New Books in Early Modern History

Eighteenth-century France witnessed an unprecedented proliferation of materially unstable art, from oil paintings that cracked within years of their creation to enormous pastel portraits vulnerable to the slightest touch or vibration. In A Delicate Matter: Art, Fragility, and Consumption in Eighteenth-Century France (Penn State University Press, 2024), Dr. Oliver Wunsch traces these artistic practices to the economic and social conditions that enabled them: an ascendant class of art collectors who embraced fragile objects as a means of showcasing their disposable wealth.While studies of Rococo art have traditionally focused on style and subject matter, this book reveals how the physical construction of paintings and sculptures was central to the period’s reconceptualization of art. Drawing on sources ranging from eighteenth-century artists’ writings to twenty-first-century laboratory analyses, Dr. Wunsch demonstrates how the technical practices of eighteenth-century painters and sculptors provoked a broad transformation in the relationship between art, time, and money. Delicacy, which began the eighteenth century as a commodified extension of courtly sociability, was by century’s end reimagined as the irreducible essence of art’s autonomous value.Innovative and original, A Delicate Matter is an important intervention in the growing body of scholarship on durability and conservation in eighteenth-century French art. It challenges the art historical tendency to see decay as little more than an impediment to research, instead showing how physical instability played a critical role in establishing art’s meaning and purpose.This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

On November 12, 1588, five young Asian men—led by a twenty-one-year-old called Christopher—traveled up the River Thames to meet Queen Elizabeth I. Christopher’s epic sea voyage had spanned from Japan, via the Philippines, New Spain (Mexico), Java and Southern Africa. On the way, he had already become the first recorded Japanese person in North America. Now Christopher was the first ever Japanese visitor to England, and no other would leave such a legacy for centuries to come. The story of Christopher is almost utterly forgotten and has never been fully told before. Thomas Lockley's A Gentleman from Japan: The Untold Story of an Incredible Journey from Asia to Queen Elizabeth’s Court (Hanover Square Press, 2024) is a fast-paced, historical narrative of adventure, cross-cultural endeavor, intellectual exchange, perseverance, espionage and conflict in the Age of Exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s very easy to study the history of the British Empire from the perspective of, well, the British–and to extend the early 20th century version of the empire as a world-spanning entity backwards through history.David Veevers, in his new book The Great Defiance: How the World Took on the British Empire (Ebury Press, 2023) studies the English, and later British, empires from a different perspective: Not the British, but the Irish, Native Americans, Southeast Asians, and Indians they met, traded–and often fought–with. And he shows that, for much of its history, the British Empire’s position was far more precarious than its later dominance implies.In this interview, David and I talk about how the English Empire got its start, and how other groups pushed back.Dr David Veevers is an award-winning historian and Lecturer in Early Modern History at the University of Bangor, and was formerly a Leverhulme Fellow in the School of History at Queen Mary, University of London. He is also the author of the acclaimed academic book, The Origins of the British Empire in Asia, 1600 - 1750 (Cambridge University Press: 2020)You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Great Defiance. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1717, the Council of Trade and Plantations received "agreeable news" from New England. "Bellamy with his ship and Company" had perished on the shoals of Cape Cod. Who was this Bellamy and why did his demise please the government?Born Samuel Bellamy circa 1689, he was a pirate who operated off the coast of New England and throughout the Caribbean. Later known as "Black Sam," or the "Prince of Pirates," Bellamy became one of the wealthiest pirates in the Atlantic world before his untimely death. For the next two centuries, Bellamy faded into obscurity until, in 1984, he became newsworthy again with the discovery of his wrecked pirate ship.In Daring Exploits of Pirate Black Sam Bellamy: From Cape Cod to the Caribbean (The History Press, 2023), historian Dr. Jamie L.H. Goodall unveils the tragic life of Bellamy and the complex relationship between piracy and the colonial New England coast.This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Across the Green Sea: Histories from the Western Indian Ocean, 1440-1640 (University of Texas Press, 2024) by Dr. Sanjay Subrahmanyam presents a history of two centuries of interactions among the areas bordering the western Indian Ocean, including India, Iran, and Africa.Beginning in the mid-fifteenth century, the regions bordering the western Indian Ocean—“the green sea,” as it was known to Arabic speakers—had increasing contact through commerce, including a slave trade, and underwent cultural exchange and transformation. Using a variety of texts and documents in multiple Asian and European languages, Across the Green Sea looks at the history of the ocean from a variety of shifting viewpoints: western India; the Red Sea and Mecca; the Persian Gulf; East Africa; and Kerala.Dr. Subrahmanyam sets the scene for this region starting with the withdrawal of China's Ming Dynasty and explores how the western Indian Ocean was transformed by the growth and increasing prominence of the Ottoman Empire and the continued spread of Islam into East Africa. He examines how several cities, including Mecca and the vital Indian port of Surat, grew and changed during these centuries, when various powers interacted until famines and other disturbances upended the region in the seventeenth century. Rather than proposing an artificial model of a dominant center and its dominated peripheries, Across the Green Sea demonstrates the complexity of a truly dynamic and polycentric system through the use of connected histories, a method pioneered by Dr. Subrahmanyam himself.This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is contemporary international order truly a secular arrangement? Theorists of international relations typically adhere to a narrative that portrays the modern states system as the product of a gradual process of secularization that transcended the religiosity of medieval Christendom. William Bain's Political Theology of International Order (Oxford University Press, 2020) challenges this narrative by arguing that modern theories of international order reflect ideas that originate in medieval theology. They are, in other words, worldly applications of a theological pattern.This ground-breaking book makes two key contributions to scholarship on international order. First, it provides a thorough intellectual history of medieval and early modern traditions of thought and the way in which they shape modern thinking about international order. It explores the ideas of Augustine, Thomas Aquinas, William of Ockham, Martin Luther, and other theologians to rise above the sharp differentiation of medieval and modern that underpins most international thought. Uncovering this theological inheritance invites a fundamental reassessment of canonical figures, such as Hugo Grotius and Thomas Hobbes, and their contribution to theorizing international order. Second, this book shows how theological ideas continue to shape modern theories of international order by structuring the questions theorists ask as well as the answer they provide. It argues that the dominant vocabulary of international order, system and society, anarchy, balance of power, and constitutionalism, is mediated by the intellectual commitments of nominalist theology. It concludes by exploring the implications of thinking in terms of this theological inheritance, albeit in a world where God is only one of several possibilities that can called upon to secure the regularity of order.William Bain is Associate Professor of International Relations at National University of Singapore. He is the author of Between Anarchy and Society: Trusteeship and the Obligations of Power (OUP, 2003) and editor of, and contributor to, Medieval Foundations of International Relations (Routledge, 2016) and The Empire of Security and the Safety of the People (Routledge, 2006). He has written widely on the theory of international society and the history of international thought. Learn more about your ad choices. Visit megaphone.fm/adchoices

Coins, flax, spinning wheels, mud, pigs. Each of these objects were ubiquitous in the premodern cultural representation of the Irish. Through case studies of these five objects, Colleen Taylor’s new monograph Irish Materialisms: The Nonhuman and the Making of Colonial Ireland, 1690-1830 (Oxford University Press, 2024) recovers the sometimes-oppressive, sometimes-liberatory meanings invested in nonhuman matter. Irish Materialisms collects a rich archive of material from William Carleton’s “Phil Purcel, the Pig Driver,” to the it-narrative The Adventures of a Bad Shilling in the Kingdom of Ireland, Gulliver’s Travels to Sydney Owenson’s The Wild Irish Girl.Colleen Taylor is Professor of English at Boston College. She has held the National Endowment for the Humanities Fellowship at the University of Notre Dame and an Irish Research Council Postdoctoral Award at University College Cork. Irish Materialisms is her first monograph. Learn more about your ad choices. Visit megaphone.fm/adchoices

The birchbark canoe is among the most remarkable Indigenous technologies in North America, facilitating mobility throughout the watery world of the Great Lakes region and its borderlands. In Muddy Ground: Native Peoples, Chicago's Portage, and the Transformation of a Continent (UNC Press, 2023), Texas Tech University historian John William Nelson argues that canoes, and a deep understanding of portages sites where canoes could be carried between waterways, helped secure the region around Chicago as decidedly Native space until well into the nineteenth century. By using the methodologies of borderlands history, ecotone and environmental history, and Indigenous Studies, Nelson demonstrates how the story of Chicago's array of portages runs counter to traditional narratives of the inexorable growth of European and American power in North America from the seventeenth century onwards. Indeed, the more colonizers tried to maintain a grip on this slipper landscape, the more it seemed to slide through their grasp. In Muddy Ground, Nelson takes one of the most written-about American spaces - Chicago - and turns the usual narrative on its head, showing how until settlers could actively change Chicago's landscape, it would remain a place of Indigenous power and historical possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the sixteenth century, members of the Ouchi family were kings in all but name in much of Japan. Immensely wealthy, they controlled sea lanes stretching to Korea and China, as well as the Japanese city of Yamaguchi, which functioned as an important regional port with a growing population and a host of temples and shrines. The family was unique in claiming ethnic descent from Korean kings, and-remarkably for this time-such claims were recognized in both Korea and Japan. Their position, coupled with dominance over strategic ports and mines, allowed them to facilitate trade throughout East and Southeast Asia. They also played a key cultural role in disseminating Confucian texts, Buddhist sutras, ink paintings, and pottery, and in creating a distinctive, hybrid culture that fused Japanese, Korean, and Chinese beliefs, objects, and customs.Kings in All But Name: The Lost History of Ouchi Rule in Japan, 1350-1569 (Oxford UP, 2024) illustrates how Japan was an ethnically diverse state from the fourteenth through the sixteenth centuries, closely bound by trading ties to Korea and China. It reveals new archaeological and textual evidence proving that East Asia had integrated trading networks long before the arrival of European explorers and includes an analysis of ores and slag that shows how mining techniques improved and propelled East Asian trade. The story of the Ouchi rulers argues for the existence of a segmented polity, with one center located in Kyoto, and the other in the Ouchi city of Yamaguchi. It also contradicts the belief that Japan collapsed into centuries of turmoil and rather proves that Japan was a stable and prosperous trading state where rituals, policies, politics, and economics were interwoven and diverse. Learn more about your ad choices. Visit megaphone.fm/adchoices

The 2020 toppling of slave-trader Edward Colston's statue by Black Lives Matter protesters in Bristol was a dramatic reminder of Britain's role in trans-Atlantic slavery, too often overlooked. Yet the legacy of that predatory economy reaches far beyond bronze memorials; it continues to shape the entire visual fabric of the country.Architect Victoria Perry explores the relationship between the wealth of slave-owning elites and the architecture and landscapes of Georgian Britain. She reveals how profits from Caribbean sugar plantations fed the opulence of stately homes and landscape gardens. Trade in slaves and slave-grown products also boosted the prosperity of ports like Bristol, Liverpool and Glasgow, shifting cultural influence towards the Atlantic west. New artistic centers like Bath emerged, while investment in poor, remote areas of Wales, Cumbria and Scotland led to their "reimagining" as tourist destinations: Snowdonia, the Lakes and the Highlands. The patronage of absentee planters popularized British ideas of "natural scenery"--viewing mountains, rivers and rocks as landscape art--and then exported the concept of "sublime and picturesque" landscapes across the Atlantic.A Bittersweet Heritage: Slavery, Architecture and the British Landscape (Hurst, 2022) unearths the slavery-tainted history of Britain's manors, ports, roads and countryside, and powerfully explains what this legacy means today. Learn more about your ad choices. Visit megaphone.fm/adchoices