Deep Cut: A Film Podcast

We go back to our Deep Cut roots with Kore-eda's latest, but don't call us Monster(s) for skipping out on the previously released Broker! Awarded the Queer Palm at Cannes in 2023, Monster is a return to form (and Japan) for Kore-eda, igniting a sprawling conversation about the film and its connections to his larger ouevre. We debate the film's visual treatment, the limits of its Rashomon-esque structure, and share our thoughts on what kind of story the ending is really trying to tell. Find refuge from the storm in our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Links: Jessica Yeung's Review Kore-eda Interview with Filmmaker Magazine (2009) Ben's Video Essay on Still Walking (Spoilers!)

Join us for a Deep Cut episode on the exceptional 1982 film Moral from director Marilou Diaz-Abaya. The trio are blown away by the intricate script work and editing within the film, and they finally help coin the acronym GFWTM (Go Fucking Watch This Movie) for Wilson to use in the future. Eli and Ben discuss how Diaz-Abaya and screenwriter Ricky Lee can achieve an impactful broader perspective in this web of life film. Will Ben ever add this film to his Best Friend Film Canon letterboxd list? Listen in to find out. Are you a fan of Filipino cinema? Tell us on our ⁠⁠Discord⁠⁠⁠⁠ server⁠! Find our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Join us as we SHOW UP for Kelly Reichardt’s latest work: Showing Up. Reichardt teams up again with regular collaborator Michelle Williams in their portrait of a grumpy artist. Wilson analyzes the performances of Michelle Williams and Hong Chau, Eli appreciates the film’s humor and subtlety, and Ben is fascinated by the film’s focus on the ordinary. Together, we also reflect on what it means to live a life of art-making. We're digging a big hole in our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Come see!

May you join us this December for a Deep Cutversation on May Deepcutber? Wait, this is confusing... what's NOT confusing is the moral clarity of American director Todd Haynes' latest pressure-cooker drama about the evils of our time. While Eli sees horror lurking beneath the pleasant cinematography of Christopher Blauvelt, Ben ponders the omission of a cathartic ending from Samy Burch's script, and Wilson lauds the core performances of Natalie Portman, Julianne Moore, and Charles Melton. Don't be naïve–– tune in! You can join our ⁠⁠⁠Patreon⁠⁠⁠⁠⁠, but we might not have enough hot dogs. Find our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Bon appetit! The DC Trio are in for a treat this week as we savor Frederick Wiseman’s latest documentary, MENUS PLAISIRS - LES TROIGROS, a scrumptious looking film about three French restaurants, and the family that runs it. From the bustling kitchen to the tense moments shared between members of the Troigros dynasty, the trio immerses themselves in this four-hour culinary exploration. Ben and Eli ponder the central question of the work and Wilson finds a strong appreciation of Wiseman’s perspective on the food industry. MENUS PLAISIRS - LES TROIGROS is out now in theaters. A big thank you to the folks at Zipporah Films for helping make this happen. Ever had an unforgettable meal? Let us know on our discord⁠! Find our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

The DC Trio takes a plunge into a new director and dives into the works of Marilou Diaz-Abaya, one of the leading figures of the second golden age of Filipino cinema. In the first episode, Wilson shares his love for a national cinema that is deeply tied to his roots. What better way to be introduced to Pinoy cinema than through a biopic of one of the nation's most infamous historical figures? Eli's intrigue in José Rizal's life and his choices add to the discussion, while Ben brings his own perspectives with nostalgic "watched this in class" vibes from the flick. What is your deep cut historical biopic? Let us know on our discord server! Find our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

With special guest and friend Thanmye Lagudu we come together to crown a new king. Mani Ratnam completes his magnum opus with Ponniyin Selvan: Part II and we're back in the theatre again for more palace intrigue, romantic entanglements, and some of that signature Ratnam flair. Can Ratnam one-up himself with part two? We discuss PS2's visual glow-up, the challenges of adapting a literary classic, and bicker about who put in a better performance: Vikram or Aishwarya Rai Bachchan? Once again we are asking you to join the Church of Ratnam in our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Thanmye on ⁠Letterboxd⁠ and ⁠Twitter⁠. Read his essay on PS2 here.

As part of his coverage for HKIFF 2023, Wilson interviews Japanese director Daishi Matsunaga, a day after the Hong Kong premiere of his new film, Egoist. Director Matsunaga talks about the film's moving story, the specific visual language he uses, his thoughts on iPhone footage, and so much more. A massive thank you to dear friend of the pod Fumiko Nago for helping interpret this interview. Films discussed in the interview: Egoist - dir. Daishi Matsunaga Hanalei Bay - dir. Daishi Matsunaga Call Me By Your Name - dir. Luca Guadagnino The Son - dir. Jean-Pierre Dardenne, Luc Dardenne Sweating the Small Stuff - dir. Ryutaro Ninomiya Find our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

As Cannes wraps up in the South of France, we bring you a dispatch from another festival halfway across the world. An exhausted Wilson joined Ben and Eli in the middle of his festival marathon to dish about the movies he saw at this year’s Hong Kong International Film Festival, and talk about the experience of officially covering a festival for the podcast for the first time! Includes interviews with top Hong Kong directors Soi Cheang and Ann Hui. Check out Wilson's full HKIFF list here. What festival should we cover next? Let us know in our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Films/Sections Previewed: A City of Sadness (4K Restoration) - dir. Hou Hsiao Hsien Plan 75 - dir. Chie Hayakawa Juzo Itami Retrospective New Blood - dir. Soi Cheang Egoist - dir. Daishi Matsunaga Stars at Noon - dir. Claire Denis Sparta - dir. Ulrich Seidl Our Body - dir. Claire Simon Saint Omer - dir. Alice Diop A Still Small Voice - dir. Luke Lorentzen A Holy Family - dir. Elvis Lu in water - dir. Hong Sang Soo Tótem - dir. Lila Avilés Dust of Angels (4K Restoration) - dir. Hsu Hsiao-ming

Rise. Roar. Revolt. Review. Here it is. Our long awaited Deep Cut Upkeep episode on the S.S. Rajamouli worldwide phenom RRR, and it’s a doozy. Hear the Deep Cut Trio talk about why Rajamouli’s brand of action filmmaking has entranced audiences, and why Ben and Wilson have this film at the top of their 2022 year end lists, while Eli explains why he prefers Rajamouli’s previous outings. Most importantly, they discuss the important and dangerous imagery and narrative co-opting that Rajamouli deploys in this film, and how it is used to fuel the fire of right wing Hindu nationalists in India. Read Ritesh Babu’s writeup on RRR. Read Wang Bing’s State of Cinema 2022 writeup: Join our ⁠DiscoRRRd⁠⁠⁠⁠ server⁠! Find our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