberto Urrea’s The Devil’s Highway, Toni Morrison’s Desdemona, and Keith Hamilton Cobb’s American Moor.John Yargo is Visiting Assistant Professor of English at Boston College. He recently received his PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
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Aug 26, 2022 • 1h 43min

Paul Adler, "No Globalization Without Representation: U.S. Activists and World Inequality" (U Pennsylvania Press, 2021)

Paul Adler's No Globalization Without Representation: U.S. Activists and World Inequality (U Pennsylvania Press, 2021) is a history of the hardworking but understudied public interest progressives who waged a war from within the system against neoliberal globalization during the last decades of the twentieth century. At a time of Cold War polarization and increasing rejection of social and economic rights as motivating discourses by the left and the right, these activists mobilized around a project of fairness and economic equality. Faced with an increasingly globalized economy and political system, US-based public interest progressives built new models for transnational activism in coalition with activist groups around the globe. From boycotting Nestlé in the 1970s to lobbying against NAFTA to the "Battle of Seattle" protests against the World Trade Organization in the 1990s, No Globalization Without Representation is the story of how consumer and environmental activists became significant players in U.S. and world politics at the end of the twentieth century.Of interest to scholars of transnational activism, neoliberalism, and public policy, this book offers important insights into the political struggles that helped shape the conflicts and political visions of the twenty-first century.Paul Adler is Assistant Professor of History at Colorado College.Elena McGrath is an Assistant Professor of History at Union College Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
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Aug 26, 2022 • 1h 2min

Kareem Rabie, "Palestine Is Throwing a Party and the Whole World Is Invited: Capital and State Building in the West Bank" (Duke UP, 2021)

In 2008, Palestinian Prime Minister Salam Fayyad invited international investors to the first-ever Palestine Investment Conference, which was designed to jump-start the process of integrating Palestine into the global economy. As Fayyad described the conference, Palestine is “throwing a party, and the whole world is invited.”In Palestine Is Throwing a Party and the Whole World Is Invited: Capital and State Building in the West Bank (Duke UP, 2021), Kareem Rabie examines how the conference and Fayyad's rhetoric represented a wider shift in economic and political practice in ways that oriented state-scale Palestinian politics toward neoliberal globalization rather than a diplomatic two-state solution. Rabie demonstrates that private firms, international aid organizations, and the Palestinian government in the West Bank focused on large-scale private housing development in an effort toward state-scale economic stability and market building.This approach reflected the belief that a thriving private economy would lead to a free and functioning Palestinian state. Yet, as Rabie contends, these investment-based policies have maintained the status quo of occupation and Palestine's subordinate and suspended political and economic relationship with Israel.Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

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