New Books in Early Modern History

New Books Network
undefined
Nov 29, 2012 • 1h 8min

Russell Martin, “A Bride for the Tsar: Bride-Shows and Marriage in Early Modern Russia” (NIU Press, 2012)

You probably know the story about the king who issues a call for the most beautiful girls in the land to be presented to him as potential brides in a kind of “bride-show.” And you might think this is just a myth. But actually it’s not. As Russell Martin shows... Learn more about your ad choices. Visit megaphone.fm/adchoices
undefined
Nov 26, 2012 • 1h 7min

Daniela Bleichmar, “Visible Empire: Botanical Expeditions and Visual Culture in the Hispanic Enlightenment” (University of Chicago Press, 2012)

Daniela Bleichmar‘s new book is a story about 12,000 images.In Visible Empire: Botanical Expeditions and Visual Culture in the Hispanic Enlightenment (University of Chicago Press, 2012), Bleichmar uses this vast (and gorgeous) archive of botanical images assembled by Spanish natural history expeditions to explore the connections between natural history, visual culture, and empire in the eighteenth century Hispanic world. In beautifully argued chapters, Bleichmar explores that ways that eighteenth century natural history expeditions were grounded in a visual epistemology where observation and representation were powerful tools for negotiating both scientific and imperial spheres. The “botanical reconquista” spanned fields, shops, gardens, and cabinets across the New World and the Old. Botanists, artists, and others employed images for collaboration and competition, developing distinct styles and practices for observing and representing the natural world. The expeditions’ taxonomic botanizing was ultimately more successful than their efforts to exploit the cinnamon, cinchona, and other products that comprised the “green gold” of the colonial herbarium. Nonetheless, they made imperial nature visible…even as they made much of the empire invisible. Enjoy the book! And be sure to check out the fifth chapter, which juxtaposes Casta paintings from Mexico with some fascinating and little-known paintings from Quito and Peru to deepen and extend our understanding of the visuality of Spanish empire in the eighteenth century. Learn more about your ad choices. Visit megaphone.fm/adchoices
undefined
Nov 2, 2012 • 1h 9min

Anthony Bale, “The Book of Marvels and Travels” (Oxford UP, 2012)

Anthony Bale‘s new translation of Sir John Mandeville’s classic account is an exciting and engaging text that’s accessible to a wide range of readers. The Book of Marvels and Travels (Oxford University Press, 2012) recounts a fourteenth-century journey across the medieval world, albeit one that was likely written as the result of a voyage through libraries and bookshops. Mandeville (whomever he was – and we talk about this issue in the course of our conversation) offers extended discussions of the “Great Khan” of Cathay and of Prester John’s kingdom in India, peppering his tales with stories of dragons, descriptions of man-eating creatures that were half-hippopotamus and half-human, images of foreign alphabets, and many, many others. Bale’s translation is both fluidly rendered in an easily readable modern English prose, and supported by helpful annotations that situate Mandeville’s stories within a wider historical context, and explain Bale’s choices as a translator in terms of the broad range of printed and manuscript editions of Mandeville’s text. Over the course of our conversation we spoke about some especially memorable moments in the book, as well as Bale’s approach to rendering this fascinating but challenging work. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices
undefined
Oct 26, 2012 • 1h 6min

Pamela O. Long, “Artisan/Practitioners and the Rise of the New Sciences, 1400-1600” (Oregon State University Press, 2011)

Pamela O. Long‘s clear, accessible, and elegantly written recent book explores the ways that artisan/practitioners influenced the development of the new sciences in the years between 1400 and 1600. Artisan/Practitioners and the Rise of the New Sciences, 1400-1600 (Oregon State University Press, 2011) introduces the notion of a “trading zone,” building on the articulation of the concept in anthropology and in the work of Peter Galison, to explain the gradual breaking-down of the distinction between learned scholars and artist/practitioners as distinct and coherent entities in early modern Europe. Several kinds of trading zones, from the Vitruvian tradition to the physical spaces of arsenals and the city of Rome, provided common ground on which both practitioners and university-educated men came together to share ideas about substantive issues. As a result of this interchange, Long argues, empirical values that had been intrinsic to artisanal work came to be embedded more broadly in European culture, and categories that had initially been bifurcated (like art and nature) became more interchangeable. Long guides readers from a historiographical account of the idea of artisanal influence on the new sciences as it has emerged and developed since the 1920s, and through a series of engaging chapters that introduce works and figures that are crucial to the development of these ideas, including a wonderful account of the architecture of Rome from the pages of Vitruvius through the streets of a city dotted with obelisks and occasionally overcome with waters. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices
undefined
Sep 19, 2012 • 1h 7min

Amy Stanley, “Selling Women: Prostitution, Markets, and the Household in Early Modern Japan” (University of California Press, 2012)

With prose that is as elegant as the argument is clear, Amy Stanley‘s new book tells a social, cultural, and economic history of Tokugawa Japan through the prism of prostitution. Selling Women: Prostitution, Markets, and the Household in Early Modern Japan (University of California Press, 2012 ) undermines our assumptions... Learn more about your ad choices. Visit megaphone.fm/adchoices
undefined
Aug 29, 2012 • 1h 11min

Robert Westman, “The Copernican Question: Prognostication, Skepticism, and Celestial Order” (University of California Press, 2011)

This is an extraordinary book written by one of the finest historians of science. Ringing in at nearly seven hundred oversized, double columned pages Robert Westman‘s The Copernican Question: Prognostication, Skepticism, and the Celestial Order (University of California Press, 2011) exhaustively examines the science of the stars in order to understand the problems that drove Copernicus and later engagements with Copernicanism. Far more than a reception study, Westman uncovers the practices, of prognostication and knowledge production, that delimited the conceptual space available to scholars of the stars and the innovative ways that they attempted to generate and secure astral knowledge. Building on his earlier identification of the Wittenberg interpretation of Copernicus’s ideas Westman shows how confession, patronage, friendships and university networks all factored into the many faceted appeal of Copernican ideas, illustrating the difficulty of identifying a single unitary Copernicanism in the three generations after the first circulation of Copernicus’s own ideas. Painstakingly researched, often to the point of tracing who had access to which copies of books (and their all important annotations) the book asks us to re-evaluate the scientific revolution in favour of more nuanced understandings of early modern scientific movements.Dr. Westman has written a precis of the book that can be found at the Montreal Review . Learn more about your ad choices. Visit megaphone.fm/adchoices
undefined
Aug 11, 2012 • 1h 9min

Avner Ben Zaken, “Cross-Cultural Scientific Exchanges in the Eastern Mediterranean, 1560-1660” (Johns Hopkins UP, 2010)

In Cross-Cultural Scientific Exchanges in the Eastern Mediterranean, 1560-1660 (Johns Hopkins University Press, 2010) and Reading Hayy Ibn-Yaqzan: A Cross-Cultural History of Autodidacticism (Johns Hopkins University Press, 2010), Avner Ben Zaken introduces readers to a wonderfully diverse cast of characters and texts to show how fundamental notions of modern science (and modernity in general) were established in cross-cultural exchanges across the globe. Cross-Cultural Scientific Exchanges in the Eastern Mediterranean, 1560-1660 is a study of the ways that early modern science traveled among localities and cultures and was constituted by those travels, focusing on the example of post-Copernican cosmologies. In the course of this fascinating study, Ben Zaken considers what it means to talk about “incommensurable” cultures, and champions the historical power of the mundane and the marginal. Reading Hayy Ibn-Yaqzan: A Cross-Cultural History of Autodidacticism traces the composition, travels, and translation of Ibn Tufayl’s Hayy Ibn-Yaqzan as a way get at a history of debates about autididacticism in twelfth-century Marrakesh, fourteenth-century Barcelona, Renaissance Florence, and seventeenth-century England. This is an elegantly written and exhaustively researched world history of a single text on wildness, childhood, and nature, among many other themes that emerged and transformed in the very different contexts that the Hayy Ibn-Yaqzan was studied and engaged.Since these two books represent parts of a coherent intellectual project in progress, we spoke about them in both in terms of the broader issues that underpin Avner’s scholarly work. We talked a great deal about the craft of historical writing. Topics ranged from the opportunities and challenges of working at different historical scales and bringing micro- and macro-history into the same project, to how academic training leads young historians to study local cultures in a particularly monadic way. It was a very stimulating conversation for me, and I hope you’ll enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices
undefined
Jul 16, 2012 • 59min

Paul Friedland, “Seeing Justice Done: The Age of Spectacular Capital Punishment In France” (Oxford University Press, 2012)

It seems safe to say that the guillotine occupies a macabre place in the popular imagination among the icons of France’s transition to modernity–perhaps stashed somewhere in between idealized barricades or lurking on one chronological flank of the Eiffel Tower. The guillotine’s mechanization of official killing was instrumental in carrying out the thousands of executions that made the Terror what it was. Depictions of the revolutionary period often put the guillotine at center stage: atop a platform with a raucous audience at its feet and some noble man or woman about to put on–with the executioner’s aid–the finale to their ordeal. The guillotine is also often taken as a token of France’s human rights enlightenment. It made execution swift and supposedly painless.Such characterizations miss an essential point: The guillotine was meant to make execution disappear. France’s republican founders sought efficiency and discretion in carrying out what they saw as a necessary evil. They had come to view execution as a sort of ultimate banishment, and not as an opportunity for an object lesson. It was a tool for getting rid of people–the quicker and quieter, the better. In fact, the French government finally put an end to public executions in 1939 when one particular guillotine collided with photo journalism. No matter how speedy the blade, the shutter was faster.Historian Paul Friedland concludes his rich and expansive new book, Seeing Justice Done: The Age of Spectacular Punishment in France (Oxford University Press, 2012), by drawing back the curtain on this aspect of the guillotine’s past. Even more importantly, moreover, Friedland demonstrates that modern preoccupations with exemplary deterrence as a justification for punishment have led to distortions in how we understand public executions as they happened in the past. He begins his study in the medieval period, where he observes that public executions functioned mainly as rituals for repairing damage to the social fabric. He then follows the thread over half a millennium, tracing many evolutions in attitudes and practice, but never finding deterrence theory at work quite as some commentators have.Paul Friedland is an affiliate of the Minda de Gunzburg Center for European Studies at Harvard University and a fellow of the Shelby Cullom Davis Center for Historical Studies at Princeton University (2011-2012). Learn more about your ad choices. Visit megaphone.fm/adchoices
undefined
Jun 29, 2012 • 43min

Elizabeth Goldsmith, “The King’s Mistresses” (PublicAffairs, 2012)

As Elizabeth Goldsmith writes in The King’s Mistresses: The Liberated Lives of Marie Mancini, Princess Colonna, and Her Sister Hortense, Duchess Mazarin (PublicAffairs, 2012), the Mazarin sisters were “arguably the first media celebrities.” Upon their arrival at Louis XIV’s Court of Versailles, the sisters made a splash when Marie and the young King promptly fell in love. Ultimately, the couple’s relationship– which climaxed with a forced separation and Marie’s confinement in a convent– reads like something out of Shakespeare.Forced into advantageous mismatches that were, at turns, oppressive and abusive, the sisters jumped back into public view when Hortense, donning men’s clothing and making use of the new post coach service, left her husband and took to the road. Marie promptly joined her.At a time when it was borderline scandalous for women to travel unaccompanied by men, much less divorce them, the sisters darted about Europe, seeking refuge from the husbands who actively pursued them. The story of their escape seemed like something out of a novel and, for years, the whole of Europe was riveted. As Goldsmith writes, the sisters were “admired by libertines, feminists and free-thinkers but viewed by others as frivolous at best and threats to civil society at worst.”Both women penned memoirs, with that of Hortense being the first memoir written to which a woman signed her name. What is perhaps most striking about the sisters now is how brazenly unapologetic they were. As Hortense writes: “I know that a woman’s glory lies in her not giving rise to gossip, but one cannot always choose the kind of life one would like to lead.” She and her sister landed lives of adventure. Learn more about your ad choices. Visit megaphone.fm/adchoices
undefined
Jun 1, 2012 • 43min

Sally Bedell Smith, “Elizabeth the Queen: The Life of a Modern Monarch” (Random House, 2012)

The second-longest reigning British Monarch, Queen Elizabeth II has always remained an elusive figure, a monumental accomplishment given the media attention focused upon her family. In her new book, Elizabeth the Queen: The Life of a Modern Monarch (Random House, 2012), Sally Bedell Smith peels back the layers of mystique to reveal the very shy woman who is the current Queen. It isn’t so much a dismantling as a reevaluation, an effort to appreciate a figure who– though part of an institution that is seen by some as vestigial– is nonetheless deeply impressive and truly beloved.Smith interviewed over 200 people, 160 of whom are on the record as the queen’s relatives and friends–a fact that suggests that the 40 individuals who opted for anonymity are even grander higher ups. Though the book is not “authorized,” it carries significant clout. Buckingham Palace also offered Smith limited access to the Queen, so the author could see her subject in action and play witness to her quiet charm. That’s the biggest stamp of approval for which a royal writer can hope.Like many royal biographies, Elizabeth the Queen is filled with small, gossipy tidbits. We learn what the Queen eats for breakfast and what she carries in her ubiquitous handbag. But Smith also offers substantive insight into the less examined areas of the queen’s life, in particular her religious faith, her life pre-ascension and her relationship with the Queen Mother. The end result is a lively portrait of a hard-working woman who, in her own way, has represented “a new Elizabethan age.” Learn more about your ad choices. Visit megaphone.fm/adchoices

The AI-powered Podcast Player

Save insights by tapping your headphones, chat with episodes, discover the best highlights - and more!
App store bannerPlay store banner
Get the app