Great Lives

Guest Eartha Kitt, known for her sultry cabaret performances and trademark growl, is discussed in this podcast. Topics include her early career, controversy over her comments on the Vietnam War, how the CIA targeted her, and her financial management. Faye Tozer shares her admiration for Kitt and promotes the Now You're Asking podcast.

Philosopher John Gray chooses as his great life the iconic British writer of dystopian and speculative fiction, J.G. Ballard, in conversation with the author's daughter Bea Ballard.Presented by Matthew Parris Produced in Bristol by Beth Sagar-Fenton

Broadcaster and author Iszi Lawrence chooses the aviator Diana Barnato Walker. Coming from a privileged background, Diana used her pocket money to take flying lessons, flew bombers during World War II, and - aged 45 - became the first British woman to break the sound barrier. Iszi is joined by Giles Whittell, author of Spitfire Women of World War II, and Diana’s son Barney Walker.Presenter: Matthew Parris Producer: Beth Sagar-FentonFirst broadcast on BBC Radio 4 in December 2023.

Walter Murch picks Mohammad Mossadegh, prime minister following the nationalisation of the Anglo-Iranian oil company in 1951. Mossadegh was ousted in a coup in 1953. Murch became fascinated in Mossadegh's life while working on a Sam Mendes film about the first Iraq War. Walter Murch is an editor best known for Apocalypse Now, The Godfather and The Constant Gardener. He also worked on a documentary called Coup 53. This is the first in a new series of Great Lives and includes archive of Kermit Roosevelt, a CIA operative. The British were also heavily involved in the coup. The expert is Professor Ali Ansari of St Andrews University, presenter on Radio 4 of Through Persian Eyes.The producer in Bristol is Miles WardeFuture programme subjects include singer Eartha Kitt, author JG Ballard, and pioneering British aviator Diana Barnato-Walker who delivered Spitfires in World War Two.

The award-winning Sound Recordist and Musician, Chris Watson nominates his hero, Ludwig Koch. In 1889, German-born Koch was the first person ever to record birdsong (at the age of 8) onto a wax cylinder recorder, given to him by his father as a toy. Despite a promising baritone voice and being a very good violinist, the first world war put paid to Ludwig Koch's career as a musician and he began working for the German branch of EMI recording cityscapes, before going on to invent the ‘sound book', a nascent sort of multimedia that became very popular in Germany before the second world war.As a Jew and an outspoken critic of the Nazi regime, Koch fled Germany in 1936 for England, sadly leaving his many recordings behind. But his theatrical delivery, unique voice and the fact that, as Chris Watson notes, "He was not shy about his achievements", soon made him a household name in broadcasting here in the UK.Chris Watson is joined by emeritus professor Sean Street. Together and with the aid of archive, they marvel over the great lengths Koch went to to capture his 'performers'.Produced in Bristol by Ellie Richold

Explore the life of Lady Eve Balfour, an aristocrat turned organic farmer, who faced opposition but founded the Soil Association. Discover her unconventional personal life, from playing saxophone to writing crime novels. Hear about her struggles to influence policymakers and recognition struggles, and her lasting legacy in sustainable farming.

Veteran British film director Ken Loach nominates the 17th century radical pamphleteer and and leader of the Diggers, Gerrard Winstanley.Born in Wigan in 1609, Winstanley began writing religious pamphlets after his cloth selling business in London went bankrupt and he was forced to move to the country. There his 'heart was filled with sweet thoughts ... that the earth shall be made a common treasury of livelihood to all mankind', for 'the great Creator Reason, made the Earth to be a Common Treasury... for Man had Domination given to him, over the Beasts, Birds and Fishes; but not one word was spoken in the beginning, that one branch of mankind should rule over another." Winstanley began to dig a nearby wasteland, calling on others - rich and poor -to join him in the digging, which he believed would start a revolution and feed the poor. His ideas were radical, communal, spiritual and deeply challenging. Within a year the Diggers had been aggressively expelled from their site of occupation. The late Tony Benn called the Diggers, 'the first true socialists', but Winstanley has also been claimed by anarchists and environmentalists.With Emeritus Professor of Early Modern history, Ann Hughes. Presented by Matthew Parris and produced for BBC Audio in Bristol by Ellie Richold

On the 11th June 1988 Jessye Norman performed a spine-tingling rendition of 'Amazing Grace' to a packed Wembley Stadium, bringing to a close a concert marking the seventieth birthday of Nelson Mandela. By this point her career Jessye Norman was a global icon of opera, best-known for her performances in works by Wagner, Verdi and Mozart. She refused to take the parts traditionally offered to Black singers and once said that pigeonholes were only for pigeons. She would sing, in fact, whatever she liked. Double-bassist and founder of the Chineke! Orchestra Chi-chi Nwanoku was driving back from a concert when she first heard Jessye Norman singing on the radio. She remembers being so struck by her voice that she had to pull over and wait until the performance had finished before continuing her journey. Chi-chi and presenter Matthew Parris explore some of Jessye Norman's work and recordings, and her views on what it means to be a Black woman in classical music. Chi-chi and Matthew are joined by Kira Thurman, Associate Professor of Musicology at the University of Michigan to help map out the key moments and decisions in Jessye Norman's extraordinary life.Produced for BBC Audio Bristol by Toby Field

The Godmother of English - and Irish - ballet, Dame Ninette De Valois or ‘Madam’ as she was known to those around her. She is widely regarded as one of the most influential figures in the history of ballet. She established the Royal Ballet School, the Royal Ballet and the UK’s premiere touring ballet company, which went on to become the Birmingham Royal Ballet. Under the guidance of ‘Madam’, these institutions grew and became celebrated around the world, with post WWII Ballet tours generating much needed funds for the British Treasury and company members, including Margot Fonteyn and Robert (Bobby) Helpmann, becoming international celebrities. Madam was also instrumental in the development of National Ballets in Turkey, Iran and Canada. She achieved all of this despite a childhood diagnosis of polio and was dedicated to ballet right up until her 102nd year. She is nominated by choreographer Sir David Bintley. He met Madam while studying at the Royal Ballet School in the mid 70’s. To David, who was originally from Huddersfield, ‘Madam’ was his ‘Southern Grandmother’. David is joined by Anna Meadmore – dance historian and curator of the Royal Ballet Schools Special Collections Archive. Together they reflect also on Madam's formidable character, her unprecedented contribution to English Ballet and her legacy as an adventurous traditionalist. Presented by Matthew Parris Produced in Bristol by Nicola Humphries

Born in 1922, Hattie Jacques began her career in music hall before graduating onto the radio comedies of the 1950s such as Educating Archie', 'It's That Man Again' and 'Hancock's Half Hour' where she became a star. TV and films followed, most notably the role of Eric Sykes' twin sister in 'Sykes' and the stern but lovelorn matron, headmistress or housekeeper in the 'Carry On' films. Hattie was teased about her weight in school and she was often the person being laughed at in her work. She largely accepted this role but yearned to do more serious work. In contrast to many of the characters she played she was a vivacious person who loved men and liked a party.Choosing Hattie is neuroscientist Sophie Scott who remembers Hattie as the first funny woman she heard or saw. Sophie studies why we laugh and says it was great how Hattie held her own with these men. Together with expert Andy Merriman they explore Hattie's life including how she did her own welding in a film, her marriage to John Le Mesurier and affair with John Schofield, and whether the typecasting she suffered was a hindrance or a benefit to her career. Presented by Matthew Parris who remembers Hattie uttering "But not with a daffodil!" in 'Carry On Nurse'. You'll have to listen to find out where exactly that daffodil was discovered.Produced for BBC Audio in Bristol by Toby Field.