Anarchist Essays

In this essay, Laura Galián delves into the history of anarchism in the south of the Mediterranean from a historical and historiographical perspective by reviewing the anti-authoritarian geographies of the southern shore of the Mediterranean and reassessing the postcolonial status of these emancipatory projects. For the English version: 0.40-14:10 For the Spanish version: 14.19-29.12 Laura Galián is an Assistant Professor at the Universidad Autónoma de Madrid (Spain). Laura has recently published the book Colonialism, Transnationalism and Anarchism in the South of the Mediterranean (2020). Our music comes from Them'uns (featuring Yous'uns). Anarchist Essays is brought to you by Loughborough University's Anarchism Research Group. Follow us on Twitter @arglboro Artwork by Sam G.

In this essay, Sophie Scott-Brown explores the life and times of anarchist autobiography. From Proudhon to Kropotkin, Goldman to Read, many anarchists have written their life stories and provided generations of readers an intimate glimpse of the radical life, but what else motivates this sort of memory making? Moreover, how has it changed over time and what can it tell us about the relationship between anarchist ideas and anarchist identities? Sophie Scott-Brown is a lecturer in Philosophy at UEA. Her latest book is Colin Ward and the Art of Everyday Anarchy (Routledge, 2022). Our music comes from Them'uns (featuring Yous'uns). Anarchist Essays is brought to you by Loughborough University's Anarchism Research Group. Follow us on Twitter @arglboro Artwork by Sam G.

In this essay, Nathaniel Andrews explores both the role of children within anarchist activism, and anarchist understandings of childhood, focusing specifically on the Argentinian city of Rosario, in the late-nineteenth and early-twentieth centuries. Nathaniel Andrews is a Postdoctoral Fellow at the Leeds Arts and Humanities Research Institute. His most recent publication is a co-authored article with Professor Richard Cleminson, titled ‘Introduction: New Directions in Spanish Anarchist Studies’, which forms part of a co-edited special issue of the Journal of Iberian and Latin American Studies . He is currently working on his first monograph: a study of prefigurative politics in the Spanish and Argentinian anarchist movements, between 1890 and 1930. Our music comes from Them'uns (featuring Yous'uns). Anarchist Essays is brought to you by Loughborough University's Anarchism Research Group. Follow us on Twitter @arglboro Artwork by Sam G.

In this essay, Sarah Gelbard reflects on the messy relationship between punk, anarchy, and anarchism and ways it can be conceived of as identity, politics, scene, performance, and/or practice. For punks in academia and academics studying punk, how do we position ourselves in relation to the work, to power, and with our comrades? Sarah Gelbard is a Ph.D. candidate in urban planning at McGill University. Her research speaks to the ways marginalized and alternative urban groups negotiate with, subvert, and refuse the formal city-building project of mainstream placemaking and planning. She is a co-organizer of the Spaces of Struggle Radical Planning conferences and research group. Sarah is also the lead singer and bassist in the punk band Bad Missionary.  Our music comes from Them'uns (featuring Yous'uns). Anarchist Essays is brought to you by Loughborough University's Anarchism Research Group. Follow us on Twitter @arglboro Artwork by Sam G.

In this essay, Frankie Hines argues that an anarchist literary theory requires engaging with the anarchist critique of representation and considering possibilities for non-representational literary modes. Rather than looking for representations of reality, he argues anarchist literature should instead be read for the political effects it produces; that is, as a form of direct action. Frankie Hines received his PhD in English Literature from the University of Westminster in 2021, submitting a thesis entitled Evading Representation: The Literature of Contemporary U.S. Anarchism. He is the author of  "‘A movement that renovates people, as well as buildings’: squatting and neodomestic space in Seth Tobocman’s War in the Neighborhood”, published in Textual Practice in 2021. Our music comes from Them'uns (featuring Yous'uns). Anarchist Essays is brought to you by Loughborough University's Anarchism Research Group. Follow us on Twitter @arglboro Artwork by Sam G.

In this essay, Dorian Wallace discusses the use of music as a source of emancipatory inspiration, revolutionary practice, and transformational communal healing. He addresses the interconnections between music therapy, political music, and liberation psychology as the first step toward deeper exploration and discourse. Dorian Wallace is a composer, pianist, music therapist, and educator renowned for his stylistic versatility, improvisational skill, relentless confrontation against unjust social struggles, and the exploration of the complex and nuanced philosophical nature of transformation. In addition to a successful solo career, he regularly collaborates with artists such as Bonita Oliver, John Sanborn, Paul Pinto, Pamela Z, Charlotte Mundy, Frank London, and Nicholas Finch. Our music comes from Them'uns (featuring Yous'uns). Anarchist Essays is brought to you by Loughborough University's Anarchism Research Group. Follow us on Twitter @arglboro Artwork by Sam G.

In this essay, Janet Biehl discusses her new graphic memoir, Their Blood Got Mixed: Revolutionary Rojava and the War on ISIS, an exploration of the Rojava revolution as of the spring of 2019. She gives an overview of the revolution and the many and varied people she interviewed, explains how she came to write and illustrate the book, and offers her thoughts on the meaning of this remarkable experiment.  Janet Biehl is an independent editor, author, artist, and translator. Her previous publications are (as author) Ecology or Catastrophe: The Life of Murray Bookchin (Oxford University Press, 2015), and (as translator) Michel Knapp et al., Revolution in Rojava: Democratic Autonomy and Women's Liberation in Syrian Kurdistan (Pluto, 2016). The independent film that Janet refers to, called Road to Rojava, will appear in 2023.  Our music comes from Them'uns (featuring Yous'uns). Anarchist Essays is brought to you by Loughborough University's Anarchism Research Group. Follow us on Twitter @arglboro Artwork by Sam G.

In this essay, Elizabeth Vasileva discusses what kind of ethics are compatible with anarchist principles and makes the case for joyful, relational ways of being together. Elizabeth Vasileva is a lecturer at the Free University of Brighton. Her PhD is available to download from your usual choice of legal-grey-zone book repository. Anarchist Essays is brought to you by Loughborough University's Anarchism Research Group. For more information on the ARG, click here. You can follow us on Twitter @arglboro Our music comes from Them'uns (featuring Yous'uns). Hear more here. Artwork by Sam G.

In this essay, Mark Bray discusses propaganda by the deed and the roles of human rights and 'terrorism' in the anarchist-led transnational campaigns against the "revival of the Inquisition" in Spain at the turn of the twentieth century.  Mark Bray is a historian of human rights, political violence, and radicalism in Modern Europe at Rutgers University. Bray's most recent publications are The Anarchist Inquisition: Assassins, Activists, and Martyrs in Spain and France (Cornell UP) and Antifa: The Anti-Fascist Handbook (Melville House). Our music comes from Them'uns (featuring Yous'uns). Hear more at https://soundcloud.com/user-178917365 Artwork by Sam G: https://www.instagram.com/passerinecreations

In this essay, Alice Béja discusses how Emma Goldman and other anarchists "Americanized" anarchism in the United States at the turn of the twentieth century, using national tropes and references to counter government repression while maintaining their internationalist beliefs. The essay is based on the article "Dreaming (Un)American Dreams"; Anarchists and the Struggle to Define Americanism" (Journal for the Study of Radicalism, vol. 13, Number 1, Spring 2019). Alice Béja is Associate Professor in American Studies at the Lille Institute of Political Science (Sciences Po Lille) and a researcher at CERAPS-CNRS. Her most recent publications are "Left-Wing Radicalism in the United States: A Foreign Creed?" (Transatlantica journal of American studies) and "Emma Goldman" (in J-N Ducange, R. Keucheyan, S. Roza, eds, Histoire globale des socialismes, XIXè-XXIè siècles, Presses Universitaires de France, 2021). Our music comes from Them'uns (featuring Yous'uns). Hear more at https://soundcloud.com/user-178917365 Artwork by Sam G: https://www.instagram.com/passerinecreations