New Books in Early Modern History

The Crisis of Colonial Anglicanism: Empire, Slavery and Revolt in the Church of England (Hurst, 2025) by Dr. Martyn Percy offers a bold and unsettling truth: the British Empire and Great Britain are primarily English constructions, and the Church of England benefited from English enterprise and exploitation, serving as the spiritual arm of the imperial project. English Anglicanism has cast itself as the lead character in its own ‘serious fiction’—the main religious player in a drama of Church and Empire.Yet, in collusion with colonialism, it is now trapped by historical amnesia. Dr. Percy examines the English interests concealed in appeals to Britishness, showing how slavery, exploitation, classism and racism upheld elitist and hierarchical worldviews that bolstered both Empire and Church. By viewing the rest of the world as lesser, both institutions have declined in global standing, now reduced to minor national players on the world stage.Religious, social and political imperialism thrived on deprecating others, but those once marginalised have fought for equality and independence. Today, the worldwide Anglican Communion faces a new era of moral reckoning.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1716 two princes from Mpfumo—what is today Maputo, the capital of Mozambique—boarded a ship licensed by the East India Company bound for England. Instead, their perfidious captain sold them into slavery in Jamaica. After two years of pleading their case, the princes—known in the historical record as Prince James and Prince John—convinced a lawyer to purchase them, free them, and travel with them to London. The lawyer perished when a hurricane wrecked their ship, but the princes survived and arrived in England in 1720. Even though the East India Company had initially thought that the princes might assist in their aspirations to develop a trade for gold in East Africa and for enslaved labor in Madagascar, its interest waned. The princes would need to look elsewhere to return home. It was at this point that members of the Royal African Company and the Society for Promoting Christian Knowledge took up their cause, in the hope that profit and perhaps Christian souls would follow. John would make it home, but tragically, James would end his own life just before the ship sailed for Africa.In The Two Princes of Mpfumo: An Early Eighteenth-Century Journey into and out of Slavery (University of Pennsylvania Press, 2025), Dr. Lindsay O’Neill brings to life individuals caught up in the eighteenth-century slave trade. Dr. O’Neill also shows how the princes’ experiences reflect the fragmented, chaotic, and often deadly realities of the early British empire. A fascinating and deeply researched historical narrative, The Two Princes of Mpfumo blurs the boundaries between the Atlantic and Indian ocean worlds; reveals the intertwined networks, powerful individuals, and unstable knowledge that guided British attempts at imperial expansion; and illuminates the power of African polities, which decided who lived and who died on their coasts.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

When we think of the sixteenth-century arrival of European missionaries in East Asia, there is a tendency to imagine this meeting as a civilizational clash, a great meeting of two fixed cultures. This clash is symbolized in the ‘Ricci map(s)’: a map created by a Jesuit missionary to bring scientific cartography to East Asia. Remapping the World in East Asia: Toward a Global History of the “Ricci Maps” (Hawai’i University Press, 2024) rethinks these maps and this encounter. By taking a global approach, Remapping the World in East Asia explores how the ‘Ricci map,’ far from being one map by one man, was not only collaboratively made, but was also endlessly reinterpreted and contextualized through copying, circulation, and reproduction across East Asia.Editors Mario Cams and Elke Papelitzky have put together a broad range of chapters that explore different kinds of maps, mapping practices, and connections. This book highlights the interconnectedness of China, Japan, Korea, the Ryukyu Kingdom, Vietnam, and the Philippines, as well as the importance of paying attention to materiality. This edited volume should be of interest to those in East Asian studies and early modern history, as well as anyone interested in maps, mapping, and what is possible when you pay close attention to issues of production, circulation, and reception.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the span of two hundred years, Great Britain established, governed, lost, and reconstructed an empire that embraced three continents and two oceanic worlds. The British ruled this empire by correlating incoming information about the conduct of subjects and aliens in imperial spaces with norms of good governance developed in London. Officials derived these norms by studying the histories of government contained in the official records of both the state and corporations and located in repositories known as archives.As the empire expanded in both the Americas and India, however, this system of political knowledge came to be regarded as inadequate in governing the non-English people who inhabited the lands over which the British asserted sovereignty. This posed a key problem for imperial officials: What kind of knowledge was required to govern an empire populated by a growing number of culturally different people? Using files, pens, and paper, the British defined the information order of the modern state as they debated answers to this question. In tracing the rise and deployment of archives in early modern British imperial rule, in The Archive of Empire: Knowledge, Conquest, and the Making of the Early Modern British World (Yale University Press, 2024) Dr. Asheesh Kapur Siddique uncovers the origins of our data-driven present.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ordering Customs: Ethnographic Thought in Early Modern Venice (University of Delaware Press, 2023) explores how Renaissance Venetians sought to make sense of human difference in a period characterized by increasing global contact and a rapid acceleration of the circulation of information. Venice was at the center of both these developments. The book traces the emergence of a distinctive tradition of ethnographic writing that served as the basis for defining religious and cultural difference in new ways. Taylor draws on a trove of unpublished sources-diplomatic correspondence, court records, diaries, and inventories-to show that the study of customs, rituals, and ways of life not only became central in how Venetians sought to apprehend other peoples, but also had a very real impact at the level of policy, shaping how the Venetian state governed minority populations in the city and its empire. In contrast with the familiar image of ethnography as the product of overseas imperial and missionary encounters, the book points to a more complicated set of origins. Learn more about your ad choices. Visit megaphone.fm/adchoices

