Special Sauce with Ed Levine

It's been several days since the Oscars, and I'll admit it: I was keenly disappointed when Knife Skills didn't win for Best Documentary Short. But now that I've had a few days to reflect on the Oscars as a whole (go, Frances McDormand, go!), and now that I've listened to part two of my interview with Knife Skills filmmaker Tom Lennon and Cleveland chef-restaurateur Brandon Chrostowski, I've realized that it was a winner regardless of Sunday's outcome.  Why? Because the film has succeeded in making more people aware of the multifaceted problems recently released convicts face in reentering the community. And that awareness has resulted in positive steps by the restaurant that stars in the film, Edwins, and the related Edwins Leadership Institute. As Brandon notes: "Since the time of the shooting, we built a campus, so there's housing for people; there's a fitness center, a library. There's graduate housing. Got another building, working on a butcher shop. We're [Edwins Leadership Institute] in 13 prisons now."    What makes the film even more amazing is that, as you'll hear in this episode, Knife Skills was shot on a shoestring budget and was turned down by Netflix, HBO, and Hulu—which is why serious eaters can watch it for free on The New Yorker's website.    That's why I think Knife Skills comes out on top, no matter how the Academy voted. The film represents a triumph of determination, artistic expression, and genuinely life-affirming extended-family values.  Watch it, listen to our conversation, and decide for yourself.    ----------- The transcript for this episode can be found here on Serious Eats. Learn about your ad choices: dovetail.prx.org/ad-choices

We don't usually make a big deal about the Oscars on Special Sauce, but when I saw the brilliant Oscar-nominated documentary short Knife Skills, I knew I wanted to talk about it. The film shows what happens when Cleveland chef/restaurateur Brandon Chrostowski opens Edwins, a white-tablecloth French restaurant staffed almost entirely by recently released convicts who are reentering the workforce. As I previously wrote on Serious Eats, Knife Skills is funny, deeply moving, and brimming with humanity. So this week, in anticipation of this weekend's Oscars ceremony, I invited Brandon and the filmmaker behind the documentary, Tom Lennon, a longtime friend of mine, to come on Special Sauce to talk about their extraordinary collaboration.   For Brandon, a hardscrabble childhood that nearly ended in incarceration was saved by a demanding chef and mentor he worked for in Detroit when he was 18. "I finally found a place that would push back on whatever energy level I would exert.... There was always something to do, and there were so many personalities. It just fit with the way my body and mind are wired." While working for the late, great Charlie Trotter in Chicago, he learned that "you can do anything with what you have, no matter what the situation or how deep or how tough."    With Edwins, and the Leadership Institute he created alongside it, Brandon set a lofty goal: "changing the face of reentry, and that's going to take a couple of lifetimes, but I knew that the right lens could accelerate that." That lens turned out to be Tom Lennon's, and Knife Skills was the result.    Was the making of Knife Skills a political statement? Tom says no: "I didn't have any agenda. I just stumbled into this, it sounded like a good story, and I just filmed what I found. I think that that was an advantage. I'm not sitting here preaching to you about a political assertion I'm already confident in. That's not what it is. I'm just having you encounter a bunch of people in a very, very dramatic and difficult situation at a very difficult stage in their lives...really anxious, vulnerable, complex people who are yearning to not screw up again.... Then you, the viewer, I'm asking you to think about what you saw."   Take Marley, who says in Knife Skills that, in the throes of her drug addiction, "I'd wake up and be so mad to be alive." Marley has her ups and downs in the film, but all Brandon can do is provide a path to forgiveness: "I can't tell someone to be ready for this opportunity. What I can do is always leave that door open." Thinking about the process, Brandon told me: "When you're demanding excellence, you understand that maybe someone's not going to be able to do that, but can they do that for a moment, and can we make that moment a little longer each day, so that they can do that for an entire shift?.... If you get the right heart in there, that has the right energy and affection, that will breed hospitality. We'll work on the finer points, but just give me someone who cares and is going to work hard."   When you listen to this moving episode of Special Sauce, you can't help but notice how honest Tom and Brandon are, much like the film itself. You can watch the film here. And after you do, I bet you'll join me in rooting for Knife Skills when you watch the Oscars.    .......................... The full transcript for this episode can be found on Serious Eats: dovetail.prx.org/ad-choices

Back in the day, we used to say that Serious Eats was a website focused on celebrating and sharing our enthusiasm for food with the online community. In Part 2 of my interview with fellow food enthusiast Phil Rosenthal, he reveals that Somebody Feed Phil, his new Netflix show, is really about the same thing, if you just added "travel" to food and substituted "family" for the online community. Food, travel, and family are at the heart of the show; in each episode, we see Phil interacting with a family he's met in whatever city he's exploring. And, for good measure, Phil's elderly and utterly hilarious parents make appearances in each episode via Skype. Phil tells me, "What I learned from [Everybody Loves Raymond] is that every show is about a family, and what I mean is, your news broadcast that you tune into every night, that's a family of people that you enjoy being with. Right? That's another reason why my parents are in the show...because that's what makes a television show." Phil explains that one of the reasons he loves travel is that it forces him out of his comfort zone. Like the time he found himself in Thailand, sandwiched between two elephants as he was trying to leave their habitat. After a few tense moments he was able to leave unharmed, though not before one of the elephants swatted him with his tail. Phil explains, "Once you're through that moment, it's the best experience of your life. It's one of the highlights of your life that you will never forget, and you are so happy that you took that step outside your comfort zone. It's the only way we get anything in life. When you see the pretty girl across the room, will I ask her to dance? If you didn't, you wouldn't have the dance. Maybe you wouldn't have the girlfriend. Maybe you wouldn't have the wife. Maybe you wouldn't have the family...we all have to go outside our comfort zone sometimes." Then there's the vicarious thrill viewers get when Phil makes a food discovery. Like the crab omelet made by Jay Fai he ate in Thailand. "This is somebody, she's been venerated as one of the best street food vendors in the whole world. She makes a crab omelet, there's a pound, pound and a half of fresh crab meat in this omelet, which she's cooking over a hot wok. It's just again, street food, on the side of the street. She has a few tables beside the stove, but [the] fire is going, real fire. The wok is on the fire. She pours the crab into the eggs that are in the wok, with butter, then as she starts turning it, and the omelet starts to form around the crab, she starts ladling fresh egg over it and turning that. So, it's tender, layers and layers of egg, until you have, really, a football filled with crab....This lady, right after we filmed...she got a Michelin star. For a shack...and just this week, she wants to give the star back. There's too many people now. She's 73 years old." To hear Phil elaborate on the crab omelet lady, to hear more about the elephant walk and other hilarious situations in which Phil found himself way outside of his comfort zone, check out part 2 of his Special Sauce interview and the full transcript on Serious Eats. Learn about your ad choices: dovetail.prx.org/ad-choices

My friend Phil Rosenthal, the creator and host of the new Netflix show Somebody Feed Phil is as much fun to talk to as he is to eat with. When I asked him how the show ended up on Netflix, he replied, "The way I sold the show...I said, 'I'm exactly like Anthony Bourdain if he was afraid of everything....I mean, I'm the guy watching him, not really wanting to go to Borneo and have a tattoo pounded into my chest with nails.'" When I sit down with Phil no subject is off limits. We revisited (admittedly at my behest) the moment in 2006 when I asked him to invest in Serious Eats. I just thought that the food-obsessed creator of Everybody Loves Raymond would leap at the opportunity to get in on the ground floor. "By the way," he said, laughing, "my business manager told me not to give you money then. I was ready. I was like, 'This sounds good.' But he said, 'No, no, no, no, don't, don't.'" That's four "nos" and two "don'ts" for those of you counting at home. If you listen, you'll find that the Phil Rosenthal you hear on Special Sauce is the same guy you see on Somebody Feed Phil. He's funny–really funny–smart, and generously spirited (he always picks up the check, on the show and in real life). And, oh yeah, Phil's also a great storyteller who has somehow managed to maintain an optimistic but realistic outlook on life. Why? Because as his friend Ed. Weinberger, the legendary sitcom director and creator, told him when he was shooting the Everybody Loves Raymond pilot, "Phil, you might as well make the show you want to make because at the end, they're going to cancel you anyway." As Phil pointed out, "Isn't that a great philosophy of life? We all get cancelled one day. Live your life." So enliven your life, Serious Eaters, by listening to Part 1 of the Special Sauce interview with Phil Rosenthal. You'll be laughing in the first minute. (And for those of you who prefer their interviews in written form, we've included an edited transcript of the conversation on our website.) Learn about your ad choices: dovetail.prx.org/ad-choices

