New Books in Early Modern History

Endre Sashalmi's book Russian Notions of Power and State in a European Perspective, 1462-1725: Assessing the Significance of Peter's Reign (Academic Studies Press, 2022) highlights the main features and trends of Russian “political” thought in an era when sovereignty, state, and politics, as understood in Western Christendom, were non-existent in Russia, or were only beginning to be articulated. It concentrates on enigmatic authors and sources that shaped official perception of rulership, or marked certain changes of importance of this perception. Special emphasis is given to those written and visual sources that point towards depersonalization and secularization of rulership in Russia. A comparison with Western Christendom frames the argument throughout the book, both in terms of ideas and the practical aspects of state-building, allowing the reader to ponder Russia’s differentia specifica.Endre Sashalmi is a professor of history at the Department of Medieval and Early Modern History at the University of Pécs (Hungary), and is a doctor of the Hungarian Academy of Sciences. His main fields of academic interest and research are comparisons of Western and Russian political thought and political iconography from the 15th to the 18th century, as well as the issue of state formation in Russia and in early modern Europe.Steven Usitalo is a specialist in Russian and Soviet history, modern genocide studies, and the history of film. He is the recipient of several research grants. He co-edited an anthology on Russian history and published a monograph on the Russian polymath Mikhail Lomonosov. Dr. Usitalo is finishing a substantially revised Russian translation of his book on Mikhail Lomonosov. His research focuses on two areas: Russian/Soviet and Armenian film, and the history of the Roma in Imperial Russia and the Soviet Union. When time allows, he is at work on a study of the genocide of the Roma peoples on Soviet territory during World War II. Learn more about your ad choices. Visit megaphone.fm/adchoices

The first biography of Henry VIII’s court fool William Somer, a legendary entertainer and one of the most intriguing figures of the Tudor ageIn some portraits of Henry VIII there appears another, striking figure—a gaunt and morose-looking man with a shaved head and, in one case, a monkey on his shoulder. This is William or "Will" Somer, the king’s fool, a celebrated wit who reportedly could raise Henry’s spirits and spent many hours with him, often alone. Was Somer an “artificial fool,” a cunning comic who could speak freely in front of the king, or a “natural fool,” someone with intellectual disabilities, like many other members of the profession? And what role did he play in the tumultuous and violent Tudor era? Fool is the first biography of Somer—and perhaps the first of a Renaissance fool.After his death, Somer disappeared behind his legend, and historians struggled to separate myth from reality. In Fool: In Search of Henry VIII's Closest Man (Princeton UP, 2023), Peter K. Andersson pieces together the fullest picture yet of an enigmatic and unusual man with a very strange job. Somer’s story provides new insights into how fools lived and what exactly they did for a living, how monarchs and courtiers related to commoners and people with disabilities, and whether aspects of the Renaissance fool live on in the modern comedian. But most of all, we learn how a commoner without property or education managed to become the court’s chief mascot and a continuous presence at the center of Tudor power from the 1530s to the reign of Elizabeth I.Looking beyond stereotypes of the man in motley, Fool reveals a little-known world, surprising and disturbing, when comedy was something crueler and more unpleasant than we like to think.Peter K. Andersson is senior lecturer in history at Örebro University in Sweden. He is the author of Streetlife in Late Victorian London and Silent History. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today’s guest is Aaron Kunin, Professor of English at Pomona College. We will discuss two books Aaron published in 2019: the first is Character as Form (Bloomsbury), a re-examination of the early modern understanding of “character” as stereotype, generalization, and convention. In Character as Form, Aaron braids together close readings of furniture in Christopher Marlowe’s Tamburlaine, a reflection on the concept of negative anthropology from Raul Ruiz’s Three Lives and Only One Death, and insight into formalism and anti-formalist views of fictive personhood.The second we discuss is Love Three: A Study of a Poem by George Herbert (Wave Books), a “reading diary” that takes a seventeenth-century poem as a springboard for a meditation on love, sexual experience, and power. Herbert’s poem is a fraught dialogue between a speaker and Love, which is unfolded to touch on the politics of eating, the allure of rhetorical power, and the nature of crowds.Aaron’s research focuses on English Renaissance literature. In addition to his scholarship, he is the author of five books, including Cold Genius: A Book of Poems (2014), The Mandarin (2008), and Folding Ruler Star: Poems (2005), all from Fence Books.John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Annie Rachel Royson's book Texts, Traditions, and Sacredness: Cultural Translation in Kristapurana (Routledge, 2023) presents a critical reading of Kristapurāṇa, the first South Asian retelling of the Bible. In 1579, Thomas Stephens (1549-1619), a young Jesuit