Exchange of Ideas: The Economy of Higher Education in Early America (U Chicago Press, 2023) launches a breathtakingly ambitious new economic history of American higher education. In this volume, Adam R. Nelson focuses on the early republic, explaining how knowledge itself became a commodity, as useful ideas became salable goods and American colleges were drawn into transatlantic commercial relations. American scholars might once have imagined that higher education could sit beyond the sphere of market activity—that intellectual exchange could transcend vulgar consumerism—but already by the end of the eighteenth century, they saw how ideas could be factored into the nation’s balance of trade. Moreover, they concluded that it was the function of colleges to oversee the complex process whereby knowledge could be priced and purchased. The history of capitalism and the history of higher education, Nelson reveals, are intimately intertwined—which raises a host of important and strikingly urgent questions. How do we understand knowledge and education as commercial goods? Who should pay for them? And, fundamentally, what is the optimal system of higher education in a capitalist democracy? Learn more about your ad choices. Visit megaphone.fm/adchoices

British poet John Milton published one of the earliest and still tremendously important defenses of free speech for our modern world. From his famous pamphlet Areopagitca (1644) to Paradise Lost (1667), Milton participated in debates regarding censorship and the right of the public to access the inner workings of Parliamentary politics. I spoke with Ruby Lowe about how today’s conception of free of speech emerged during the English Civil Wars, the intimacies between political adversaries in these debates, and how Milton’s crucial role in this media revolution informs his most seductive literary characters, including the devil, God, Adam, and Eve.Dr. Ruby Lowe is a Lecturer in the History of Ideas at Trinity College, the University of Melbourne and the John Emmerson Research Fellow at the State Library of Victoria, in Australia. Her forthcoming book is The Speech Without Doors: John Milton and the Tradition of Print Oratory. Learn more about your ad choices. Visit megaphone.fm/adchoices

The period from the Mamlūk reconquest of Acre (1291) to the Ottoman siege of Constantinople (1453) witnessed the production of a substantial corpus of Middle English crusade romances. In English Literature and the Crusades: Anxieties of Holy War, 1291–1453 (Cambridge University Press, 2024) Dr. Marcel Elias places these romances in dialogue with multifarious European writings to offer a novel account of late medieval crusade culture: as ambivalent and self-critical, animated by tensions and debates, and fraught with anxiety. These romances uphold ideals of holy war while expressing anxieties about issues as diverse as God's endorsement of the crusading enterprise, the conversion of Christians to Islam, the sinfulness of crusaders, and the morality of violence.Reinvigorating debates in medieval postcolonialism, drawing on emotion studies, and excavating a rich multilingual archive, this book is a major contribution to the cultural history of the crusades. This title is part of the Flip it Open programme and may also be available open access. Check our website Cambridge Core for details.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of King Henry VIII, a man who married six times only to execute two of those wives, is part of Great Britain’s national and international identity. Each year, millions of people walk around the Tower of London, Hampton Court Palace and Hever Castle, plus many other historical sites, taking in and hoping to glean some sense of the man and the myth, and yet there is a period from Henry VIII’s life which remains largely overlooked, a period in which he chose not to execute wives, servants or ministers, but instead turned on another group entirely - his own family.Like practically all members of the nobility of the time, Henry VIII descended from King Edward III, which ensured a ready-made crop of royal cousins were in abundance at his court, and awkwardly for the king, these cousins often possessed much greater claims to the throne than he did. The house of Tudor was one which should never have been, let alone taken the throne. Upstarts in every sense of the word, their ancestry, whilst (almost) noble, was by no means as grand as many a family in England, and it is against this backdrop that Henry VIII and the Plantagenet Poles: The Rise and Fall of a Dynasty (Pen & Sword, 2024) by Dr. Adam Pennington was created.The Pole family, the subjects of the story, were royalty in secret. Lady Margaret Pole, Countess of Salisbury, the family matriarch, was a niece of King Edward IV and Richard III, making her a first cousin of Elizabeth of York, the first Tudor queen consort, and thus a first cousin once removed of Henry VIII. Margaret Pole was, therefore, one of the most senior members of the nobility at the Tudor court, and through her, her sons, her daughter, and her grandchildren possessed a dangerous name and dangerous bloodline, which put them on a collision course with the most volatile man ever to sit the throne of England. They were the old guard, the house of Plantagenet, the greatest ruling dynasty in English history, the true royal family, and this, coupled with the monumental shifts which England underwent during the reign of Henry VIII, all but ensured their destruction. For centuries, their story has been overlooked, or at best, fleetingly covered, but when one digs deep, a story as audacious and juicy as it’s possible to be soon emerges.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pamela Allen Brown joins Jana Byars to talk about The Diva's Gift to the Shakespearean Stage (Oxford University Press, 2022), which traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress who radically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters. By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in all genres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat tours in France and Spain.Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the type more engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw a vital new model full of promise. Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, and Shakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to play them. Writers seized on the comici's materials and methods to piece together pastoral, comic, and tragicomic plays from mobile theatergrams - plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament. Shakespeare and his peers gave new prominence to female characters, marked their passions as un-English, and devised plots that figured them as self-aware agents, not counters traded between men. Playing up the skills and charisma of the boy player, they produced stunning roles charged with the diva's prodigious theatricality and alien glamour. Rightly perceived, the diva's celebrity and her acclaimed skills posed a radical challenge that pushed English playwrights to break with the past in enormously generative and provocative ways. Learn more about your ad choices. Visit megaphone.fm/adchoices