Deep Cut: A Film Podcast

Deep Cut begins a special three-episode run on Malian/Mauritanian director Abderrahmane Sissako with his poetic, vibrant tragedy Timbuktu (2014). Wilson contextualizes Sissako’s most well-known work within Sissako’s varied and inventive filmography, Ben considers the humanizing characterization of the film’s jihadist characters, and Eli breaks down one of his favorite shots in cinema history. Sissako is the first filmmaker born in Africa covered on the podcast, but tune in to find out why both Sissako and the DC Trio reject the notion of a singular “African Film” culture. Help shepherd the cattle in our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Stock up on some rosé and lose the shirt because we're going to FIRE ISLAND, baby! We are so delighted and honored to have director Andrew Ahn (SPA NIGHT, DRIVEWAYS) back on the podcast to preview his upcoming feature FIRE ISLAND. Coming to Hulu on June 3. Andrew shares with us his experience directing a studio rom-com, fighting to keep the film’s gayness, collaborating with Joel Kim Booster (STAR and screenwriter), and MUNA’s cover of an iconic Britney song. SPOILERS incoming, so watch the film before taking a listen. Also, Andrew selects a FIRE ISLAND adjacent Deep Cut pick, Alice Wu’s brilliant SAVING FACE, another wonderful queer AsAm romantic comedy to chat about alongside his film. There's your perfect Pride month double bill. Andrew Ahn's Instagram, Twitter. (@andrewahnfilms) Fire Island Socials (@fireislandmovie): Instagram, Twitter, Facebook. Take a trip to our very own Pines (the Deep Cut Discord server) to talk more Fire Island! Find our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

We’re not on our Lonesome anymore with special guest and friend, Graham Brown. Graham is an Assistant Preservation Officer at the George Eastman Museum and he has graced the pod with his extensive knowledge on the process of film preservation. Join us as we learn about Lonesome’s film preservation journey, and discuss the first silent film (okay… part-talkie) featured on the podcast! Wilson celebrates the kinetic cinematography of Paul Fejos’ Lonesome (1928), Eli hones in on its innovations in synchronized sound, and Ben examines Fejos’ anthropological approach to his working-class characters. We’ll be loving you always in our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Insider video on film preservation featuring Graham. View digitized films from the George Eastman Museum at: www.eastman.org  Get tickets to the The Nitrate Picture Show (June 2-6, 2022) at the George Eastman Museum in Rochester, NY.

Welcome to 2046: a place that you can never leave, and an era in Wong Kar-wai’s filmography that will never return. Wilson opens up about how his Deep Cut Pick is a forlorn love letter to Hong Kong, his "city of heartbreak." Meanwhile, Eli shares the pop music playlist that Wilson made the DC trio, and Ben shocks them both with his opinion on what may be Wong's last great film. Tune in for the grand finale of Deep Cut’s epic, tender, four-part series on the world of Wong Kar-wai! Recapture lost memories in our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Shhh, don’t tell the neighbors we cheated… because Ben’s Deep Cut pick isn’t really a deep cut at all! We enter the forlorn, romantic world of Wong Kai-wai’s most critically acclaimed film: In the Mood for Love (2000), starring the incomparable Tony Leung and Maggie Cheung. Ben tries his darndest to find the flaws in his favorite film of all time, Wilson admires the impeccable craft of Wong and all his key collaborators, while Eli finally tries his turn at being the villain (!!) in our discussion. Send noodles in our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

“Let’s start over” with Eli’s Deep Cut Pick from the filmography of arthouse legend Wong Kar-wai, Happy Together (1997). With lushly experimental cinematography and a quick temper, Happy Together tangos the Deep Cut Trio into a tizzy of passion. Wilson details why Wong’s film about gay main characters was groundbreaking for both 1997 Hong Kong and its stars, Ben unpacks the toxic romance at the movie’s center, and Eli opens up about his personal experience with getting lost in Argentina. Weep softly in our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Deep Cut launches into a new season with a mega-sized introduction to the cinema of Wong Kar-wai, and the film that shot him to international stardom: CHUNGKING EXPRESS. Wilson reveals why this is his favorite movie of all time, Ben establishes a scientific theory on Wong’s Magic Himbo Dream Boys in Tony Leung and Takeshi Kaneshiro, and Eli spots Wong’s knack for transforming emotions by repeating objects, songs, and shots. Join our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠; the password is: "愛你一萬年" ("love you for 10,000 years").

By the pricking of my thumbs, Deep Cut Upkeep this way comes! After splitting from his brother Ethan last year, Joel Coen went back to the book and then threw it out the window with his divisive, postmodern take on Shakespeare’s Macbeth. Glorious set design, gorgeous cinematography, but methinks that none of the Deep Cut Trio are convinced: Wilson isn’t moved by Denzel Washington’s lead performance, Ben finds the heightened artifice pointless, and Eli finds Coen’s examination of the themes in the text to be lacking. But hey: there’s always Skip Lievsay, shining golden boy of the aural sense. I have bought golden opinions from all sorts of people in our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Deep Cut hits the panic button as our beloved Asghar Farhadi is embroiled in scandal! Iranian documentary filmmaker and former student of Farhadi, Azadeh Masihzadeh, has sued him over the claim that he stole the story for his 2021 release, A Hero, from her 2015 documentary, All Winners, All Losers and pressured her into signing over the rights to her film. Wilson, Ben, and Eli discuss the dismaying news before talking about A Hero itself. The conversation includes Wilson’s love for Amir Jadidi’s lead performance (what a smile!), Ben’s questions about the main character’s naivete, Eli’s classification of the types of Farhadi movie, and Farhadi’s unusual use of editing to convey emotion. Be *OUR* hero on our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

With those dang Academy Awards right around the corner, the Deep Cut Trio continues its annual tradition of reviewing the movies and television of yesteryear. What kind of year was 2021 for motion pictures? Why does Wilson think every director is in their “late era?” Does Dune satisfy Ben’s hunger for good sci-fi? How did Eli meet Jane Campion, director of The Power of the Dog? Why is there neither pizza nor licorice in Licorice Pizza? Do Disney and Marvel own our eyeballs? Are we getting Succession burnout? All these questions and more will be answered in Deep Cut’s beefiest episode to date. Tune in to hear bite-size talks on the movies and TV that Wilson, Ben, and Eli loved and hated before they lay out their highly anticipated top 3 movies of the year. Buckle up for the Big Bad Hot Takes and the Small Good Cold Takes. Tell us your 2021 faves on our Discord server. Find our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Find what you’re looking for with this handy guide to the episode’s chapters: (00:00:28) Introduction (00:01:40) 2021 Overview (how was this year in movies?) (00:06:16) Honorary Mentions (01:03:06) Obligatory Mentions (01:24:50) Wilson, Ben, and Eli’s Top 3 Movies (01:50:07) TV Talk (02:12:29) Watching Goals for 2022 (02:15:23) Deep Cut's 2022 Plans Movies Discussed: In Front Of Your Face (Hong Sang-soo), The Disciple (Chaitanya Tamhane), Azor (Andreas Fontana), The French Dispatch (Wes Anderson), Bad Luck Banging or Loony Porn (Radu Jude), Drowning in Potential (Joel Haver), The Mitchells Vs. The Machines (Michael Rianda), Belle (Mamoru Hosoda), The Last Duel (Ridley Scott), Sardar Udham (Shoojit Sircar), Benedetta (Paul Verhoeven), Wheel of Fortune and Fantasy (Ryusuke Hamaguchi), The Power of the Dog (Jane Campion), Bergman Island (Mia Hansen-Løve), A Hero (Asghar Farhadi), The Humans (Stephen Karam), All Light, Everywhere (Theo Anthony), Quo Vadis, Aida? (Jasmila Žbanić), Barb and Star Go To Vista Del Mar (Josh Greenbaum), Nine Days (Edson Oda), What Do We See when We Look at the Sky? (Alexandre Koberidze), Anne at 13,000 ft (Kazik Radwanski), Flee (Jonas Poher Rasmussen), Test Pattern (Shatara Michelle Ford), The Father (Florian Zeller), Hell is Empty (Jo Shaffer), Dune (Denis Villeneuve), Licorice Pizza (Paul Thomas Anderson), Shang-Chi and the Legend of the Ten Rings (Destin Daniel Cretton), Spider-Man: No Way Home (Jon Watts), Black Widow (Cate Shortland), West Side Story (Steven Spielberg), The Lost Daughter (Maggie Gyllenhaal), Titane (Julia Ducournau), Annette (Leos Carax), Hand of God (Paolo Sorrentino), This Is Not A Burial, It’s A Resurrection (Lemohang Jeremiah Mosese), Summer of Soul (Questlove), Mass (Fran Kranz), The Inheritance (Ephraim Asili), C’mon, C’mon (Mike Mills), We’re All Going to the World’s Fair (Jane Schoenbrun), Petite Maman (Celine Sciamma), Mad God (Phil Tippett), Drive My Car (Ryusuke Hamaguchi) TV Discussed: The White Lotus, Arcane, Joe Pera Talks With You, Pen15, Search Party, City of Ghosts, Loki, Feel Good, Love Life, Genera+ion, Naomi Osaka, Reservation Dogs, I Think You Should Leave, The Other Two, Smiling Friends, How To With John Wilson, Succession Phew! Love you all!