In part 2 of my interview with JJ Johnson, the charismatic chef and co-author of Between Harlem and Heaven: Afro-Asian-American Cooking for Big Nights, Weeknights, and Every Day, I had to ask him to explain the book's lengthy subtitle word by word, and to explain what he and his co-author Alexander Smalls set out to do with it. The book, JJ says, "represents who we are and the food we cook. And there's nothing really out there that represents the African-American culture...who they are and where they come from and the makeup of the food."   As for what's next, JJ has big plans and even bigger dreams. First, he wants to open a rice-centric restaurant: "Everywhere in the world, there's a mother grain that represents the culture. Everywhere I've traveled over the last five years, rice has been the center of the table...and I've developed a concept around rice. And you're going to have four, five different rices prepared a different way. There'll be a dumpling, there'll be some roti, two salads. Order from the counter. And it will feel like you're at a Caribbean beach, but the vibe will give you '80s and '90s New York City."   But that's not all; JJ has both short-term goals, like starting a brand empire, and more ambitious long-term goals. "Short term goals, my own restaurant like a flagship, where you can come and see me every day. And then I would say a big goal is just developing the JJ brand around the world, where you could eat my food in the bottom of a hotel or in a mall or at a rest stop. Because what I'm doing is just not putting JJ or the name of my restaurant somewhere. For me, it's bigger than that. Like, I'm creating jobs for people that look like me...I'm giving them a safe place to work. Somewhere where they can create their ideas. Someplace where they get an opportunity and a chance." And for the long term? Aside from helping the food of the African diaspora enter the mainstream, JJ says his ultimate long-term goal would be to have his own Nike sneaker.    When our producer sent us the final edit of this episode, he wrote, "Wonderful that such an ambitious man could have such an unpretentious relaxed chat... Will make listeners hungry for both justice and ribs."   I couldn't agree more. Take a listen, and I bet you will, too. Learn about your ad choices: dovetail.prx.org/ad-choices

My guest this week on Special Sauce is chef and cookbook author Joseph "JJ" Johnson. When I say he gravitated to kitchen work at an early age, I mean really early. He started cooking with his grandmother when he was four: "I didn't really watch cartoons...I'd step on like a milk crate. She would give me a peeler, which was probably like a phony play peeler, like Fisher-Price, and I would peel vegetables or I would scoop things out." Five years later, when he was nine, he saw an ad on television that sealed the deal: "So I saw a commercial back then for [The] Culinary Institute of America, when they used to run commercials, and I just said one day...I'm going to go to that school." Now that's what I call a really, really early decision application. After graduating from the CIA and doing a few stints in serious New York kitchens, JJ appeared on an episode of Rocco's Dinner Party, which led to an unlikely introduction to Alexander Smalls, the seminal African-American chef/restaurateur and Tony Award-winning opera singer (that's quite a combo, isn't it?). Smalls invited JJ on a trip to Ghana, and gave him an education on the food of the African diaspora, which was both foreign and familiar: "It also was a lightbulb moment for me because I grew up in the diaspora...So there was these things that would happen and I would say, I remember that flavor or I remember that scent. It really helped me develop who I was." JJ would go on to open The Cecil with Smalls, and although it is now, sadly, closed, it was named America's best new restaurant by Esquire Magazine in 2014. Since then, J. J. and Smalls have co-authored the cookbook [Between Harlem and Heaven: Afro-Asian-American Cooking for Big Nights, Weeknights, and Every Day](http://aax-us-east.amazon-adsystem.com/x/c/QpNENDnRA9SaubQ3UkdwNtQAAAFhU0lVywEAAAFKAXZwfqU/https://www.amazon.com/Between-Harlem-Heaven-Afro-Asian-American-Weeknights/dp/1250108713/ref=asat?creativeASIN=1250108713&linkCode=w61&imprToken=ESaiLR1jgd7HE4OOK5t55w&slotNum=0&tag=serieats-20)_, and he's done a whole lot more, including cooking for Beyoncé. To find out just what those things are, you'll have to check out both this week's and next week's episodes of Special Sauce. Learn about your ad choices: dovetail.prx.org/ad-choices

Here's how the delightful and brave Jenny Allen describes the food at her family table in Part 2 of her Special Sauce interview: "Such bad food...and so little of it." As that quote can attest, you can be sure there's no shortage of pithy insights or jokes as Jenny and I talk about everything from the food at gallery openings ("Please, don't invite me to an art opening with the only food being peanuts....I resent that. Terrible. How hard is it to get a little cheese and crackers there?") and our shared love of Mounds bars to the topic of eating alone as a woman, which she writes about in her new book Would Everybody Please Stop: Reflections on Life and Other Bad Ideas: "A lot of women are shy about going out to eat alone. They think they look needy or sad, or they just feel unprotected or something. I don't feel that way." We also managed to talk about subjects other than food, such as the way Jenny has watched in amazement as her actor-playright-television writer daughter Halley Feiffer has fearlessly blazed her own creative path with no hesitation. For those unfamiliar with her work, by the time Halley turned 21 she had already starred in The Squid and the Whale and won the National Young Playwrights' Contest. Since then, Halley has had her plays produced in leading theaters all over the country, has starred on Broadway, and has written for Mozart in the Jungle. Jenny wants someone to write a book about mothers and daughters in terms of the work they do in large part because she thinks that the fearlessness she sees in her daughter is echoed among her peers. "I feel like, among my friends, more than several of our daughters are doing the things that we do, only sooner, better, braver," Jenny says. "It's just wonderful to watch." Just as it is wonderful to listen to Jenny Allen talk about anything at all–it's a treat that Serious Eaters won't want to miss. Learn about your ad choices: dovetail.prx.org/ad-choices

Jenny Allen, the humorist and author of the guffaw-inducing new book Would Everybody Please Stop: Reflections on Life and Other Bad Ideas, derives as much pleasure from eating as anyone I know. Consider this anecdote she shared with me about her food-loving stepmother: "One day she said, 'I made you something. I thought you'd like it.' It was an entire mixing bowl full of chocolate mousse...It was a huge bowl, and I just took it up to my room and just read and ate it all afternoon. I'm sure I felt sick afterwards, but it was...oh, my God, the best present ever." The New Yorker's Andy Borowitz, who is no slouch in the humor department has called Jenny one of the funniest writers alive, and so I had to ask her for the one piece of advice she would give to aspiring humor writers: "Something I say sometimes, which is I think even true for me is, when you think the piece is so eccentric or so idiosyncratic or so neurotic or so weird and so personally your own peccadilloes and anxieties, just when I think, boy, I'm gonna send this in, and my editor's gonna think, this woman is really nuts. That's when it's ready to send. And not before that." Jenny also happens to be one of the bravest souls I've ever met; her hilarious and moving one-woman play I Got Sick Then I Got Better, which describes her experience as a cancer survivor, is a testament to that. And I think anyone who listens to her in Part 1 of her Special Sauce interview will come away with more than a little inkling of her humor and her wonderful character, and will be left wanting more. (But that's what Part 2 is for.) Learn about your ad choices: dovetail.prx.org/ad-choices

When Resy's Ben Leventhal, who has been involved in at least five food-related start-ups, speaks about entrepreneurship, I am all ears. Here are just a couple of the pearls of wisdom that came out of our in-depth conversation: "What I do try to say to people that haven't been through a couple of cycles is you got to understand how hard this is about to be. People say, 'Oh, I want to start a company. I want to do that. I want to go out on my own.' I say, 'That's great, but it's really fucking hard.'" "It's gruesome. Every day of a startup is gruesome. If it's not gruesome, something is wrong. Something is off...Every day is a battle." And here's Ben on putting together a team: "Well, look, I mean, you got to understand that you have to have the long view. You're building something from scratch. The people that you're lucky enough to have working with you, the people that take a risk with you, the first ten employees, they're taking almost as big a risk as you are, and in some cases, they're taking a bigger risk because they got to trust [you]...That's really important, and you have to make sure that those people feel almost minute to minute like they made the right choice." Ben talks about how he's applied these hard-earned lessons to Resy, a two year-old start-up that so far seems to have successfully taken on OpenTable, the granddaddy of online reservation systems. How exactly did he and his partners do that? You're just going to have to listen to find out. Learn about your ad choices: dovetail.prx.org/ad-choices

The members list of the non-existent Digital Food Entrepreneur's Club would be quite small, but it would have to include Ben Leventhal, who is both this and next week's guest on Special Sauce. Ben cofounded Eater in 2005 and is now one of the cofounders of Resy, the popular restaurant reservations app. On this week's episode, he and I reminisce about the good and bad and definitely crazy old days of both Eater and Serious Eats. And even though we really weren't direct competitors then (or even now), it was fun to talk about the battle scars we both suffered in the early days of what was called the Web 2.0 era. I love what Ben has to say about risk: "I think risk tolerance has got to be one of the three most important things you need as an entrepreneur. I think you have to be willing to take risks. You have to have a real understanding of what you're good at and you should take risks on the basis of what you're good at, and you need enough self-awareness to know what's not going to work. And, as Ben and I discuss, you have to have a real optimistic streak. As he puts it, "You've got to have a strategy to get through those days where it looks like it's the last day." If you love to go to restaurants (and who doesn't?) or you've ever thought about taking the entrepreneurial leap into a food-related digital business, this episode of Special Sauce is made especially for you. Learn about your ad choices: dovetail.prx.org/ad-choices