Only Three Lads - Classic Alternative Music Podcast

We haven't given you a Weekend Six Pack in a while...so what better way to kick off the summer than with a fresh flight of new music? 1) Heavenly - 'Portland Town' (Skep Wax) 2) The Parachute Testers - 'Halfway to Everywhere' 3) B-Movie - 'Polar Opposites' 4) Gun-Shy Butterfly - 'Manchild' 5) Budapest - 'Me & Everything' 6) Nelson Bragg - 'Death of Caroline' (Big Stir Records) Learn more about your ad choices. Visit megaphone.fm/adchoices

As arguably the single most important, most influential group in pop music history, The Beatles have been honored with thousands of cover versions. This week, Uncle Gregg, Brett, and Third Lad Arthur Alexander hand pick some of the fabbest and gearest of 'em all. 101 episodes ago, power pop hero Arthur Alexander joined us to recount his fascinating life and career: growing up in Communist Poland, getting exiled to the U.S., and being a driving force in two of the NYC's seminal power pop bands - The Poppees and Sorrows - before putting out his fine solo records One Bar Left and ...steppin' out! He was one of our favorite guests yet, so we were ecstatic to have him join us for this topic that is near and dear to his heart. Big Stir Records presents Parting Is Such Sweet Sorrow, the long lost thrid album by NYC power pop legends SORROWS, recorded in 1981 during a one-night session at the peak of their energy. This final chapter in their musical legacy includes the indie hit “Out Of My Head” and ten unreleased originals, plus three covers. The band, formed from the ashes of The Poppees, had previously made waves with their debut Teenage Heartbreak and faced struggles with their ill-fated second album (Love Too Late), which nearly ended their career. Forty years later, Arthur Alexander and the band recovered the rights to the material, leading to the surprise 2021 release of Love Too Late... The Real Album. Parting Is Such Sweet Sorrow captures the band in raw form, fueled by the frustration of industry interference, delivering high-energy rock tracks like “Never Mind,” the heartfelt elegy for John Lennon “Cricket Man,” and the rockabilly scorcher “Let Me Know.” Recorded at Mediasound Studios in NYC, it’s a powerful testament to the band’s sound and vision, offering a cohesive, fiery farewell with timeless tracks that reflect both their struggle and resilience. Thanks to Rex Broome and Christina Bulbenko from Big Stir Records. You are both amazing! Proud members of the Pantheon Podcasts network. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are thrilled to welcome one of the seminal figures of alternative music - David J. Haskins (Bauhaus, Love & Rockets, solo). O3L's Brett Vargo chats with David J about his new poetry book, Rhapsody, Threnody & Prayer, and the accompanying album of five of the poems set to music, The Mother Tree. There are plenty of new tales to tell! Learn more about your ad choices. Visit megaphone.fm/adchoices

Listen to the thrilling conclusion of our epic chat with The Big Takeover magazine magnate and Springhouse drummer Jack Rabid. We cover the top 3 of our choices for the artists/bands with the best run from 1980-84, as well as more amazing "Jack"-anory stories! If you haven't already, be sure to check out Part 1 in Episode 275! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we examine the first half of the '80s to ask the question - which artists had the best run during that span? Bringing us the funny sugar in this episode is our friend Jack (where our fellow '60s music nerds at?!?). That's right, Jack Rabid, publisher/writer for The Big Takeover magazine and drummer for '80s New York hardcore band Even Worse and dreamy '90s indie band Springhouse is our Third Lad this week. And we had such a fab time that this one is a two parter! Part two will be dropping in a few days, so stay tuned... Springhouse released two albums of sparkling, melancholy guitar pop for Caroline Records in the early '90s - 1991's Land Falls and 1993's Postcards From The Attic. They were the first major label signed, nationally touring U.S. "shoegaze" band, with the 'Layers' video getting MTV airplay, and sharing stages with the likes of House of Love, The Chills, Psychedelic Furs, Belly, and the Lemonheads. In 2008, the band returned for a melodic, orchestral-pop masterpiece on Independent Project Records, From Now To OK. Originally released on limited edition CD only, it has now been reissued as a deluxe edition on vinyl, CD, and digital, and presented in a beautiful package from IPR co-owner/master designer Bruce Licher. https://springhouse.bandcamp.com The Big Takeover is a bi-annual music magazine founded by Jack Rabid and Dave Stein in May 1980, originally as a fanzine for New York punkers The Stimulators. For over 45 years, Rabid and Big T contributors have been thrilling alternative music fans with in-depth interviews, coverage of lesser known artists, and a huge review section - including Jack's always entertaining "Top 40" section. https://www.bigtakeover.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are saddened to learn of the passing of our friend Terry Draper from Klaatu. We remember Terry, his musical legacy, his sense of humor, and zeal for life. This is a repost of an episode from November 9, 2021. --------------------------------------------------------------------------------- Featuring over 30 minutes of material from our extended conversation with Terry Draper that did not appear in the main episode! We were very fortunate this week to have Third Lad Terry Draper from Klaatu join us this week.  In 1976, Klaatu let their music do the talking, with a blend of whimsical psychedelia, spacy progressive rock and melodic power pop...so much so that masses of people believed that they could be The Beatles under a pseudonym!  The brilliant, essential debut album 3:47 EST and single "Calling Occupants Of Interplanetary Craft" became hits on FM radio, with "Occupants" covered by none other than '70s pop icons The Carpenters.   But the Terry Draper story doesn't end with the demise of Klaatu in 1982.  Since returning to the record bins in 1997, he has remained incredibly prolific with new music.  Following 2020's Lost comes the ambitious new album The Other Side.  If you are a fan of adventurous yet always tuneful music (and we know you are), pick up his latest releases at ⁠www.terrydraper.com.⁠ Terry shares fascinating stories from his rock n' roll life, from his beginnings in the mid-60s to encounters with Mick Jagger, Ozzy and Boy George, shares his recipe for a "songwriting cake", and how he continues to make progress after over 50 years of music.   Learn more about your ad choices. Visit megaphone.fm/adchoices

It's time for another label spotlight, as we count down some of the best singles from the legendary New Zealand indie Flying Nun Records. Joining us for this discussion is a musician who, despite being on the other side of the world in Los Angeles, has felt the impact of Flying Nun very profoundly - Sharif Dumani from Exploding Flowers. Flying Nun was formed in Christchurch in 1981 by music store manager Roger Shepherd.  Described by The Guardian as "one of the world's great independent labels", Flying Nun is notable for bringing global attention to the "Dunedin Sound", often characterized by jangly guitars and a lo-fi, DIY production. Pivotal bands on the Flying Nun in the '80s and '90s include The Clean, The Chills, The Bats, Tall Dwarfs, Sneaky Feelings, Straitjacket Fits, 3Ds, Look Blue Go Purple, The Verlaines, and Jean-Paul Sartre Experience. The label continues to flourish, with a crop of 21st century artists like Betchadupa, Aldous Harding, Fazerdaze, The Courtneys, and Vera Allen. Exploding Flowers are a Los Angeles quartet who have crafted their own universe of guitar-based pop, with its flourishes of piano, organ, synthesizers, vibraphone and glockenspiel on top of a foundational rhythm section. Led by Sharif Dumani, who has worked with a variety of artists from '60s underground heroes Nick Garrie and Silver Apples; punk and post-punk pioneers such as Alice Bag (The Bags), Rachel Love (Dolly Mixture), Jowe Head (Swell Maps, Television Personalities), and Nikki Sudden (Swell Maps); and artists and bands like Cody Chesnutt, Sex Stains, the Moon Upstairs, Classics Of Love, and many more. Watermelon/Peacock is Exploding Flowers' third release packed with analog production, poetic lyricism, and the same strong melodies and hooks we’ve now come to expect from a band that prioritizes its songwriting with smart left turns. Both economic and expansive, they utilize all measures to craft something both beautiful, grand, and driving. Link: https://explodingflowers.bandcamp.com/ Plus: play along with a brand new O3L game, "Who Needs Wings to Fly?!?" Learn more about your ad choices. Visit megaphone.fm/adchoices

Get ready for the most unintentionally sexist O3L yet! We tried very hard to steer away from the phrase "one man band" during this episode...only to pick albums almost exclusively by one man bands (except for a bonus nod to Enya). We tried. Dang you, unintentional sexism!! Anyway, the focus this week is albums where one man...er, human...mostly did it all. All the vocals. All the instruments. In many cases, all of the writing and production. The albums recorded in this fashion during the O3L era have been wildly influential for DIY musicians today, including today'sThird Lad, Minorcan's Ryan Anderson. With a career stretching back over 20 years, including three full-band records, Ryan Anderson's latest self-released Minorcan album, the appropriately titled Rock Alone, is a basement arena rock tour-de-force. Featuring eight musically rich and lyrically insightful songs from the pen of the Asheville, NC-based artist, Rock Alone will appeal to fans of roots rock, punk, and classic singer-songwriters alike. Rock Alone is now available on vinyl, CD, and digital: https://minorcan.bandcamp.com Thanks to Mike Turner from Crashing Through Publicity for the connection! Learn more about your ad choices. Visit megaphone.fm/adchoices

It's double your O3L pleasure this week with our 4th Annual Cruel World Special! It’s that time of year again - on May 17, 2025, the masses will descend upon Brookside at the Rose Bowl in Pasadena, CA, for the 4th installment of what has become a destination, a cultural touchstone for fans of classic alternative, new wave, punk, synth-pop, goth, and dark wave - the Cruel World festival.  Goldenvoice has once again put together a fantastic lineup of legends, younger bands who are carrying the torch, and a couple of surprises thrown in.  This year’s lineup includes New Order, Nick Cave & The Bad Seeds, The Go-Go's, Devo, OMD, Death Cult, Garbage, Madness, the first appearance of the original ‘Til Tuesday lineup in 35 years, Midge Ure, Clan of Xymox, Buzzcocks, Stereo MC’s, Blancmange, Alison Moyet, and "next generation" acts like Nation of Language and She Wants Revenge. As has become O3L tradition, we celebrate this annual event with an episode where we each pick the five acts that we are, or at least would be, most excited to see at this year’s festival.  This year, we’ve got a special guest Third Lad joining us, a gentleman who can rightfully be called Gen X’s DJ - someone who grew up, like us, under the spell of this music and continues to keep it alive to not only our generation, but subsequent generations.  Jake Rudh has hosted Minnesota Public Radio’s The Current for 15 years, the weekly Transmission club night in Minneapolis for nearly 25 years, he has been a resident DJ at the famous First Avenue (yes, where a lot of Purple Rain took place) for 15 years, as well as the annual ‘80s music festival '80s in the Sands in Mexico, which is hosted by Richard Blade and many of the classic MTV VJs.  We also have Jake to thank for the amazing content on the Slicing Up Eyeballs Facebook page - album anniversaries, artist birthdays, tour announcements and other news.  Plus, the world can partake in Transmission on Twitch, featuring 5+ hours of classic videos every week.  Jake Rudh Website: https://transmission-music.com/djs/jake-rudh/ Facebook: https://www.facebook.com/JakeRudh/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Blackpool, Lancashire lies on the Irish Sea on the northwest coast of England, situated roughly 50-some miles north of Liverpool and 50-some miles west of Manchester. This seaside destination may conjure up visions of tourists, the Promenade, Pleasure Beach, or Blackpool Tower, but this week we focus on Blackpool as a crucial stop on the musical map. Joining us for this engaging discussion is one of Blackpool's favourite musical sons, John Robb! John was outside enjoying a lovely sunny day in Manchester, and we were lucky to get nearly an hour of his time before his phone connection went kaput. John has been at the centre of Blackpool post-punk legends the Membranes from their original 1977-1990 run to their post-hiatus return since 2009. Their initial era (including their three UK Top 20 indie albums and three Top 20 indie singles) is covered on Cherry Red's comprehensive 5 CD box set, Everyone's Going Triple Bad Acid, Yeah! They added to their already impressive body of work in the 21st century with two of their finest and most ambitious albums yet: 2015's Dark Matter/Dark Energy and 2019's What Nature Gives...Nature Takes Away. But wait, there's far more to this multi-faceted artist. Aside from also leading the punk band Goldblade, Robb has also produced bands like Therapy? and Cornershop; been a TV presenter and pundit; a journalist; best-selling author (including The Art of Darkness - The History of Goth, Punk Rock: An Oral History, Stone Roses and the Resurrection of British Pop, The North Will Rise Again, and an upcoming Oasis biography); creator of the essential Louder Than War website and magazine; festival boss; green revolutionary; vegan behemoth...a true renaissance man. Thanks to Paul Richison for the suggestion and introduction! Learn more about your ad choices. Visit megaphone.fm/adchoices