priest, arrived in Goa with the aim of preaching Christianity to the local subjects of the Portuguese colony. Kristapurāṇa (1616), a sweeping narrative with 10,962 verses, is his epic poetic retelling of the Christian Bible in the Marathi language. This fascinating text, which first appeared in Roman script, is also one of the earliest printed works in the subcontinent. Kristapurāṇa translated the entire biblical narrative into Marathi a century before Bible translation into South Asian languages began in earnest in Protestant missions.This book contributes to an understanding of translation as it was practiced in South Asia through its study of genre, landscapes, and cultural translation in Kristapurāṇa, while also retelling a history of sacred texts and biblical narratives in the region. It examines this understudied masterpiece of Christian writing from Goa in the early era of Catholic missions and examines themes such as the complexities of the colonial machinery, religious encounters, textual traditions, and multilingualism, providing insight into Portuguese Goa of the sixteenth and seventeenth centuries.The first of its kind, the book makes significant interventions into the current discourse on cultural translation and brings to the fore a hitherto understudied text. It will be an indispensable resource for students and researchers of translation studies, comparative literature, religious studies, biblical studies, English literature, cultural studies, literary history, postcolonial studies, and South Asian studies.Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Italian courts and churches began employing castrato singers in the late sixteenth century. By the eighteenth century, the singers occupied a celebrity status on the operatic stage. Constructed through surgical alteration and further modified by rigorous training, castrati inhabited human bodies that had been “mechanized” to produce sounds in ways that unmechanized bodies could not. The voices of these technologically enhanced singers, with their unique timbre, range, and strength, contributed to a dramatic expansion of musical vocabulary and prompted new ways of imagining sound, the body, and personhood. Connecting sometimes bizarre snippets of history, this multi-disciplinary book moves backward and forward in time, deliberately troubling the meaning of concepts like “technology” and “human.” Voice Machines: The Castrato, the Cat Piano, and Other Strange Sounds (U Chicago Press, 2023) attends to the ways that early modern encounters and inventions—including settler colonialism, emergent racialized worldviews, the printing press, gunpowder, and the telescope—participated in making castrati. In Bonnie Gordon’s revealing study, castrati serve as a critical provocation to ask questions about the voice, the limits of the body, and the stories historians tell.Nathan Smith is a PhD candidate in Music Theory at Yale University. Email: nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices

Across Europe, from the dawn of print until the early twentieth century, the news of crime and criminals' public executions was printed in song form on cheap broadsides and pamphlets to be sold in streets and marketplaces by ballad-singers. Singing the News of Death: Execution Ballads in Europe 1500-1900 (Oxford UP, 2022) looks at how and why song was employed across Europe for centuries as a vehicle for broadcasting news about crime and executions, exploring how this performative medium could frame and mediate the message of punishment and repentance. Examining ballads in English, French, Dutch, German, and Italian across four centuries, author Una McIlvenna offers the first multilingual and longue durée study of the complex and fascinating phenomenon of popular songs about brutal public death.Ballads were frequently written in the first-person voice, and often purported to be the last words, confession or 'dying speech' of the condemned criminal, yet were ironically on sale the day of the execution itself. Musical notation was generally not required as ballads were set to well-known tunes. Execution ballads were therefore a medium accessible to all, regardless of literacy, social class, age, gender or location. A genre that retained extraordinary continuities in form and content across time, space, and language, the execution ballad grew in popularity in the nineteenth century, and only began to fade as executions themselves were removed from the public eye. With an accompanying database of recordings, Singing the News of Death brings these centuries-old songs of death back to life.Una McIlvenna is Honorary Senior Lecturer at the Australian National University. A literary and cultural historian of early modern Europe, she is also the author of Scandal and Reputation at the Court of Catherine de Medici (2016). She has held positions at the Universities of Melbourne, Sydney, Kent and Queen Mary University of LondonMorteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thy Power, O Liberty, make strong the weak,And (wond’rous instinct) Ethiopians speak.At the age of 19, Phillis Wheatley published the first book in English by a person of African descent and the third book of poetry by a North American Woman. She was a poet but also a political actor and celebrity – the most famous African in North America and Europe during the era of the American Revolution. George Washington wrote to her. Thomas Jefferson ridiculed her. In The Odyssey of Phillis Wheatley: A Poet's Journeys Through American Slavery and Independence (FSG, 2023) – a joint exercise in history and literary criticism, Dr. David Waldstreicher writes that Wheatley is “Homer and Odysseus and the slaves and the women they knew or imagined. She aimed for the universal without forgetting who was suffering most and why.” Reading Wheatley’s poetry in historical context reveals the extent to which the American Revolution both strengthened and limited black slavery – and also how Wheatley herself affected the debates about American slavery and independence.Mastering the Bible, Greek and Latin translations, and the works of Pope and Milton, Wheatley composed elegies for local elites, celebrated political events, and praised warriors. Despite her skill, knowledge, and fame, she often had to write indirectly about subjects that mattered deeply to her – race, slavery, and discontent with British rule. During a period in which writing was central to political conversation, she used her verse to lampoon, question, and assert the injustice of her enslaved condition. As Waldstreicher demonstrates, Wheatley wrote about events and people – turning what was available and acceptable for a person in her position into poetry that could be read for its art – but also subversively for its political ideas. He concludes that her work proves that the story of the American revolution and Phillis Wheatley are inextricably joined – and that story is one of “resilience and creativity, of antislavery and antiracist possibilities, and of backlash and loss, dreams dashed and deferred.” Dr. David Waldstreicher is distinguished professor of history, American Studies, and Africana Studies at the Graduate Center of the City University of New York. His research interests include U.S. cultural and political history, colonial and early US, African American history, slaver, and antislavery. He is the author of Slavery’s Constitution: From Revolution to Ratification (Hill and Wang) and Runaway American: Benjamin Franklin, Slavery, and the American Revolution (Farrar, Strauss & Giroux). His public facing writing includes contributions to The New York Times Book Review, the Boston Review, and The Atlantic.Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked to Jeremy Black about his new book Why the Industrial Revolution Happened in Britain (Amberley Publishing, 2023).Britain's key importance in world history was a product of its constitution and its empire, but both, in turn, were sustained and supported by Britain's role in achieving the first Industrial Revolution. In part this was a matter of coal and steam but far more was involved. Alongside the 'push' factors of entrepreneurs and resources came the 'pull' factors of consumerism, fashion and an ability to purchase goods. There was also the context of parliamentary government, the rule of law, a society open to talent, and no internal tariff boundaries. The combination of these factors produced vital synergies. They also ensure that the history of the Industrial Revolution is the history of a country, a people, and of the factors that made them exceptional. Learn more about your ad choices. Visit megaphone.fm/adchoices

How the Country House Became English (Reaktion, 2023) by Dr. Stephanie Barczewski is an exploration of the evolution of the quintessentially English country house.Country houses have come to be regarded as quintessentially English, not only in terms of their architectural style but because they appear to embody national values of continuity and insularity. The histories of country houses and England, however, have featured episodes of violence and disruption, so how did country houses come to represent one version of English history, when in reality they reflect its full range of contradictions and complexities? This book explores the evolution of the country house, beginning with the violent impact of the Reformation and Civil War and showing how the political events of the eighteenth century, which culminated in the reaction against the French Revolution, led to country houses being recast as symbols of England’s political stability.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Praying to Portraits: Audience, Identity, and Inquisition in the Early Modern Hispanic World (Penn State University Press, 2023), art historian Adam Jasienski examines the history, meaning, and cultural significance of a crucial image type in the early modern Hispanic world: the sacred portrait.Across early modern Spain and Latin America, people prayed to portraits. They prayed to “true” effigies of saints, to simple portraits that were repainted as devotional objects, and even to images of living sitters depicted as holy figures. Jasienski places these difficult-to-classify image types within their historical context. He shows that rather than being harbingers of secular modernity and autonomous selfhood, portraits were privileged sites for mediating an individual’s relationship to the divine. Using Inquisition records, hagiographies, art-theoretical treatises, poems, and plays, Jasienski convincingly demonstrates that portraiture was at the very center of broader debates about the status of images in Spain and its colonies.Highly original and persuasive, Praying to Portraits profoundly revises our understanding of early modern portraiture. It will intrigue art historians across geographical boundaries, and it will also find an audience among scholars of architecture, history, and religion in the early modern Hispanic world.Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices