Deep Cut: A Film Podcast

This episode takes us from podcasters to master sleuths: join us as we open the case file on Tomas Alfredson's detective and spy movies The Snowman (2017) and Tinker Tailor Soldier Spy (2011). After commiserating over (and finding the value in) Alfredson’s notoriously meme-ified flop, we share our admiration for Alfredson’s nuanced, taut adaptation of the classic spy novel by John Le Carré. Want to give us all the clues? Drop them in mysterious notes on our Discord server! Find our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For 50% off your first 3 months of ⁠OVID.tv⁠, use code “DEEPCUT” at check-out.

This is it, the big one. We're covering not one, not two, but THREE Frederick Wiseman documentaries: Titicut Follies (1967), In Jackson Heights (2015), and Cahiers du Cinéma's TOP FILM of 2020: City Hall (2020).  We talk about our favorite scenes, the pleasures of watching how things work , and why we insist on calling the director of these seminal works "Mr. Wiseman".  These three films have a combined runtime of 546 minutes but we promise you watching just one of these will be worth it. These are fly-on-the-wall documentaries of daily life in different institutions so there'll be no spoiler warning for the episode, but we can convince you to give living legend Mr. Wiseman some of your time, if you haven't already.  Mad at us for asking you to watch these behemoth docs? Come scold us on our discord server! Find our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

This week we’re discussing the films of Kelly Reichardt: A24 darling, First Cow (2019) and her second film, Old Joy (2006); both kind and gentle films about male friendship. We talk about their different approaches to depicting male friendship, the allure of micro-budget filmmaking, and heap praise on a beautiful cow and an incredible dog. SPOILER WARNING for both films. You can watch Reichardt's 'Wendy and Lucy' on OVID.tv (in the USA) and make sure to use the promo code ‘DEEPCUT’ for 50% off your first three months! Cover art by Justina Yam Find our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Eli got the chance to interview the co-director/editor for Black Is… Black Aint (1995), Christiane Badgley, and we’re excited to share it with you. Badgley was crucial to helping complete the film after Riggs’ death.  Also, you can watch Riggs’ films on OVID.tv and we have an exciting deal for you: use the code ‘DEEPCUT’ for 50% off your first three months!  Find our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

This week we’re discussing the groundbreaking documentaries of American filmmaker Marlon Riggs with his two films: Tongues Untied (1989) and Black Is… Black Ain’t (1995).  We talk about Riggs’ experimental editing, his amplification of black/queer voices through his filmmaking, and, of course, the joys of Snapthology!  You can watch both films on OVID.tv and boy do we have an exciting deal for you: use the code ‘DEEPCUT’ for 50% off your first three months!  Cover art by Justina Yam Find our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

This episode we’re discussing the “godmother of the French New Wave” herself, Agnès Varda, and her two films: Cléo from 5 to 7 (1962) and One Sings, the Other Doesn't (1977).  We discuss Varda's incredible ability to make you empathize with her subjects, her approach to depicting women and their relationships, and unfortunately butcher the pronunciation of a few French names and words... Varda passed away recently in 2019 and we miss her presence dearly, but at least her incredible films will live on forever. SPOILER WARNING for both films. Find our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In our very first episode, we’re discussing Hirokazu Kore-eda and his films: the Palme d’Or winning Shoplifters (2018) and After-Life (1998).  Kore-eda is one of our favorite filmmakers, and one that brought the 3 of us together! We discuss his humanistic filmmaking (one of the best in the biz),  figure out which movie is better (they're both great!) , and diss Spielberg a little (in good fun). SPOILER WARNING for both films. Cover art by Justina Yam Find our free Patreon, discord server, and all our links @ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepcutpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