New Books in Early Modern History

The East India Company was a unique entity in world history: More than just a commercial enterprise, the Company tried to act as its own government. Not many at the time–whether legislators or company officials in London, and certainly not Indian people—though this was a great idea.As Joshua Ehrlich notes in his book The East India Company and the Politics of Knowledge (Cambridge University Press: 2023), the Company hit upon a novel justification for its work: It was committed to the pursuit of knowledge, and that was why it needed to merge commercial and political power.In this interview, Josh and I talk about the East India Company, how it tried to make “knowledge” part of its responsibility, and how the “politics of knowledge” are still relevant today.Joshua Ehrlich is an award-winning historian of knowledge and political thought with a focus on the East India Company and the British Empire in South and Southeast Asia. Currently Assistant Professor of History at the University of Macau, he received his PhD and MA from Harvard University and his BA from the University of Chicago. Ehrlich’s many articles have appeared in journals including Past & Present, The Historical Journal, Modern Asian Studies, and Modern Intellectual History.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The East India Company and the Politics of Knowledge. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices

As per William Shakespeare, ‘all the world’s a stage’. But what if the human soul was a stage too? What if the stage of the world and the stage of the soul coincided? And what if the soul was also the main character of the play? These questions are at the core of Eugenio Refini's book Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy (Legenda, 2022), which explores pedagogical uses of allegorical drama in Italy in the decades around 1600, with a focus on the place of theatre in the education of female orphans in the hospitals of Venice. The consumption of morality plays is looked at as a form of spiritual practice modeled on long-lasting theatrical metaphors. In this context, tropes such as the theatrum mundi not only regained their literal meaning by being actually staged, but also turned into rhetorical devices able to promote the inner staging of the ‘world’ on the ‘spiritual’ stage of the soul.Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

During the eighteenth century, Britain’s slave trade exploded in size. Formerly a small and geographically constricted business, the trade had, by the eve of the American Revolution, grown into an Atlantic-wide system through which fifty thousand men, women, and children were enslaved every year.In Traders in Men: Merchants and the Transformation of the Transatlantic Slave Trade (Yale UP, 2023), Nicholas Radburn explains how thousands of slaving merchants in Africa, Britain, and the British Americas collectively created this cancerous system by devising highly efficient, but also violent, new business methods. African brokers developed commercial techniques that facilitated the enslavement and sale of millions of people. Britons invented shipping methods that quelled enslaved people’s constant resistance on the Middle Passage. And American slave traders formulated brutal techniques through which shiploads of people could be quickly sold to a variety of colonial buyers. Truly Atlantic-wide in its vision, this study shows how the slave trade became one of the most important phenomena in world history and dragged millions of people into the trade’s terrible vortex.Katrina Anderson is a doctoral candidate at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Tea: Consumption, Politics, and Revolution, 1773–1776 (Cornell University Press, 2023), Dr. James R. Fichter reveals that despite the so-called Boston Tea Party in 1773, two large shipments of tea from the East India Company survived and were ultimately drunk in North America. Their survival shaped the politics of the years ahead, impeded efforts to reimburse the company for the tea lost in Boston Harbor, and hinted at the enduring potency of consumerism in revolutionary politics.Tea protests were widespread in 1774, but so were tea advertisements and tea sales, Fichter argues. The protests were noisy and sometimes misleading performances, not clear signs that tea consumption was unpopular. Revolutionaries vilified tea in their propaganda and prohibited the importation and consumption of tea and British goods. Yet merchant ledgers reveal these goods were still widely sold and consumed in 1775. Colonists supported Patriots more than they abided by non-consumption. When Congress ended its prohibition against tea in 1776, it reasoned that the ban was too widely violated to enforce. War was a more effective means than boycott for resisting Parliament, after all, and as rebel arms advanced, Patriots seized tea and other goods Britons left behind. By 1776, protesters sought tea and, objecting to its high price, redistributed rather than destroyed it. Yet as Dr. Fichter demonstrates in Tea, by then the commodity was not a symbol of the British state, but of American consumerism.This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

First published in Venice in 1502, Camillo Leonardi’s Speculum Lapidum is an encyclopedic summary of all classical and medieval sources of lithotherapy. Today Jana Byars talks to Liliana Leopardi about her new translation, Speculum Lapidum: A Renaissance Treatise on the Healing Properties of Gemstones (Penn State University Press, 2023). In early modern Europe precious and semiprecious stones were valued not only for their beauty and rarity but also for their medical and magical properties. Lorenzo de’ Medici, Philip II of Spain, and Popes Leo X and Clement VII were all treated with expensive potions incorporating ground gems such as rubies, diamonds, and emeralds. Medical and magical/astrological lapidaries, texts describing the stones’ occult and medical qualities as well as their abilities to ward off demons and incantations, were essential resources for their use. In describing the natural, manifest, and occult properties of precious and semiprecious stones as well as their graven images and applications, the Speculum Lapidum provides tremendous insight into the role that medical astrology and astral magic played in the life of an Italian court in the early modern period. Liliana Leopardi’s English translation, complete with critical apparatuses, gives unprecedented access to this key text within the magical lapidary genre.A vital addition to the existing canon of lapidaria in translation, Leopardi’s work will be of special importance for students and scholars of the history of magic, medicine, religion, and Renaissance humanism, and it will fascinate anyone interested in the occult properties of precious and semiprecious stones. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jana Byars speaks with Catherine Powell-Warren about Gender and Self-Fashioning at the Intersection of Art and Science: Agnes Block, Botany, and Networks in the Dutch 17th Century (Amsterdam University Press, 2024). The conversation begins by examining the ways modern scholars are radically changing our understanding of the position of early modern women one monograph at a time before dialing in on a book that does just that. At once collector, botanist, reader, artist, and patron, Agnes Block is best described as a cultural producer. A member of an influential network in her lifetime, today she remains a largely obscure figure. The socioeconomic and political barriers faced by early modern women, together with a male-dominated tradition in art history, have meant that too few stories of women's roles in the creation, production, and consumption of art have reached us. This book seeks to write Block and her contributions into the art and cultural history of the seventeenth-century Netherlands, highlighting the need for and advantages of a multifaceted approach to research on early modern women. Examining Block's achievements, relationships, and objects reveals a woman who was independent, knowledgeable, self-aware, and not above self-promotion. Though her gender brought few opportunities and many barriers, Agnes Block succeeded in fashioning herself as Flora Batava, a liefhebber at the intersection of art and science.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Race and Respectability in an Early Black Atlantic (LSU Press, 2023) by Dr. Cassander L. Smith examines the means through which people of African descent embodied tenets of respectability as a coping strategy to navigate enslavement and racial oppression in the early Black Atlantic world. The term “respectability politics” refers to the way members of a minoritized population adopt the customs and manners of a dominant culture in order to gain visibility and combat negative stereotypes about their subject group. Today respectability politics can be seen in how those within and outside Black communities police the behaviour of Black celebrities, critique protest movements, and celebrate accomplishments by people of African descent who break racial barriers.To study the origins of the complicated relationship between race and respectability, Dr. Smith shows that early American literatures reveal Black communities engaging with issues of respectability from the very beginning of the transatlantic slave trade. Concerns about character and comportment influenced the literary production of Black Atlantic communities, particularly in the long eighteenth century. Uncovering the central importance of respectability as a theme shaping the literary development of cultures throughout the early Black Atlantic, Smith illuminates the mechanics of respectability politics in a range of texts, including poetry, letters, and life writing by Phillis Wheatley, Olaudah Equiano, and expatriates on the west coast of Africa in Sierra Leone.Through these early Black texts, Race and Respectability in an Early Black Atlantic considers respectability politics as a malleable strategy that has both energized and suppressed Black cultures for centuries.This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

The invention of an easily learned Korean alphabet in the mid-fifteenth century sparked an "epistolary revolution" in the following century as letter writing became an indispensable daily practice for elite men and women alike. The amount of correspondence increased exponentially as new epistolary networks were built among scholars and within families, and written culture created room for appropriation and subversion by those who joined epistolary practices.Focusing on the ways that written culture interacts with philosophical, social, and political changes, The Power of the Brush: Epistolary Practices in Chosŏn Korea (U Washington Press, 2020) examines the social effects of these changes and adds a Korean perspective to the evolving international discourse on the materiality of texts. It demonstrates how innovative uses of letters and the appropriation of letter-writing practices empowered elite cultural, social, and political minority groups: Confucians who did not have access to the advanced scholarship of China; women who were excluded from the male-dominated literary culture, which used Chinese script; and provincial literati, who were marginalized from court politics. New modes of reading and writing that were developed in letter writing precipitated changes in scholarly methodology, social interactions, and political mobilization. Even today, remnants of these traditional epistolary practices endure in media and political culture, reverberating in new communications technologies.The Power of the Brush is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem) and the generous support of Emory University and the Andrew W. Mellon Foundation.Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoices

The Roman singer, courtesan, and writer Margherita Costa won prominence and fame across the courts of Italy and France during the mid-seventeenth century. She secured a steady stream of elite patrons – including popes, queens, grand dukes, and influential cardinals – while male poets and librettists wrote celebratory poetry on her behalf. In addition to her appearances as a soprano on the opera stage, Costa published a remarkable fourteen full-length texts across an expanse of genres: burlesque comedy, drama, equestrian ballet, pastoral opera, amorous letters, lyric poetry, and history.Margherita Costa, Diva of the Baroque Court (U Toronto Press, 2023) brings together close textual readings of Costa’s numerous publications with archival materials detailing her performance itinerary and social-cultural networks. The book progresses chronologically through her life, geographically along the routes she travelled, and thematically via the genres in which she experimented. Jessica Goethals illuminates how Costa was unafraid to leap over the boundaries of decorum that delimited what women should and did write about. More than merely a literary biography, this book is also a portrait of seventeenth-century courts, their concerns, and their entertainments.Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Empire and imperial frameworks, policies, practices, and cultures have shaped the history of the world for the last two millennia. It is nation states that are the blip on the historical horizon. Making Empire: Ireland, Imperialism, and the Early Modern World (Oxford University Press, 2023) by Dr. Jane Ohlmeyer re-examines empire as process—and Ireland's role in it—through the lens of early modernity. It covers the two hundred years, between the mid-sixteenth century and the mid-eighteenth century, that equate roughly to the timespan of the First English Empire (c.1550-c.1770s).Ireland was England's oldest colony. How then did the English empire actually function in early modern Ireland and how did this change over time? What did access to European empires mean for people living in Ireland? This book answers these questions by interrogating four interconnected themes. First, that Ireland formed an integral part of the English imperial system, Second, that the Irish operated as agents of empire(s). Third, Ireland served as laboratory in and for the English empire. Finally, it examines the impact that empire(s) had on people living in early modern Ireland.What becomes clear is that colonisation was not a single occurrence but an iterative and durable process that impacted different parts of Ireland at different times and in different ways. That imperialism was about the exercise of power, violence, coercion and expropriation. Strategies about how best to turn conquest into profit, to mobilise and control Ireland's natural resources, especially land and labour, varied but the reality of everyday life did not change and provoked a wide variety of responses ranging from acceptance and assimilation to resistance.This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices