Girls On Film

This episode features the tenth Oscar winner to appear on Girls On Film. Anna Smith hears from Academy Award winner Olivia Colman who stars opposite Jessie Buckley and Anjana Vasan in the black comedy Wicked Little Letters. She also speaks to the film’s director, Thea Sharrock, and historical consultant Emily Cockayne about bringing this remarkable true story to the big screen. The film follows two neighbours: conservative local Edith Swan (played by Olivia Colman) and rowdy Irish migrant Rose Gooding (played by Jessie Buckley). When Edith and fellow residents begin to receive the letters, foul-mouthed Rose is charged with the crime. Anjana Vasan plays Police Officer Gladys Moss, who suspects that Rose may not be the culprit after all… Firstly, Anna speaks with Anjana and Thea about balancing the comedy with some of the more poignant moments in the film. They discuss Anjana’s character Gladys Moss, who is based on the first woman Police Officer in Sussex, and talk about the contemporary relevance of poison pen letters. Next up Anna hears from historical consultant Emily Cockayne, whose book Cheek By Jowl: A History of Neighbours details some of the scandal caused by the Littlehampton case in the 1920s. Finally, Anna is joined by the two stars of the film, Olivia Colman and Jessie Buckely, who recall their delight in receiving Jonny Sweet’s script. Olivia talks about her background in comedy, and the pair give an insight into the set of Wicked Little Letters when they discuss their musical collaboration. WICKED LITTLE LETTERS is released in UK and Irish cinemas on 23 February 2024. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Archbold Producer: Charlotte Matheson Audio editor: Benjamin Cook House band: MX Tyrants Thanks to our partners for this episode STUDIOCANAL © HLA Agency

As we post this episode, we’re coming up to the third annual Girls On Film Awards 2024. They take place on Tuesday 20 February 2024 at Regent Street Cinema in London. We’ll celebrate the brilliant work made by women in film and will be joined by nominees, industry supporters and listeners. We give awards in 12 categories, and the undisputed climax of the night will be the award for the category 'Female Orgasm on Screen, sponsored by Intimacy On Set' for the second year running. In this episode, Intimacy On Set founder Ita O’Brien talks with Hedda Lornie Archbold, Girls On Film co-founder, about the four nominated films in this category: Fair Play, Joy Ride, Poor Things and Saltburn, as well as about some of the other notable films of the past year. Ita O'Brien is an Intimacy Coordinator and Movement Director for film, television, and theatre. Since 2014, she has been developing best practice when working with intimacy, scenes with sexual content, and nudity in film, TV, and theatre. Ita pioneered the role of Intimacy Coordinator, which is being adopted in leading production houses, including HBO, Netflix, and the BBC. Ita founded Intimacy on Set to provide trained, professional Intimacy Coordinators to the industry. Also in this episode, Anna Smith recommends some great films by women filmmakers in the run up to International Women’s Day 2024. Films mentioned in this episode: Men Up Saltburn Poor Things Fair Play Joy Ride How To Have Sex Barbie Oppenheimer Memory Four Daughters Copa 71 Origin Operas mentioned in this episode: Anthony and Cleopatra Television series mentioned in this episode: Bridgerton Brave New World Men Up is on BBC iPlayer Fair Play is on Netflix Joy Ride is streaming platforms including Apple TV. Saltburn is on Prime Video Poor Things is on streaming platforms including Prime Video and Apple TV from 27 February 2024. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Producer: Hedda Lornie Archbold Audio editor: Emma Butt House band: MX Tyrants This episode is in partnership with Intimacy On Set © HLA Agency

In today’s episode, Anna Smith talks to members of the the Girls On Film community about Nyad, starring Annette Bening and Jodie Foster, which tells the remarkable true story of athlete Diana Nyad. An athlete turned journalist, Diana Nyad made an incredible vow when she turned 60. She was determined to become the first person to swim 110 miles from Cuba to Florida, without a shark cage. She was supported by a team including her best friend and coach Bonnie Stoll. Directed by Elizabeth Chai Vasarhelyi and Jimmy Chin, the film has a Best Actress Oscar nomination for Annette Bening as Diana, and Supporting Actress for Jodie Foster as Bonnie. The bond between Diana and Bonnie is beautifully depicted, whether they are sharing witty banter, second guessing each other or finding their strong friendship tested by Diana’s relentless and risky ambition. It’s the reason that Nyad is nominated for the Female Friendship on Screen award at the 2024 Girls On Film Awards. In partnership with Netflix we arranged a special Girls On Film screening of Nyad, the feature written by Julia Cox, adapted from the memoir Find A Way by Diana Nyad. We invited some of the Girls On Film community to watch this extraordinary true story on the big screen, followed by a discussion about some of the themes of the film, including friendships between women, achieving your goals no matter what your age, and the great pleasure of seeing the story of two complex, older lesbian characters on screen in mainstream cinema. Thanks to our partners for this episode, Netflix UK Other films mentioned in this episode are: Black Panther: Wakanda Forever Blindsight Booksmart Chariots of Fire Free Solo Girl Picture How to Have Sex A League of Their Own Polite Society The Rescue She Said The Silent Twins The Swimmers Thelma and Louise The Woman King Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Archbold Producer: Charlotte Matheson Audio editor: Emma Butt House band: MX Tyrants © HLA Agency

In this episode of Girls On Film, Anna Smith talks to the creator and showrunner of Mr. & Mrs. Smith, Francesca Sloane. Mr. & Mrs. Smith is a series inspired by the 2005 film by Doug Liman and Simon Kinberg. It stars Maya Erskine and Donald Glover as two lonely strangers who land jobs working for a mysterious spy agency, and are given new identities in an arranged marriage as Mr. and Mrs. John and Jane Smith. The eight-part series explores their relationship as they take on each new mission, with an all-star supporting cast including Parker Posey, Paul Dano, Sharon Horgan, Michaela Coel and more. In this conversation, Francesca discusses the conception of Mr. & Mrs. Smith and how she moved from being offered jobs ‘cleaning in her underwear’ in LA to being the showrunner of this series. She speaks to Anna about subverting gender roles in this reimagining of the 2005 film starring Brad Pitt and Angelina Jolie, and turning Donald Glover into a ‘Bond Girl’ figure. She also talks about the unique experience of leading a writing room made up exclusively of women of colour, and how the plot of the series came to interrogate questions of race and visibility. Mr. & Mrs. Smith is available on Prime Video now. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Archbold Producer: Charlotte Matheson Audio editor: Emma Butt House band: MX Tyrants This episode is in partnership with Prime Video

Best actress Oscar nominee Lily Gladstone joins Anna to discuss her powerful performance in Martin Scorsese’s American chronicle crime thriller Killers of the Flower Moon, now streaming globally on Apple TV+. Gladstone’s Mollie Kyle is an Osage Native American, and heir to the oil-rich, Osage-owned land in 1920s Oklahoma that white settlers are desperate to get their hands on. By turns richly emotional and crackling with humour, her nuanced portrayal foregrounds the story of Mollie and her fellow women in the community as an integral part of the film. Making history as the first Native American woman to receive a best actress nomination, Lily’s performance is a powerful testament to the suffering of the Osage women, and their incredible strength in the face of it. She joined Anna after a screening of the film in Soho’s Ham Yard Hotel, where she shared the depth of her preparation for the role, from spending time with the real Mollie’s family to wearing a 100-year-old Osage blanket as part of her costume. She talks working with Leonardo DiCaprio and Martin Scorsese – now the most nominated living director in Oscars history. Praising his skill and sensitivity in telling the story of Killers of the Flower Moon, she also makes a call to support Native American filmmakers bringing their own narratives to the screen – and answers questions from our audience. —-------------------------------------------------------------------------- Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Subscribe to our newsletter and invitation list to hear about future screenings by emailing: girlsonfilmsocial@gmail.com Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Archbold Producer: Heather Dempsey Assistant Producer: Charlotte Matheson Audio editor: Jack Howard House band: MX Tyrants Photographer: Julie Edwards This episode is in partnership with Apple Original Films and Killers of the Flower Moon

Oscar and BAFTA nominee Carey Mulligan returns to Girls On Film for a very special episode celebrating her performance in the towering epic Maestro, currently on Netflix. Carey plays Felicia Montealegre Cohn Bernstein, opposite director Bradley Cooper as composer Leonard Bernstein, and her performance is spellbinding. She joined host Anna Smith after a screening of Maestro in London on 23rd January 2024 - the very day she was announced as a nominee for the Oscar for Actress in a Leading Role. This exclusive recording sees Carey sharing her thoughts on preparing for this complex role, working with Bradley Cooper and the incredible craft departments such as Hair and Make-Up. Recalling Carey’s first appearance on episode 3 of Girls On Film, Anna and Carey spoke frankly about how things have progressed for women in film, and how much has changed since we launched the podcast. You can also hear Carey answering questions from our audience of Girls On Film listeners. Other films mentioned in this episode: Promising Young Woman (dir. Emerald Fennell) She Said (dir. Maria Schrader) Subscribe to our newsletter and invitation list to hear about future screenings by emailing: girlsonfilmsocial@gmail.com Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Archbold Assistant Producer: Charlotte Matheson Audio editor: Jack Howard Live sound recordist: Cam Griffiths House band: MX Tyrants This episode is in partnership with Netflix Photo: Julie Edwards Photography © HLA Agency

This week, Anna Smith welcomes Nicole Newnham back to Girls On Film to discuss her documentary The Disappearance of Shere Hite. The film sheds light on the groundbreaking sexologist and former Playboy model Shere Hite, who in 1976 published The Hite Report, dubbed ‘a sexual revolution in 600 pages’. Taking the intimate experiences of thousands of women across the world as its basis, Hite and a small team of grassroots feminists exposed some of the harmful ideas around female sexuality that were prevalent at the time. In this episode, Nicole describes how she first got involved in the project, about the contemporary relevance of Shere Hite, and how Dakota Johnson became the voice of Shere Hite. With Anna, Nicole discusses some of the tragedy as well as triumph in the story of Shere Hite and the desire to explore what she calls the ‘the architecture of silence’ that attempted to remove Hite from the history books. Other films mentioned in this episode: Crip Camp, Nicole Newnham and James Lebrecht, 2020 You can watch The Disappearance of Shere Hite from the 12th January in UK cinemas. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Archbold Producer: Charlotte Matheson Audio editor: Alex Jones House band: MX Tyrants This episode is in partnership with Dogwoof and NBC Universal © HLA Agency

Today’s episode of Girls On Film is about the winner of the Un Certain Regard prize at the 2023 Cannes Film Festival, How to Have Sex. Anna Smith is joined by Molly Manning Walker, who wrote and directed How to Have Sex, and Mia McKenna-Bruce, whose performance as Tara earned her the BIFA for Best Lead Performance and Best Actress at the European Film Awards. The film shows Tara and her two best friends from school, Skye (Lara Peake) and Em (Enva Lewis), celebrating the end of their GCSE exams on a girls trip to Malia. In a flurry of neon mini dresses, fish bowl cocktails and an intriguing group of eighteen-year-olds in the same holiday complex, the girls navigate the worlds of sex, consent and self-discovery. How to Have Sex has been hailed by viewers as a vibrant and authentic depiction of the agonies, and ecstasies of girlhood, and in this episode Mia and Molly talk about the filming process, as well as the film’s impact on viewers, from critics at Cannes to teenagers in the classroom. Molly talks about the importance of building meaningful backstories for all her characters, and creating a ‘360 degree’ set to give her cast an authentic background to work against. The pair recall the excitement of working on a project like this, where club nights and football matches were a common fixture among cast and crew. They also speak to Anna about the ‘bittersweet’ response to the film, citing how it has sparked meaningful conversations about sex and consent, but also how it is exposing just how many people have been affected by the issues that How to Have Sex explores. How to Have Sex will be streaming exclusively on MUBI from 29 December 2023 and Girls On Film listeners can watch it with 30 days free at mubi.com/girlsonfilm Other series mentioned in this episode: I May Destroy You (Michaela Coel, 2020) Sex Education (Laurie Nunn, 2019) Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Archbold Producer: Charlotte Matheson Audio editor: Jack Howard House band: MX Tyrants This episode is in partnership with MUBI, a global streaming service and distributor where you can find a handpicked selection of world cinema. © HLA Agency

On today’s episode of Girls On Film, Anna Smith talks to four of the women Heads of Department who helped create Oppenheimer. Anna speaks to its editor Jennifer Lame (Midsommar, Don’t Worry Darling) about her career, which led her to edit one of the biggest films of 2023. Jennifer shares her instinct-driven approach to her work and reflects on her position as a woman editor. Next up Anna has a conversation with legendary costume designer Ellen Mirojnick, whose credits include Basic Instinct, Showgirls and Bridgerton. Ellen speaks about her first foray into costume design, hunting for the perfect hat for Oppenheimer, and the joys of putting together costumes for the film’s women characters. Finally, Anna speaks with Head of Hair Jaime Leigh McIntosh (Blonde, Babylon) and Head of Makeup and Prosthetics Luisa Abel (Knives Out, Interstellar) about the extraordinary attention to detail required when working in IMAX format, and about the role of the women characters in the Oppenheimer story. Oppenheimer is based on the 2006 Pulitzer Prize-winning book 'American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer' by Kai Bird and Martin J. Sherwin. It stars Cillian Murphy with an all star supporting cast including Emily Blunt, Florence Pugh and Robert Downey Jr. At the time of writing it was announced that Oppenheimer, written and directed by Christopher Nolan, is up for eight Golden Globes at the 2024 awards. Oppenheimer is available on demand now. Other films mentioned in this episode include: Before the Devil Knows You’re Dead (Sidney Lumet, 2007) Fatal Attraction (Adrian Lyne, 1988) Basic Instinct (Paul Verhoeven, 1992) The Wiz (Sidney Lumet, 1978) Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Archbold Producer: Lydia Scott Assistant Producer: Charlotte Matheson Audio editor: Jack Howard House band: MX Tyrants This episode is in partnership with Universal Pictures. © HLA Agency

Today on Girls On Film Anna Smith has a fascinating discussion about Todd Haynes’ May December with its screenwriter, Samy Burch. Samy talks to Anna about the journey she went on with this screenplay from writing it as a spec script to hopefully gain representation, to it catching the attention of one of the film’s stars Natalie Portman as a producer, and so meeting the legendary director Todd Haynes (Carol, Far from Heaven). Samy talks about the real-life story that inspired the screenplay, the layers of ‘power and manipulation’ in both Moore and Portman’s performances, and the role that gender plays in media coverage of these kinds of stories. May December tells the story of Gracie, played by Julianne Moore, and Joe, played by Riverdale’s Charles Melton, as they live family life in the shadow of their infamous first encounter: the couple’s 20-year relationship began when Gracie was 36 and Joe was just 13-years-old. Now, two decades later, Natalie Portman plays actress Elizabeth who travels to Georgia to study the couple for a role in an upcoming film. Gracie and Joe are forced to revisit their past from new perspectives, as they question the love story they've told themselves and the world. You can watch May December now in cinemas in the UK, and on Sky Cinema on the 8 December 2023. Other films mentioned in this episode include: Persona, Ingmar Bergman, 1966 3 Women, Robert Altman, 1977 Coyote vs. Acme, Dave Green Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Archbold Producer: Lydia Scott Audio editor: Nic Wassell Intern: Charlotte Matheson House band: MX Tyrants This episode is in partnership with Sky Cinema. With thanks to AmyLouise Godby. © HLA Agency