New Books in Architecture

In Working Towards the Monarchy: The Politics of Space in Downtown Bangkok (University of Hawaii Press, 2016), Serhat Unaldi offers a provocative and original interpretation of the relationship between space, architecture and power in one of Southeast Asia’s biggest and most complicated cities. Climbing the towers and exploring the alleyways of Siam-Ratchaprasong, that part of Bangkok famous for its gaudy malls, pretentious hotels and tourist strips, Unaldi finds that the charismatic authority of the royal institution has combined with the political economy of the capitalist marketplace to form a highly potent yet unstable admixture of elements for modern state formation. The dense concentration of forces for elite domination of Thailand in these few city blocks at once affirms and celebrates the project’s success, enabling the dominant classes to be seen exactly as they would have themselves seen. But these spaces are also fraught with danger, subject to instability caused by realignments among erstwhile allies within, and to increasingly overt challenges to the status quo from opponents without — expressed most dramatically in the antigovernment protests of 2010, which left in their wake the smoldering ruins of the very architectural hierarchy intended to signify modernity via proper relations of inequality. Serhat Unaldi joins New Books in Southeast Asian Studies to talk about Siam Paragon and the politics of space, the appeal of Thaksin Shinawatra, the Erawan Shrine and its others, disappeared and hidden palaces, Phibun Songkhram and the making of Chulalongkorn University, and how all roads in Bangkok lead to the monarchy. Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University and in 2016-17 a member of the Institute for Advanced Study, Princeton. He can be reached at nick.cheesman@anu.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

In Style and Seduction: Jewish Patrons, Architecture, and Design in Fin de Siecle Vienna (Brandeis University Press, 2016), Elana Shapira, Lecturer at the University of Applied Arts Vienna, examines the complex histories of Jewish cultural patronage in Vienna. She offers a nuanced and compelling account of the cultural networks of the time. This book is an important contribution, which overturns established ideas about the Jewishness of Viennese cultural figures of this period. Shapira brings into question dominant ideas about assimilation, modernism and cultural interchange. This book will be an important reference on this subject for many years to come. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

In White City, Black City: Architecture and War in Tel Aviv and Jaffa (MIT Press, 2015), Sharon Rotbard, Senior Lecturer in the Architecture Department at Bezalel Academy in Jerusalem, examines the dual histories of Tel Aviv and Jaffa. He offers a nuanced and compelling deconstruction of the myth of the White City and the erasure of what he deems the Black City. This book is a compelling contribution, bringing critical urban studies into conversation with critical histories of Zionism in innovative and provocative ways. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

After World War II, America’s religious denominations spent billions on church architecture as they spread into the suburbs. Gretchen Buggeln’s latest monograph, The Suburban Church: Modernism and Community in Postwar America (University of Minnesota, 2015), is richly illustrated history of mid-century churches in the Midwest that shows how architects and suburban congregations joined forces to create a new wave of modernist churches to reflect and shape developments in postwar religion–its ecumenism, optimism, and liturgical innovation, as well as its fears about staying relevant during a time of vast cultural, social, and demographic change. Gretchen Buggeln holds the Phyllis and Richard Duesenberg Chair in Christianity and the Arts at Valparaiso University in Indiana. Hillary Kaell is associate professor of Religion at Concordia University in Montreal. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Assistant Professor Federica Goffi fills a blind spot in current architectural theory and practice with this book, Time Matter(s): Invention and Re-Imagination in Built Conservation: The Unfinished Drawing and Building of St. Peter’s, the Vatican (Routledge, 2013). In proposing a hybrid approach which merges architectural and conservation theory the work offers the reader a counter-viewpoint to common understandings of preservation as singular moment from the past which has been frozen and brought forward to the present. Through a micro-historical study of a Renaissance concept of restoration, a theoretical framework to question the issue of conservation as a creative endeavor arises. It focuses on Tiberio Alfarano’s 1571 ichnography of St. Peter’s Basilica in the Vatican, into which a complex body of religious, political, architectural and cultural elements is woven. By merging past and present temple’s plans, Alfarano created a track-drawing questioning the design pursued after Michelangelo’s death (1564), opening the gaze towards other possible future imaginings. Federica Goffi book further uncovers how the drawing was acted on by Carlo Maderno (1556-1629), who literally used it as physical substratum to for new design proposals, completing the renewal of the temple in 1626. This research shows how architectural and conservation practices can be merged in contemporary renovation. By creating hybrid drawings, the retrospective and prospective gaze of built conservation forms a continuous and contiguous reality, where a pre-existent condition engages with future design joining multiple temporalities within a continuity of identity. The study might provide a paradigmatic and timely model to retune contemporary architectural sensibility when transforming a building of recognized significance. Brant Matthew Tate https://au.linkedin.com/in/t8architect https://uq.academia.edu/BrantMatthewTate branttate@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

In his shining new book The Medieval Islamic Hospital: Medicine, Religion, and Charity (Cambridge University Press, 2015), Ahmed Ragab, Assistant Professor of Religion and Science at Harvard Divinity School, charts the institutional and intellectual history of hospitals or bimaristans in medieval Egypt and the Levant. A central argument of this book is that hospitals in Islamdom were more than just institutions where the sick were treated; hospitals also served as important sites of communal services and congregation, as urban architectural monuments, and as symbols and expressions of a rulers political authority. By exploring an astonishing variety and number of sources, Ragab provides an unparalleled window into the aspirations and operations that defined the medieval Islamic hospital. This splendid new book will be of great interest to students of medieval Islamic history, religion and science, medical history, and the study of Islam and religion more broadly. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Since 2007, American photographer Jade Doskow has been documenting the remains of World’s Fair sites, once iconic global attractions that have often been repurposed for less noble aspirations or neglected and fallen into decay. Lost Utopias (Black Dog Publishing, 2016) brings together the substantial body of work that Doskow has completed over the past decade, including iconic monuments such as the Seattle Space Needle, the Eiffel Tower, Brussels Palais des Expositions and New York’s Unisphere. Doskow’s large-scale colorphotographs poignantly illustrate the utopian architecture and art that has surrounded the Worlds Fairs, across both the nineteenth and twentieth centuries. Presented in a large-scale hardback book, Doskow’s work carries a unique sense of both grandeur and dreaminess, whilst also reflecting upon the often temporary purposes that these structures once held. Jade Doskow is an award-winning photographer based in Peekskill, New York. She holds a BA in Philosophy of Art and Music from New York University and an MFA in Photography & Video from the School of Visual Arts. She is currently on the photography faculty of the School of Visual Arts and the International Center of Photography, and was named by ‘American Photo’ as ‘One to Watch’ in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

During the 18th century English country houses served an important function in their society as stages for the display of the status and power of the landed aristocracy. As Jon Stobart and Mark Rothery demonstrate in Consumption and the Country House(Oxford University Press, 2016), though, they also played a revealing role as centers of consumption. Using three aristocratic families from the Midlands as case studies, Stobart and Rothery survey their patterns of spending over several generations, revealing the factors that shaped them. This spending, they argue, was not constant but instead saw fluctuations that coincided with life events, such as deaths and inheritances. Such dramatic changes were followed by the acquisition of goods that often were then used to create venues for these families to display their elite identity, with pursuit of the fashionable often tempered by issues of taste, rank and lineage. Stobart and Rothery’s analysis is not confined to large expenditures, however, as they also examine the more mundane spending necessary to keep these large households functioning and the gendered spheres that often defined the roles played by husband and wife in purchasing goods and services. Their analysis of these activities helps to refine our understanding of country houses, demonstrating how they were not the static exhibits we know today but fluid environments in which families left an ever-changing imprint. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

In the early 18th century, country houses in Ireland underwent a dramatic physical transformation. In her book Life in the Country House in Georgian Ireland (Paul Mellon Centre, 2016), Patricia McCarthy describes the course of this evolution, as the Palladian style turned aristocratic domiciles in rural Ireland from fortified buildings into elegant structures with columns, porticos, and other classically-influenced touches. From there she goes on to describe the interiors of the homes, the functions of the various rooms, and the lives lived both by the upper class and the people who served them. By describing the manifold ways in which the occupants used the spaces, a portrait of their domestic lives emerges that enriches our understanding not just of country house life in the 18th century but the world of the Protestant elite in Georgian Ireland as well. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

In Building a Public Judaism: Synagogues and Jewish Identity in Nineteenth-Century Europe (Harvard University Press, 2013), Saskia Coenen Snyder, Associate Professor of History at the University of South Carolina, uses buildings to tell a story; specifically, a story about how the construction and architecture of nineteenth-century European synagogues shed light on the different national experiences of modern European Jews. By looking at synagogues in four important European centers: London, Amsterdam, Paris, and Berlin, Snyder explores Jewish space as a marker of acculturation but not full acceptance. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture