Always Take Notes

Simon speaks with Simon Lancaster, who runs Bespoke Speechwriting Services and has written speeches for top politicians and the CEOs of some of the biggest companies in the world, including Unilever, Rio Tinto, and Nestle. Simon is the author of “Speechwriting: The Expert Guide” and “Winning Minds: Secrets from the Language of Leadership.” He is a fellow at Henley Business School, lectures at Cambridge and Oxford Universities, and regularly appears as a media pundit on oratory. Simon told us about his experience writing speeches for British politicians, how the fundamentals of rhetoric have remained consistent across time, language and culture, and how speechwriting is distinct in the business world. https://webarchive.nationalarchives.gov.uk/20010904204643/http://www.dti.gov.uk:80/ministers/speeches/johnson160500.html https://www.youtube.com/watch?v=zrF1THd4bUM https://www.youtube.com/watch?v=MEqINP-TuV8 You can find us online at alwaystakenotes.com, on Twitter @takenotesalways, and on Facebook at facebook.com/alwaystakenotes. Our crowdfunding page is patreon.com/alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Nicola Kean. Our social media is run by Eoin Redahan. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

Simon and Rachel speak with Kiley Reid, the bestselling author of “Such a Fun Age”. A recipient of the Truman Capote Fellowship at the Iowa Writers’ Workshop, “Such a Fun Age” is her debut novel. The book was the subject of a 10-way bidding war while the television and film were acquired by Lena Waithe, an Emmy-award winning writer and producer, ahead of its publication. Kiley talked about how her experiences informed the book’s plot, the process of workshopping a novel and what it’s like to adapt your own work for the screen. You can find us online at alwaystakenotes.com, on Twitter @takenotesalways, and on Facebook at facebook.com/alwaystakenotes. Our crowdfunding page is patreon.com/alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Nicola Kean. Our social media is run by Eoin Redahan. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

Rachel and Simon speak with Giles Hattersley, the features director of the British edition of Vogue magazine. Giles studied English at Warwick University and completed an MA in fashion journalism before joining the Sunday Times in 2003. Working his way up from an intern on the Style section, he joined the News Review later that year and went on to become the paper's youngest ever chief interviewer, aged 25, writing profiles of everyone from Beyonce to Richard Dawkins. In 2007, he briefly became editor-in-chief of Arena magazine, before returning to The Sunday Times. In 2017, he was hired by Edward Enninful as features director of British Vogue, where he oversees the magazine's arts, politics, celebrity, lifestyle and social trend coverage. Giles talked about his entry into journalism at the Sunday Times, the position of writing in the overall Vogue package, and the Meghan Markle guest editor experience. https://www.thetimes.co.uk/article/toffs-stiffies-and-world-domination-x5r7wc6lk https://www.vogue.co.uk/article/jane-fonda-on-ageing https://www.vogue.co.uk/article/ariana-grande-british-vogue-interview You can find us online at alwaystakenotes.com, on Twitter @takenotesalways, and on Facebook at facebook.com/alwaystakenotes. Our crowdfunding page is patreon.com/alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd and produced by Nicola Kean. Our social media is managed by Eoin Redahan, our music is by Jessica Dannheisser and our logo was designed by James Edgar.

Rachel speaks with Lisa Taddeo, the bestselling author of “Three Women”, a non-fiction book exploring love and longing in America. Her journalism has appeared in Esquire, Playboy and New York magazine, and her short stories have won two Pushcart prizes. Lisa is currently working on a novel, due to be released in 2020. Lisa talked about the process of writing “Three Women”, imagining the last days of Heath Ledger for Esquire and the best time to get in touch with an editor. https://classic.esquire.com/article/2008/4/1/the-last-days-of-heath-ledger You can find us online at alwaystakenotes.com, on Twitter @takenotesalways, and on Facebook at facebook.com/alwaystakenotes. Our crowdfunding page is patreon.com/alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd and produced by Nicola Kean. Our social media is managed by Eoin Redahan, our music is by Jessica Dannheisser and our logo was designed by James Edgar.

Simon and Rachel speak with Jay Rayner, the restaurant critic of the Observer. After studying politics at Leeds University, where he edited the student newspaper, Jay entered national newspaper journalism, winning Young Journalist of the Year at the British Press Awards in 1992. The restaurant critic of the Observer since 1999, Jay has also worked extensively in television, including as a judge on Masterchef, and written several books. Jay talked about how, in his view, there is no such thing as “food writing” (just writing that happens to be about food), his lesser-known stint as a novelist and his celebrated hatchet job on Le Cinq, a Michelin-starred restaurant in Paris. You can find us online at alwaystakenotes.com, on Twitter @takenotesalways, and on Facebook at facebook.com/alwaystakenotes. Our crowdfunding page is patreon.com/alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd and produced by Nicola Kean. Our social media is managed by Eoin Redahan, our music is by Jessica Dannheisser and our logo was designed by James Edgar.

2020 sees a new co-host join Always Take Notes - Rachel Lloyd, assistant editor for Books and Arts at The Economist. In this episode Simon and Rachel speak with Alexandra Pringle, the editor-in-chief of Bloomsbury Publishing. Alexandra began her career at Art Monthly, before joining the pioneering feminist press Virago in 1978, where she edited the Modern Classics series before becoming editorial director. After stints at Hamish Hamilton and as a literary agent, Alexandra joined Bloomsbury in 1999. Alexandra talked about the importance of finding the right agent, how the industry has changed over the course of her career and the impact of Pottermania on Bloomsbury.  You can find us online at alwaystakenotes.com, on Twitter @takenotesalways, and on Facebook at facebook.com/alwaystakenotes. Our crowdfunding page is patreon.com/alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd and produced by Nicola Kean. Our social media is managed by Eoin Redahan, our music is by Jessica Dannheisser and our logo was designed by James Edgar.

Simon and Eleanor speak with Charles Moore, who was handpicked by Margaret Thatcher to write her authorised biography – he has just published his third and final volume, Herself Alone. Prior to writing about Mrs Thatcher, Charles was editor of the Spectator between 1984 and 1990, and editor of the Daily Telegraph between 1995 and 2003. Charles spoke about editing Boris Johnson's copy, his one journalistic regret, and his heated tête-à-têtes with Margaret Thatcher. You can find us online at alwaystakenotes.com, on Twitter @takenotesalways, and on Facebook at facebook.com/alwaystakenotes. Our crowdfunding page is patreon.com/alwaystakenotes. Always Take Notes is presented by Eleanor Halls and Simon Akam, and produced by Nicola Kean. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

Simon speaks with freelance journalist Tanya Gold, who has written for a broad range of publications in both the UK and the US. Tanya discussed her investigation into anti-semitism in the Labour Party for the American magazine Harper's, her experience at the centre of a Twitter storm earlier this year after she criticised Nike's plus-sized mannequins, her decision 15 years ago to first write about her struggles with alcohol, and her plans for a potential book on that subject. https://harpers.org/archive/2018/10/among-britains-anti-semites/ https://www.telegraph.co.uk/women/life/obese-mannequins-selling-women-dangerous-lie/ https://www.theguardian.com/global/2019/sep/22/how-to-survive-a-twitter-storm-tanya-gold-fat-shaming https://www.theguardian.com/society/2004/jul/07/drugsandalcohol You can find us online at alwaystakenotes.com, on Twitter @takenotesalways, and on Facebook at facebook.com/alwaystakenotes. Our crowdfunding page is patreon.com/alwaystakenotes. Always Take Notes is presented by Eleanor Halls and Simon Akam, and produced by Nicola Kean. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

In this episode, Eleanor spoke with The Telegraph's chief film critic Robbie Collin, who joined the paper in 2011. Robbie discussed starting his career at News of the World and his most formative films, the difficulties of seeing so many films in one week, his trickiest interviews, and his infamous encounter with actor Joaquin Phoenix. You can find us online at alwaystakenotes.com, on Twitter @takenotesalways, and on Facebook at facebook.com/alwaystakenotes. Our crowdfunding page is patreon.com/alwaystakenotes. Always Take Notes is presented by Eleanor Halls and Simon Akam, and produced by Nicola Kean. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

In this episode, Eleanor spoke with editor-in-chief of ES Magazine Laura Weir, who after a stint at Elle and The Sunday Times, was headhunted from Vogue in 2016 to head up the redesign of the weekly magazine published by London's Evening Standard newspaper. Laura discussed the new direction in which she has taken ES Magazine, what makes a quintessential ES Magazine story, the difficulties that come with writing a weekly column, and the problem with today's pitching standards. You can find us online at alwaystakenotes.com, on Twitter @takenotesalways, and on Facebook at facebook.com/alwaystakenotes. Our crowdfunding page is patreon.com/alwaystakenotes. Always Take Notes is presented by Eleanor Halls and Simon Akam, and produced by Nicola Kean. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.