New Books in Architecture

In The Story of Follies: Architectures of Eccentricity (Reaktion, 2023), Celia Fisher presents an amusing, informative guide to a fanciful and charming building, the folly.Are they frivolous or practical? Follies are buildings constructed primarily for decoration, but suggest another purpose through their appearance. In this superbly illustrated book Celia Fisher describes follies in their historical and architectural context, looks at their social and political significance and highlights their relevance today. She explores follies built in protest, follies in oriental and gothic styles, animal-related follies, waterside follies and grottoes, and, finally, follies in glass and steel. Featuring many fine illustrations, from historical paintings to contemporary photographs and prints, and taking in follies from Great Britain, Ireland and throughout Europe and beyond, this is an amusing and informative guide to fanciful, charming buildings.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

This episode features discussions with Thomas Weaver (Senior Acquisitions Editor for Art and Architecture) and Victoria Hindley (Acquisitions Editor in Visual Culture and Design) about publishing in the fields of art, architecture, and visual culture, as part of our virtual attendance of the 2021 College Art Association Conference. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Michael Truscello, author of Infrastructural Brutalism: Art and the Necropolitics of Infrastructure, discusses the ways in which infrastructure determines who may live and who must die under contemporary capitalism.In this book, Michael Truscello looks at the industrial infrastructure not as an invisible system of connectivity and mobility that keeps capitalism humming in the background but as a manufactured miasma of despair, toxicity, and death. Truscello terms this “infrastructural brutalism”—a formulation that not only alludes to the historical nexus of infrastructure and the concrete aesthetic of Brutalist architecture but also describes the ecological, political, and psychological brutality of industrial infrastructures.Truscello explores the necropolitics of infrastructure—how infrastructure determines who may live and who must die—through the lens of artistic media. He examines the white settler nostalgia of “drowned town” fiction written after the Tennessee Valley Authority flooded rural areas for hydroelectric projects; argues that the road movie represents a struggle with liberal governmentality; considers the ruins of oil capitalism, as seen in photographic landscapes of postindustrial waste; and offers an account of “death train narratives” ranging from the history of the Holocaust to postapocalyptic fiction. Finally, he calls for “brisantic politics,” a culture of unmaking that is capable of slowing the advance of capitalist suicide. “Brisance” refers to the shattering effect of an explosive, but Truscello uses the term to signal a variety of practices for defeating infrastructural power. Brisantic politics, he warns, would require a reorientation of radical politics toward infrastructure, sabotage, and cascading destruction in an interconnected world.The open access edition of this book was made possible by generous funding from Arcadia – a charitable fund of Lisbet Rausing and Peter Baldwin.Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Garrett Washington’s Church Space and the Capital in Prewar Japan (Hawai’i 2022) brings a fresh perspective to the question of Protestant Christianity’s outsized influence in modernizing Japan from almost the moment the centuries-long ban was lifted in the 1870s. Washington roots his research in the physical space of Protestant houses of worship in Tokyo, exploring the ways that the churches became distinctively Japanese spaces and institutions that nurtured discourses and practices that affected the social, intellectual, and political development of Japan during the four decades of 1880-1920 that are the focus of the book. Church Space begins with the creation of churches in the treaty ports and their migration into the centers of the new imperial capital, and examines the ways in which Western-style buildings commissioned by Japanese pastors came to house congregations with many elite and influential members who together wrestled with the role of Protestant Christianity in the development of modern Japan. Washington shows that both pastoral and lay discourses―especially in the spaces of women’s and youth groups―were linked robustly to the public lives of the congregants and the ways in which urban Japanese Protestantism impacted the course of Japan for decades.Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct: A Compendium of Obsolete Objects (Reaktion Books, 2021) gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight.Barbara Penner is professor of architectural humanities at the Bartlett School of Architecture, University College London.Adrian Forty is professor emeritus of architectural history at the Bartlett School of Architecture, University College London.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

On this episode of the MIT Press podcast, Olivia Erlanger and Luis Ortega Govela discuss their book, Garage.Frank Lloyd Wright invented the garage when he moved the automobile out of the stable into a room of its own. Steve Jobs and Steve Wozniak (allegedly) started Apple Computer in a garage. Suburban men turned garages into man caves to escape from family life. Nirvana and No Doubt played their first chords as garage bands. What began as an architectural construct became a cultural construct. In this provocative history and deconstruction of an American icon, Olivia Erlanger and Luis Ortega Govela use the garage as a lens through which to view the advent of suburbia, the myth of the perfect family, and the degradation of the American dream.The stories of what happened in these garages became self-fulfilling prophecies the more they were repeated. Hewlett-Packard was founded in a garage that now bears a plaque: The Birthplace of Silicon Valley. Google followed suit, dreamed up in a Menlo Park garage a few decades later. Also conceived in a garage: the toy company Mattel, creator of Barbie, the postwar, posthuman representation of American women. Garages became guest rooms, game rooms, home gyms, wine cellars, and secret bondage lairs, a no-commute destination for makers and DIYers--surfboard designers, ski makers, pet keepers, flannel-wearing musicians, weed-growing nuns. The garage was an aboveground underground, offering both a safe space for withdrawal and a stage for participation--opportunities for isolation or empowerment. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

In the twenty-first century, cities in the United States that had suffered most the shift to a postindustrial era entered a period widely proclaimed as an urban renaissance. From Detroit to Newark to Oakland and elsewhere commentators saw cities rising again. Yet revitalization generated a second urban crisis marked by growing inequality and civil unrest reminiscent of the upheavals associated with the first urban crisis in the mid-twentieth century. The urban poor and residents of color have remained very much at a disadvantage in the face of racially biased capital investments, narrowing options for affordable housing, and mass incarceration. In profiling nine cities grappling with challenges of the twenty-first century, author Howard Gillette, Jr. evaluates the uneven efforts to secure racial and class equity as city fortunes have risen. Charting the tension between the practice of corporate subsidy and efforts to assure social justice, The Paradox of Urban Revitalization: Progress and Poverty in America's Postindustrial Era (U Pennsylvania Press, 2022) assesses the course of urban politics and policy over the past half century, before the COVID-19 pandemic upended everything, and details prospects for achieving greater equity in the years ahead.Nicole Trujillo-Pagán is a sociologist and Associate Professor at Wayne State University who studies race, the Latina/o/x population, and socio-spatial mobility. You can follow her on Twitter @BorderStruggles. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Anne Graziano and Eliyahu Keller, editors of Thresholds 46: SCATTER!, talk about the mission of the journal; the making of the SCATTER! issue; the role of student journals; and how to make architectural knowledge and education more accessible.Established in 1992, Thresholds is the annual peer-reviewed journal produced by the MIT Department of Architecture. Each independently themed issue features content from leading scholars and practitioners in the fields of architecture, art, and culture.About the Speakers:Anne Graziano is a student of architecture, artist, and editor. She is currently a Master of Architecture candidate and graduate fellow at MIT. Her studies focus on representation and circulation of architecture and architectural knowledge as it pertains to digital and physical infrastructures.Eliyahu Keller is an architect, researcher, and author. He is currently pursuing a PhD in history, theory, and criticism of architecture and art at MIT. He has served as a research assistant for the Harvard-Mellon Urban Initiative and was a member of the Berlin Portal Research Group.Related Content: Thresholds 45: MYTH Thresholds 46: SCATTER! on Facebook Thresholds 46: SCATTER! on Instragram Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Aline B. Louchheim (1914-1972) was an art critic on assignment for the New York Times in 1953 when she first met the Finnish-American architect Eero Saarinen. She would become his wife and the driving force behind his rise to critical prominence. When Eero Met His Match: Aline Louchheim Saarinen and the Making of an Architect (Princeton UP, 2022) draws on the couple's personal correspondence to reconstruct the early days of their thrilling courtship and traces Louchheim's gradual takeover of Saarinen's public narrative in the 1950s, the decade when his career soared to unprecedented heights.Drawing on her own experiences as an architecture journalist on the receiving end of press pitches and then as a secret publicist for high-end architects, Eva Hagberg paints an unforgettable portrait of Louchheim while revealing the inner workings of a media world that has always relied on secrecy, friendship, and the exchange of favors. She describes how Louchheim codified the practices of architectural publicity that have become widely adopted today, and shows how, without Louchheim as his wife and publicist, Saarinen's work would not have been nearly as well known.Providing a new understanding of postwar architectural history in the United States, When Eero Met His Match is both a poignant love story and a superb biographical study that challenges us to reconsider the relationship between fame and media representation, and the ways the narratives of others can become our own. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Reaching net zero emissions will not be the end of the climate struggle, but only the end of the beginning. For centuries thereafter, temperatures will remain elevated; climate damages will continue to accrue and sea levels will continue to rise. Even the urgent and utterly essential task of reaching net zero cannot be achieved rapidly by emissions reductions alone. To hasten net zero and minimize climate damages thereafter, we will also need massive carbon removal and storage. We may even need to reduce incoming solar radiation in order to lower unacceptably high temperatures. Such unproven and potentially risky climate interventions raise mind-blowing questions of governance and ethics.Wake Smith's book Pandora's Toolbox: The Hopes and Hazards of Climate Intervention (Cambridge UP, 2022) offers readers an accessible and authoritative introduction to both the hopes and hazards of some of humanity's most controversial technologies, which may nevertheless provide the key to saving our world.Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture