Discovery

Geoff Watts investigates the latest thinking about our brain power in old age. He meets researchers who argue that society has overly negative views of the mental abilities of the elderly - a dismal and fatalistic outlook which is not backed up by recent discoveries and theories. Geoff talks to professor Lorraine Tyler who leads a large study in Cambridge (CamCAN) which is comparing cognition and brain structure and function in 700 people aged between 18 and 88 years old. He also meets scientists and participants involved in a unique study of cognition and ageing at the University of Edinburgh. It has traced hundreds of people who were given a nationwide intelligence test as children in 1932 and 1947. Since the year 2000, the study has been retesting their intelligence and mental agility in their 70s to 90s. The Lothian Birth Cohort study is revealing what we all might do in life to keep our minds fast and sharp well into old age. One new and controversial idea holds that cognitive decline is in fact a myth. A team in Germany, led by Michael Ramscar, argues that older people perform less well in intelligence and memory tests because they know so much more than younger subjects and not because their brains are deteriorating. Simply put, their larger stores of accumulated knowledge slow their performance. Their brains take longer to retrieve the answers from their richer memory stores. Producer: Andrew Luck-Baker

Jack Stewart meets the engineers who are building vehicles that drive themselves. He has a ride in Google's driverless car, which has no steering wheel and no pedals. Google's Chris Urmson explains the company's approach to autonomous vehicles. Jack visits Stanford University's driverless car project where professor Chris Gerdes shows him Shelley, an automated Audi that races around a track at speed as well as a human driver. Chris is collaborating with a philosopher to explore some of the difficult questions around autonomous vehicles, such as who is liable if there's an accident. Is it the human or the car? And ,Jack meets Josh Swirtes whose company, Peloton, is linking trucks together with the idea that they should have fewer accidents. (Photo: Jack Stewart in Stanford's University X1)

Jack Stewart explores the world's largest connected vehicles project in Ann Arbor, Michigan, where vehicles with sensors aim to prevent accidents caused by human error. Researchers discuss the system, including instant crash warnings and infrastructure connectivity in Japan for enhanced road safety.

ITER is the most complex experiment ever attempted on this planet. Its aim, to demonstrate that nuclear fusion, the power of the Sun, can give us pollution free energy that we can use for millions of years. But at the moment, it's still largely a vast building site in the Haut Provence of southern France, with little prospect of any nuclear reactions there for another decade. A recent management report made damning criticisms of the way ITER is run, of the relations between the central organisations, and the seven partners (USA, Russia, Japan, China, South Korea, India and Europe) contributing to the project. Roland Pease has been to Cadarache to see how work is progressing, and to hear of the hopes of the scientists who have dedicated their working lives to the dream. (Photo: The empty magnet-winding hall at ITER, BBC copyright)

Dr Tiffany Jenkins asks what our brains can tell us about art. Can there ever be a recipe for beauty? Or are the great works beyond the powers of neuroscience? She talks to Professor Semir Zeki of University College London, the first person to coin the term, neuroaesthetics, about what happens in the brain when people in a scanner see paintings or hear music. Professor Gabi Starr at New York University tells Tiffany Jenkins why she thinks there are parts of the brain that light up when we like an art work. Tiffany visits Christie's auction house to explore whether the best art always commands the best prices.She also talks to Martin Kemp, Emeritus Professor of Art History at Oxford University, about our different responses to authentic paintings and to fakes. And Tiffany discusses with art critic JJ Charlesworth why neuroscience is having an influence in some areas of art appreciation.Picture: The reflection of trees in water, Credit: Getty

Alf Adams FRS, physicist at the University of Surrey, had an idea on a beach in the mid-eighties that made the modern internet, CD and DVD players, and even bar-code readers possible. You probably have half a dozen 'strained-layer quantum well lasers' in your home.Image credit: Alf Adams, BBC Copyright

Mark Miodownik's chronic interest in materials began in rather unhappy circumstances. He was stabbed in the back, with a razor, on his way to school. When he saw the tiny piece of steel that had caused him so much harm, he became obsessed with how it could it be so sharp and so strong. And he's been materials-mad ever since. Working at a nuclear weapons laboratory in the US, he enjoyed huge budgets and the freedom to make the most amazing materials. But he gave that up to work with artists and designers because he believes that if you ignore the sensual aspects of materials, you end up with materials that people don't want. For Mark, making is as important as reading and writing. It's an expression of who we are, like music or literature, and 'everyone should be doing it'. To this end, he wants our public libraries to be converted into public workshops, with laser cutters and 3 D printers in place of books.Image: Mark Miodownik, BBC Copyright

Forensic anthropologist Sue Black discusses identifying bodies in extreme locations, including Kosovo, and her role in solving high-profile criminal cases. She shares insights on emotional pressures in her job and her fascination with human anatomy. Sue collaborates with crime fiction authors for inspiration and fundraising for a new mortuary using innovative embalming techniques.

Whatever happened to biofuels? They were seen as the replacement for fossil fuels until it was realised they were being grown on land that should have been used for food crops. But now there is serious research into new ways of producing biofuels, from waste materials, from algae and from bacteria. Gaia Vince takes to the water of Strangford Lough in Northern Ireland where Professor Matthew Dring and Dr Karen Mooney from Queens University, Belfast, are experimenting in growing algae that could be turned into fuel. She visits Professor Alison Smith's algae lab at Cambridge University. Graham Ellis from Solazyme in California explains how his company has already made fuel from algae that has been sold at the pumps and powered a plane, in a mixture with conventional fuel. And Professor Nick Turner at Manchester University and Professor John Love at Exeter University talk about how they are manipulating bacteria to make diesel.

Biofuels were hailed as the environmental solution to fossil fuels not that long ago. Made from living crops they take up carbon dioxide as they grow. So burning them shouldn’t disturb the balance of warming gases in the atmosphere. But for the last few years the publicity about biofuels has been mainly negative. And for good reason – biofuels are made from crops such as oil palm - grown in place of food crops or even rainforests. In some cases using these crops actually produces more CO2 than burning fossil fuels. However research is being done into new kinds of biofuels that aren’t in competition with food crops. Gaia Vince travels to Bavaria in Germany to meet Dr Markus Rarbach, head of biofuels at Clariant. This company has set up a demonstration plant that produces ethanol from sugars in the waste products of wheat grown nearby. Also on the programme is professor Gregory Tucker from Nottingham University who talks about research into new ways of getting sugars out of the inedible parts of crops; agricultural economist, Dr Paul Wilson, discusses what farmers think about making biofuels out of their straw; and Dr Angela Karp at Rothamsted Research, who is growing new willow varieties, which could be made into biofuels. Image Credit: Clariant