Scaffold

William Scott is a self-taught artist based in Oakland, California. Scott works out of a gallery and studio called Creative Growth that advances the inclusion of artists with developmental disabilities. (Scott was born schizophrenic and is also on the autistic spectrum.) Scott Frequently describes himself as an architect, reinventing the social topography of a gentrified San Francisco, as a utopian city he calls ‘Praise Frisco’ in works that combine architectural design with civic responsibility to describe his desire for a more equitable society. The first significant survey of Scott’s 30–year practice was recently exhibited at Studio Voltaire - a London-based not–for–profit arts organisation. Notes: videos:Michael Maltzan & David Ogunmuyiwa with Nana Biamah-Ofosu: The World and the City RESOLVE and PoOR Collective with Nana Biamah-Ofosu: The Cultural Meaning of the City Tom DiMaria and Matthew Higgs on the Work of William Scottarticles: The Turner prize and the rise of neurodiverse art Roberta Smith and Holland Carter - Best Shows of 2021 Hosted on Acast. See acast.com/privacy for more information.

[This episode originally aired on 21 March 2018]Pablo Bronstein is an artist based in London. "I’m from a generation that lives entirely within irony - so that everything is a quotation, everything is double-sided, everything is good and bad […] In order to feel that you’re simultaneously lying and telling the truth, it’s because there is a ‘you’ there somehow - there is a core at the centre that is able to perceive the difference between truth and lie. The majority of young people today have a very different relationship to themselves, and I think it has something to do with how external their lives are now, and how there is less self-formation early on in life, so you are given more options to choose from but they are just a series of options pre-fabricated for you […] I’ve always said that people under the age of 25 don’t really have a sub-conscious. There’s nothing really there, or rather, there’s a lot there but it’s the same all the way through."Correction: In this interview it is suggested that Adam Nathaniel Furman had written a response to a 2017 Dezeen article by Sean Griffiths. In fact no such response has been published. Hosted on Acast. See acast.com/privacy for more information.

[This episode originally aired on 9 May 2019] Mary Duggan was a founding partner of Duggan Morris Architects, and established Mary Duggan Architects in 2017.“I think [architects] are obsessed with justification, but sometimes in architecture you can’t explain everything. Lots of architects, and I’m not one of them, find an amazing historic building and want to pull it apart to understand it, and want that understanding of it to inform their work, and I just don’t think you need that all the time. I think we’ve forgotten we’re intuitive - that you can go to a site and decide quite instantly what it should be.” Hosted on Acast. See acast.com/privacy for more information.

Job Floris is co-founder of Monadnock, an architecture practice based in Rotterdam. “A lot of ideas and buildings that we find intriguing were part of the discourse of postmedernity in the 1980s, and if you step away from the [lack of craftsmanship] of these buildings, then a lot of topics are very relevant and really require a new take. I have the feeling that since the 80s we have learned more about how we can make tangible and tactile buildings; making images, masks, symbols and assemblages would not necessarily deny the idea of craft and the construction of tangible and elegant architecture.” Hosted on Acast. See acast.com/privacy for more information.

Lisa Robertson is a poet and art writer. “There are parts of consciousness that go unsaid, that have not yet found the language or the representational modes that can open them further, and I think that’s really the only thing that interest me as a writer […] I’m interested really in what’s ‘unpublishable’ – what happens before any person reaches a threshold of self-representation – and I feel that threshold is more and more the place I want to be. I want to be doing my work in that stinky inner chute of the cheap hotel where the concierges hang their rancid rags. That’s the space I want to be working in. I want to be working in the unspeakable space.” Hosted on Acast. See acast.com/privacy for more information.

Lisa Robertson is a poet and art writer. “[Vitruvius’s original notion of] “commodiousness” as a receptive potential in architecture — architecture that can receive the most of human experience — has been reduced to the notion of “commodity,” that which moves with the least tension and conflict. So I appropriated this term from Vitruvius in architectural discourse; how can I make this work more commodious? How can it receive more complexity? How can it have a denser, richer social existence?” Hosted on Acast. See acast.com/privacy for more information.

A rerun, and an update by The Architecture Foundation Hosted on Acast. See acast.com/privacy for more information.

Esther Choi is a New York-based multidisciplinary artist and writer trained in photography and architectural history and theory. “[In Le Corbuffet] I was trying to experiment with whether or not you could introduce a critical message into a circulation network that was unsuspecting, which is why the idea of “soft power” is so interesting to me […] We’re used to negational critique, and that’s been the predominant axis by which we talk about critique in architecture and art […] But you can also introduce challenging or political ideas through seduciton, or pleasure, or sensation, which is what a lot of architects from the 1960’s did” Hosted on Acast. See acast.com/privacy for more information.

Pooja Agrawal and Joseph Zeal Henry are co founders of @sound_x_advice _"[The Sound Advice book] comes out of Blackout Tuesday, and just seeing the shameless, fake, performative response of the [architecture] industry. We were so worried about rushing the book out to capture this moment, but a year later there aren’t many examples of significant structural change […] The fact that the two of us, working full time [on other jobs] have managed to mobilise this amount of people, publish a book and have quite a lot of impact, and yet well-funded institutions haven’t managed to move the dial forward that much, is a testament; the book becomes a mirror to say “we’ve done this - what have you actioned?” _Listen to the Sound Advice x Scaffold playlist here: https://open.spotify.com/playlist/57LrC32MaOTiqFDZi3BJZP_Scaffold is supported in part by The Architecture Foundation Hosted on Acast. See acast.com/privacy for more information.

Beka & Lemoine are documentary filmmakers based in Italy. “The question of fragmentation of thought and narration, which has necessarily an impact on the way you understand completeness and objectivity […] these are topics that we had developed over the years in the various films we’ve made as a basis of principles on which we’ve built up our methodology […] of looking for the most subjective, the most fragile position in what we defend, rather than copying that absurd tone of objectivity that you find in most architecture films.”◣ Support scaffold: visit https://www.patreon.com/scaffold to find out how. Hosted on Acast. See acast.com/privacy for more information.