The Food Programme

Dan Saladino is at Food On The Edge, a gathering of people with food stories to tell; from a Black Panther breakfast to a chef convinced her emotions could be detected in her food.Held in Galway, the west of Ireland each year chef JP McMahon invites fellow cooks, chefs and restaurateurs to take to a stage and for 15 minutes share a food story of experience. Over two days more than 40 different stories from countries as diverse as Japan, Italy, Bolivia and Australia are told.Dan selects a handful of the stories that made an impact on him during his time at Food On The Edge.The first story is of how a Syrian kitchen came to be set up in Amsterdam. Tens of thousand of Syrians arrived in the city during the peak of the recent refugee crisis. Among them was a photographer, fashion designer, fitness machine repair man and a lawyer. Together they ran a kitchen in the Salvation Army centre where they were being housed, aiming to feed their fellow refugees with food from home. After spotting an appeal for help on Facebook, Dutch chef Jurriaan Momberg visited the kitchen to see if he could help teach them to cook. What he discovered were some of the greatest culinary talents he'd encountered in his career. It led to the creation of a pop-up restaurant which caused a sensation in Amsterdam. But all good things comes to an end and in the programme Jurriaan explains why one day he walked into an empty kitchen.Another story comes from Oakland California. It was there in 1966 that the radical political movement The Black Panthers were created in response to police violence against black communities. By 1969 what had first looked like a militia, promoting armed resistance, the organisation had also created a series of social programmes. The most successful of which was a breakfast programme set up to feed black children who were often going to school undernourished and hungry. Chef Saqib Keval of the People's Kitchen Collective, a group of cooks, historians and researchers who tell stories through food, explains why he's brought the free breakfasts back to California.Meanwhile Chef Matt Orlando of the Copenhagen restaurant Amass reveals some of the kitchen experiments he's been undertaking to convert so called "waste food" and by-products into delicious meals. He explains the ingenious way flavours and nutrients inside used coffee grounds can be released to make a meal.Irish chef Domini Kemp took to the stage to express her frustration of how, based on her own experience of cancer treatment, the medical profession neglect the power of food in conversations about prevention, recovery and long term health.Finally, New York chef Elise Kornack tells the story of how a mental breakdown led her to become convinced that her own powerful emotions were being transferred through her cooking and onto her customers. Like a scene from the book and film, Like Water For Chocolate, she believed every mouthful of food she was serving would result in diners sensing what was unfolding in her troubled mind. Produced and presented by Dan Saladino.Additional recording in Oakland, California by Meradith Hoddinott.

The number of young people turning vegan is rising. Grace Dent meets some of the people opening vegan eateries and finds out how creatives are using social media to further the "vegangelical" cause. Grace goes to the Hackney Downs Vegan Market to speak to Jay Brave who argues that adopting a vegan diet is as much about personal autonomy and challenging the status quo as it is an ethical step. He delivers a few bars of 'Vegan Shut Up', his parody of Stormzy's 'Shut Up' released on World Vegan Day, and tells Grace why veganism is becoming big in the London grime scene. She also speaks to Sean O'Callaghan AKA Fat Gay Vegan who set-up the market and has seen its popularity grow, and gives his reaction to the mainstream restaurants who are falling over themselves to come up with vegan menus. Ian Theasby and Henry Firth from Bosh! create simple and imaginative vegan recipes which are filmed and broadcast to over 1.4m Facebook users. Toby Field visits them at their studio to find out what fuels their idea to create plant-based options and to ask why they keep out of the argument around the ethics of veganism.Maria Rose has just opened a vegan cafe in Barnstaple and explains how it's slowly creating a more enlightened scene in North Devon. So is this just a trend that's fine for the hipster herbivores of Camden, or can it gain traction across the country and start a food revolution? Producer: Toby Field.

With Catalonia in the midst of a political crisis, Sheila Dillon travels to the region just as they self-declared independence and discovers how the spirit of the region and its people are very much reflected in their passion for food.

Dan Saladino gets a practical masterclass with the world-renowned teacher and author of 'The Art of Fermentation' - Sandor Ellix Katz.Presenter: Dan Saladino Producer: Rich Ward.

Following years of reporting on UK chicken scandals, Dan Saladino looks at investigations now underway by The Food Standards Agency and MPs into practices at supplier 2 Sisters.

In this final programme of the series How We Eat, Sheila Dillon explores eating as a family, the reality and the myth. As working hours increase and with both parents working, it becomes more and more difficult to sit down together with the children for meals. Separate meals, often in front of the tv, are more the reality in Britain today. But in this programme Sheila meets two families who believe that there is nothing more important than eating together. The Parker family have two children of their own, but they have also fostered dozens of children, some with special needs. Crucial to the success of their extended family, they believe, is the fact that they sit together every night at six o'clock round the table to eat. Sheila Dillon joins them to find out why this structure is so important to the children they look after. She visits too the Brooks family, who sit down together every Friday night for the Jewish Friday night dinner. Emma Brooks married into Judaism and found it strange at first; she reflects on the demands but also the benefits of this ritual meal. So what exactly can family meals do for us? Sheila talks to best-selling child psychologist Steve Biddulph whose books ("Raising Boys", "Raising Girls") are in 4 million homes, and finds out why he thinks eating together is crucial if you want to solve conflict and raise happy children. He gives his top tips for successful family meals. But many people, Sheila included, remember dreadful family rows over the childhood dinner table. With historian Chris Kissane, the programme explores whether the family dinner, like the perfect family itself, has always been more of a myth than a reality.

Increasing numbers of people in Britain seem to eat according to very clearly defined rules, from fashionable Clean Eaters to religious believers to professional sportspeople. In this third programme in the series How we Eat, Sheila Dillon talks to them about the rules they follow and why, sometimes, rules make life not only easier but more enjoyable. She meets vlogger Madeleine Shaw, an Instagram Star with 275,000 followers, whose 12-point eating philosophy includes the rule "Don't Eat Anything Beige". She talks to followers of the ancient Jain religion, who believe it's deeply wrong to eat root vegetables or anything raw. If they break the rules, there is a complex system of atonement. She visits a slimming class to discover the pleasures of eating according to a clearly defined plan and why iced Chelsea buns are evil. And she talks to professional athletes, a jockey and a boxer, about how they eat when they know that their entire livelihood depends on not gaining a single pound.

What happens when you share a meal with strangers? What chemistry fizzes around the table, what bonds are formed, what happens next? In this programme Sheila Dillon talks to people who believe that eating with strangers is the greatest pleasure in life, and to people whose lives have been transformed by those meals. She visits the largest Sikh temple in Europe, where hundreds are fed every day for free, and hospitality to strangers is a sacred religious duty. She meets the woman who started the supper club movement in Britain when she began inviting people into her small flat for dinner. She talks to an unlikely couple - with a 60 year age gap - who formed a firm friendship thanks to the charity the Casserole Club. And she visits the Glasgow couple who met as strangers at a supper club for singles - and knew after that first dinner that they were destined to share the rest of their lives together. It was his table manners that did it.

How we eat says so much about us. Where we come from, our family background, our feelings about our bodies even - our appetite for all kinds of pleasure... There was a time when how we eat was mostly about class, but whether you called it "tea" or "dinner" or "supper", there were still fixed conventions about when and where we ate, and what we ate. These days the certainties, the boundaries, have been broken up. How do we eat now? Well, differently, as this series reveals. This first programme of How We Eat explores the pleasures and pitfalls of eating alone. As one in three households in Britain is now a single-person household, increasing numbers of people ARE eating on their own. Do we eat differently when we eat unobserved? How do people of all ages, from students to widowers, adjust to suddenly having to cook for themselves?Sheila Dillon investigates the booming business of ready-meals for one, and hears embarrassing confessions about secret snacks: such as people who shut themselves in the utility room to gorge on chocolate, pretending they're doing the laundry. She visits inspirational cookery writer Anna del Conte, who's in her 90s, to talk to her about the delicious meals she makes for herself now that she's a widow. She goes to a cookery class at a hospice. She talks to students who admit to living on alcohol and crisps. And she meets a man who cooks fresh meals to share with his dog.

Sheila Dillon presents the highlights of this year's awards with Giorgio Locatelli