The No Film School Podcast

Why safety matters on set…cutting through the glut of streaming content constantly available…the highs and lows of crypto in Hollywood…and unique lenses featured at Cine Gear…  In this episode, we talk about… Sarah Polley’s traumatic experience with director Terry Gilliam  The importance of safety on set and holding people accountable for safety  Culture shift around humane leadership and psychologically safe work environments  How Netflix changed expectations for viewers and how we consume shows Binging vs. slow drip model and getting your audience to know you exist  The easy access and comforting company of a streaming library Trying to understand the Hollywood and crypto bubble   Advice around using crypto to finance your film  Details about Cine Gear and the latest attempt at mimicking vintage lenses  Links to Resources: Find No Film School everywhere:On the Webhttps://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagramhttps://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing editor@nofilmschool.com!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Editor Eddie Hamilton tells us about cutting Top Gun: Maverick, building his career, and working with Tom Cruise.In this episode, we talk about… Making the jump from editing shorts to major blockbuster films  Advice for setting your bar high and doing the best work you can possibly do    Ultimate escapism and which movie made Eddie fall in love with the film industry  Whether shooting IMAX footage changes the direction of the story  Little stick jets, iPhones, and other tricks used during filming Maverick Working with heavy hitters of the film industry and the one-person committee of Tom Cruise Passion, hard work, and delivering a great night at the movies  Cutting scenes for the big screen and why every second matters Stress testing scenes to provide an emotional journey for the audience    Reshooting until it’s exactly right to create the perfect movie   Editing tips for filmmakers and helping your audience connect to the characters     Links to Resources: Find No Film School everywhere:On the Webhttps://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagramhttps://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing editor@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

When should you use a contract? Do you know what a deal memo is and how to use one? Tech news about Apple’s M2 processor and words of wisdom for a young filmmaker we wish we’d known 20 years ago…   In this episode, we talk about… Elon Musk’s latest news stunt and who really benefits from contracts  Where ownership by default lies vs. “work for hire”   Differences between contracts vs. deal memos and when to use each  Advice to have contract conversations first and red flags to avoid  Apple’s shockingly powerful new MacBook Air with M2 processor      Ask No Film School: “How can I get my first film out to the public?” “Which microphone should I purchase to record with my phone?” Options for dual system sound and why sound people always get paid Suggestions to watch past festival films, use online platforms to share your film, and to always keep making stuff  Remember: Your first film should not be your last—use it as a learning opportunity to get better       Links to Resources: 5 Day Deal Video Creators Bundle 2022 - https://nofilmschool.com/5daydeal2022Find No Film School everywhere:On the Webhttps://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagramhttps://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing editor@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

Next Exit’s director Mali Elfman recalls the journey of bringing her directorial debut to fruition during the height of the pandemic and how sometimes you have to embrace fear and failure to experience success… In this episode, we talk about… Taking a film to production after 10 years in development The beauty of creating a film crew pod during the pandemic   Juggling the triple threat of being a writer, producer, and director The value of crew members and knowing productions can’t run without PAs Benefits of being solutions-oriented vs. being a combative director Prioritizing sleep during filming and shifting away from grind culture How sharing an unfinished passion project led to Next Exit  Creating a supportive production environment for cast and crew   The need to understand the practicality of how to shoot your film, its budget and constraints  Speaking from your heart and giving yourself permission to embrace failure Details about the Tribeca Film Festival and hope for what comes next     Links to Resources: Next Exit by Mali Elfman is premiering at the Tribeca Film Festival on June 10 - https://tribecafilm.com/films/next-exit-20225 Day Deal Video Creators Bundle 2022 - https://nofilmschool.com/5daydeal2022Find No Film School everywhere:On the Webhttps://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagramhttps://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing editor@nofilmschool.com!  Learn more about your ad choices. Visit megaphone.fm/adchoices

What business does the Pentagon have in films? Are filmmakers and film-watchers truly aware of the message they are sending and receiving? Plus details about ARRI’s Alexa 35 and first new sensor in 14 years and Fuji’s new digital camera… In this episode, we talk about… Recognizing the glorification of violence in America vs. the rest of the world  Acknowledging the need for hierarchy in filmmaking   The Pentagon’s surprising connection to over 2500 films  Responsibility of filmmakers and the audience to be aware of the impact of film Advice for making decisions about money and which clients and collaborators you’re open to before the offer’s on the table Handling messages with care and the necessity of research in film   Details about ARRI’s long-awaited release of the new Alexa 35  Fujifilm’s X-H2S and the first collaboration of Fujifilm and Fujinon    Links to Resources: https://www.latimes.com/opinion/story/2022-05-30/top-gun-maverick-memorial-day-tom-cruise-pentagon-propagandaFind No Film School everywhere:On the Webhttps://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagramhttps://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing editor@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

Dances With Films founders Leslee Scallon and Michael Trent join us to discuss the festival's 25 year anniversary, its history and selection process, and how they keep it a festival for filmmakers by filmmakers…In this episode, we talk about… What led Michael and Leslee to found the Dances With Films Festival  Orion’s cease and desist letter and “Festival of the Unknowns”  Creating a sustainable model by prioritizing film and championing new talent  Why DWF is held in Los Angeles and respect for the film selection process Acknowledging not all films are good and why filmmakers need to keep practicing  Engaging with new filmmakers and preparing them for the industry  Watching the whole film and looking for the heart when selecting films for DWF  How all films not chosen receive “pass” letters that include positive comments The challenge of DWF’s programming and how it’s evolved over the years Links to Resources: Dances with Films - https://danceswithfilms.com/Find No Film School everywhere:On the Webhttps://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagramhttps://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing editor@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

Is Tom Cruise the last movie star? Can you make an indie film without a celebrity? The never-ending challenge of finding your audience, casting unknowns who are the right fit, and Sirui’s affordable anamorphics…In this episode, we talk about… Defining what it means to really be a movie star  Whether franchise movies mean less power for actors  Letting CGI Stan Lee live in Marvel movies forever Measuring success and significance in the film industry and media Pre-digital effects feelings and the different joys actors bring  Tom Cruise vs. Tyler Perry and how Tyler Perry is the modern Charlie Chaplin     Why indie films no longer need a big celebrity who’re trying to be serious   The challenge of finding an audience interested in your work Recognizing that different people scale to different size screens  Benefits of casting the actor who’s good and right for the part   Sirui’s affordable lenses and the growing lens space     Links to Resources: Find No Film School everywhere:On the Webhttps://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagramhttps://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing editor@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

Avatar is back after a long layoff since it changed the game. What can it offer filmmaking and audiences now? In this episode, we talk about… Memorable dialogue, characters, and stories of other James Cameron movies vs. Avatar  Whether Avatar 2 can bridge the 13 year technology gap since the first release Regarding Henry and shutting down production over cheap caviar  Consummate craftsman vs. self-destructive tendencies  H&Y’s new Revoring’s surprisingly user-friendly magnetic filter setup      Links to Resources: Find No Film School everywhere:On the Webhttps://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagramhttps://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing editor@nofilmschool.com!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Aviary writers Jennifer Raite and Chris Cullari explain how a prior interview from the No Film School Podcast helped them connect with their lead actress and how to create an egoless partnership that producers want to work with…In this episode, we talk about… Producing a film during COVID with a little less than 14 days to shoot   Fielding a cast who’s down for the film’s size, location, and shooting schedule What it’s like working with actors who help move production forward easily   Writing a script that’s achievable even with significant limitations Creating a horror film focused on new information vs. new kills  The power of collaboration and advice for putting ego aside Studying other films and directors like studying game footage for athletes  Suggestions for getting your first feature made and the value of establishing relationships within the industry   Learning when, where, and how to put your foot down and pushback for the story    Links to Resources: The Aviary - https://www.amazon.com/Aviary-Malin-Akerman/dp/B09KG7ZF3QMalin’s Interview on NFS Podcast - https://nofilmschool.com/malin-akerman-chick-fightFind No Film School everywhere:On the Webhttps://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagramhttps://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing editor@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

A journey from Georgia to Middle Earth…why you should protect and insure your gear…Have streamers broken TV? DJI’s new drone and MASV’s massive ability to share large video files… In this episode, we talk about… Camera theft and reselling a path to bigger dreams  The Cat Person narrative and who gets to tell the story  Vice’s article addressing two worldviews of showrunning  Film industry’s apprenticeship problem and how writers rooms don’t need to be hell A life of continual growth vs. the delusion you have finally arrived The issue of paying people for 22 episode seasons vs. 6 episode seasons How DJI’s new 249 gram Mini drone skirts the law  Drawbacks of sharing video files and benefits of using MASV (Massive.io) How MASV crosses WiFi streams and backwards rigging tools for film    Links to Resources: Cat Person Story - https://www.newyorker.com/magazine/2017/12/11/cat-personVice Story - https://www.vice.com/en/article/epxeze/television-is-in-a-showrunning-crisis Find No Film School everywhere:On the Webhttps://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagramhttps://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing editor@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices