The Chosŏn dynasty of Korea enjoyed generally peaceful and stable relations with Ming China, a relationship that was carefully cultivated and achieved only through the strategic deployment of cultural practices, values, and narratives by Chosŏn political actors. Boundless Winds of Empire: Rhetoric and Ritual in Early Chosŏn Diplomacy with Ming China (Columbia UP 2023) explores this history, rethinking how we understand Sino-Korean relations.  Boundless Winds of Empire is detailed, rich, and filled with a fascinating range of sources, including poetry, travelogues, epistolary writings, and literary anthologies. Sixiang Wang deftly weaves together these sources, highlighting the key role envoys played in shaping diplomatic strategy, the agency of Chosŏn officials, and the contested nature of the Ming empire.The 2024 winner of the UC Berkeley Hong Yung Lee Book Award in Korean Studies, this book should appeal to those interested in Chinese and Korean studies, international relations, premodern history, and anyone who has ever struggled to understand political rhetoric (this book will show you what can be done if you take it seriously).   Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the most famous rulers in Chinese history, the Yongle emperor (r. 1402–24) gained renown for constructing Beijing’s magnificent Forbidden City, directing ambitious naval expeditions, and creating the world’s largest encyclopedia. What the Emperor Built: Architecture and Empire in the Early Ming (U Washington Press, 2020) is the first book-length study devoted to the architectural projects of a single Chinese emperor.Focusing on the imperial palaces in Beijing, a Daoist architectural complex on Mount Wudang, and a Buddhist temple on the Sino-Tibetan frontier, Aurelia Campbell demonstrates how the siting, design, and use of Yongle’s palaces and temples helped cement his authority and legitimize his usurpation of power. Campbell offers insight into Yongle’s sense of empire—from the far-flung locations in which he built, to the distant regions from which he extracted construction materials, and to the use of tens of thousands of craftsmen and other laborers. Through his constructions, Yongle connected himself to the divine, interacted with his subjects, and extended imperial influence across space and time.Spanning issues of architectural design and construction technologies, this deft analysis reveals remarkable advancements in timber-frame construction and implements an art-historical approach to examine patronage, audience, and reception, situating the buildings within their larger historical and religious contexts.Noelle Giuffrida is a professor and curator of Asian art at the School of Art and the David Owsley Museum of Art at Ball State University. Email: ngiuffrida@bsu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Examining the interplay of religion, history, and literature through a case study of King Krsnadevaraya's celebrated Telugu poem Āmuktamālyada, Ilanit Loewy Shacham showcases the groundbreaking worldview that this often-overlooked poem embodies. Krsnadevaraya (r.1509-1529) ruled over the Vijayanagara Empire during its heyday, and his monumental poem situates all power and authority not in the imperial center, but in the villages and temples at the empire's outskirts; not in the royal court, but in a religious community - a worldview radically different from how literary and political histories portray the king and his empire.Empire Inside Out explores the Āmuktamālyada as a reflection of one of South Asia's most culturally complex periods, highlighting its rich religious, political, historical and ethnographic detail. Moreover, Loewy Shacham examines the Āmuktamālyada as the work of a king imparting personal insights on empire, kingship, and individuality - specifically, that it is possible to be unbounded by the institution of kingship that he himself embodies. This book demonstrates that Krsnadevaraya's text connects the imperial domain to the village and temple settings, and to the south Indian community of Srivaisnava devotees-and indeed that it situates the source of authority and power not in the royal court but in the margins, where Srivaisnavism originated, giving the far Tamil south a central role in its imperial vision.Employing close textual analysis of the Āmuktamālyada, supplemented by a rich corpus of texts in different languages and genres, Empire Inside Out illuminates a piece of literature that has been fairly neglected, owing to the particularized linguistic and literary training required. The core of the book is based in the historical context of sixteenth-century Vijayanagara, from which it moves to the various pasts that helped shape the Āmuktamālyada, and to our contemporary times and the use of the text in constructing (at times rewriting) history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Shakespeare Unlearned: Pedantry, Nonsense, and the Philology of Stupidity (Oxford UP, 2024) dances along the borderline of sense and nonsense in early modern texts, revealing overlooked opportunities for understanding and shared community in words and ideas that might in the past have been considered too silly to matter much for serious scholarship. Each chapter pursues a self-knowing, gently ironic study of the lexicon and scripting of words and acts related to what has been called 'stupidity' in work by Shakespeare and other authors. Each centers significant, often comic situations that emerge -- on stage, in print, and in the critical and editorial tradition pertaining to the period -- when rigorous scholars and teachers meet language, characters, or plotlines that exceed, and at times entirely undermine, the goals and premises of scholarly rigor. Each suggests that a framing of putative 'stupidity' pursued through lexicography, editorial glossing, literary criticism, and pedagogical practice can help us put Shakespeare and semantically obscure historical literature more generally to new communal ends. Words such as 'baffle' in Twelfth Night or 'twangling' and 'jingling' in The Tempest, and characters such as Sir Andrew Aguecheek and Holofernes the pedant, might in the past have been considered unworthy of critical attention -- too light or obvious to matter much for our understanding of Shakespeare and his contemporaries. Adam Zucker's meditation on the limits of learnedness and the opportunities presented by a philology of stupidity argues otherwise.Adam Zucker is a faculty member in the English Department at the University of Massachusetts Amherst, where he teaches courses on Shakespeare and other 16th and 17th Century authors. In addition to Shakespeare Unlearned (Oxford University Press, 2024), he is the author of The Places of Wit in Early Modern English Comedy (Cambridge University Press, 2011) and the co-editor of essay collections Historical Affects and the Early Modern Theater (Routledge, 2015); and Localizing Caroline Drama: Politics and Economics of the Early Modern English Stage, 1625-1642 (Palgrave Macmillan, 2006). Adam lives in Northampton, MA with his family, where he plays loud twangling instruments in the bands Outro, Bring It to Bear, The Young Old, and The Father Figures. Learn more about your ad choices. Visit megaphone.fm/adchoices

The current rise of nationalism across the globe is a reminder that we are not, after all, living in a borderless world of virtual connectivity. In Nationalism: A World History (Princeton UP, 2024), historian Eric Storm sheds light on contemporary nationalist movements by exploring the global evolution of nationalism, beginning with the rise of the nation-state in the eighteenth century through the revival of nationalist ideas in the present day. Storm traces the emergence of the unitary nation-state--which brought citizenship rights to some while excluding a multitude of "others"--and the pervasive spread of nationalist ideas through politics and culture.Storm shows how nationalism influences the arts and humanities, mapping its dissemination through newspapers, television, and social media. Sports and tourism, too, have helped fashion a world of discrete nations, each with its own character, heroes, and highlights. Nationalism saturates the physical environment, not only in the form of national museums and patriotic statues but also in efforts to preserve cultural heritage, create national parks, invent ethnic dishes and beverages, promote traditional building practices, and cultivate native plants. Nationalism has even been used for selling cars, furniture, and fashion.By tracing these tendencies across countries, Storm shows that nationalism's watershed moments were global. He argues that the rise of new nation-states was largely determined by shifts in the international context, that the relationships between nation-states and their citizens largely developed according to global patterns, and that worldwide intellectual trends influenced the nationalization of both culture and environment. Over the centuries, nationalism has transformed both geopolitics and the everyday life of ordinary people. Learn more about your ad choices. Visit megaphone.fm/adchoices

At the end of the American Revolution, Elizabeth Freeman was an enslaved widow and mother living in Massachusetts. Hearing the words of the new Massachusetts state constitution which declared liberty and equality for all, she sought the help of a young lawyer named Theodore Sedgwick, later Speaker of the House and one of America's leading Federalist politicians. The lawsuit that she and Sedgwick pursued would bring freedom to her and her daughter, as well as thousands of other enslaved people.After leaving her enslaver's family to work for the family of Theodore Sedgwick, she effectively became the foster mother to his seven children when his wife Pamela became a chronic invalid, enabling Sedgwick to pursue his political career. Two of his sons would credit her with saving their lives. His daughter Catharine Maria Sedgwick, one of the most famous female novelists of the early decades of the nineteenth century, would make her the model for one of her most celebrated heroines. A Revolutionary Woman: Elizabeth Freeman and the Abolition of Slavery in the North (McFarland, 2024) details Elizabeth Freeman's life and the far-reaching influence of her battle for freedom. Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of the driver is the story of Atlantic slavery. Starting in the seventeenth-century Caribbean, enslavers developed the driving system to solve their fundamental problem: how to extract labor from captive workers who had every reason to resist. In this system, enslaved Black drivers were tasked with supervising and punishing other enslaved laborers.In The Driver’s Story: Labor and Power in the World of Atlantic Slavery (U Pennsylvania Press, 2024), Randy M. Browne illuminates the predicament and harrowing struggles of these men―and sometimes women―at the heart of the plantation world. What, Browne asks, did it mean to be trapped between the insatiable labor demands of white plantation authorities and the constant resistance of one’s fellow enslaved laborers?In this insightful and unsettling account of slavery and racial capitalism, Browne shows that on plantations across the Americas, drivers were at the center of enslaved people’s working lives, social relationships, and struggles against slavery. Drivers enforced labor discipline and confronted the resistance of their fellow enslaved laborers, aiming to maintain a position that helped them survive in a world where enslaved people were treated as disposable. Drivers also protected the people they supervised, negotiating workloads and customary rights to essentials like food and rest with white authorities. Within the slave community, drivers helped other enslaved people create a sense of belonging, as husbands and fathers, as Big Men, and as leaders of diasporic African “nations.” Sometimes, drivers even organized rebellions, sabotaging the very system they were appointed to support.Compelling and original, The Driver’s Story enriches our understanding of the never-ending war between enslavers and enslaved laborers by focusing on its front line. It also brings us face-to-face with the horror of capitalist labor exploitation. Learn more about your ad choices. Visit megaphone.fm/adchoices

There is no shortage of Black characters in Miguel de Cervantes’s works, yet there has been a profound silence about the Spanish author’s compelling literary construction and cultural codification of Black Africans and sub-Saharan Africa. In Cervantine Blackness (Penn State UP, 2024), Nicholas R. Jones reconsiders in what sense Black subjects possess an inherent value within Cervantes’s cultural purview and literary corpus. In this unflinching critique, Jones charts important new methodological and theoretical terrain, problematizing the ways emphasis on agency has stifled and truncated the study of Black Africans and their descendants in early modern Spanish cultural and literary production. Through the lens of what he calls “Cervantine Blackness,” Jones challenges the reader to think about the blind faith that has been lent to the idea of agency—and its analogues “presence” and “resistance”—as a primary motivation for examining the lives of Black people during this period. Offering a well-crafted and sharp critique, through a systematic deconstruction of deeply rooted prejudices, Jones establishes a solid foundation for the development of a new genre of literary and cultural criticism. A searing work of literary criticism and political debate, Cervantine Blackness speaks to specialists and nonspecialists alike—anyone with a serious interest in Cervantes’s work who takes seriously a critical reckoning with the cultural, historical, and literary legacies of agency, antiblackness, and refusal within the Iberian Peninsula and the global reaches of its empire. Learn more about your ad choices. Visit megaphone.fm/adchoices

A masterful narrative history of the dangerous lives of pirates during the seventeenth and eighteenth centuries, revealing their unique impact on colonialism and empire.The pirates that exist in our imagination are not just any pirates. Violent sea-raiding has occurred in most parts of the world throughout history, but our popular stereotype of pirates has been defined by one historical moment: the period from the 1660s to the 1730s, the so-called "golden age of piracy."A groundbreaking history of pirates, Enemies of All: The Rise and Fall of the Golden Age of Piracy (Pegasus Books, 2024) combines narrative adventure with deeply researched analysis, engrossing readers in the rise of piracy in the later seventeenth century, the debates about piracy in contemporary law and popular media, as well as the imperial efforts to suppress piracy in the early eighteenth century.The Caribbean and American colonies of Britain, France, Spain, and the Netherlands—where piracy surged across these decades—are the main theater for Enemies of All, but this is a global story. Evoking London, Paris, and Amsterdam, Curaçao, Port Royal, Tortuga, and Charleston, the narrative takes readers, too, from Ireland and the Mediterranean to Madagascar and India, from the Arabian Gulf to the Pacific Ocean.Familiar characters like Drake, Morgan, Blackbeard, Bonny and Read, Henry Every, and Captain Kidd all feature here, but so too will the less well-known figures from the history of piracy, their crew-members, shipmates, and their confederates ashore; the men and women whose transatlantic lives were bound up with the rise and fall of piracy.Transforming how readers understand the history of pirates, Enemies of All presents not only the historical evidence but, more importantly, explains the consequences of piracy's unique influence on colonialism and European imperial ambitions. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild.Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution.Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices