New Books in Early Modern History

Panel painters in both the middle ages and the fifteenth century created works that evoke the luster of precious stones, the sheen of polished gold and silver, and the colorful radiance of stained glass. Yet their approaches to rendering these materials were markedly different. In The Varnish and the Glaze: Painting Splendor with Oil, 1100–1500 (U Chicago Press, 2023), Dr. Marjolijn Bol explores some of the reasons behind this radical transformation by telling the history of the two oil painting techniques used to depict everything that glistens and glows—varnish and glaze. For more than a century after his death, the fifteenth-century painter Jan van Eyck was widely credited with inventing varnish and oil paint, on account of his unique visual realism. Once this was revealed to be a myth, the verisimilitude of his work was attributed instead to a new translucent painting technique: the glaze. Today, most theories about how Van Eyck achieved this realism revolve around the idea that he was the first to discover or refine the glazing technique. Bol, however, argues that, rather than being a fifteenth-century refinement, varnishing and glazing began centuries before. Drawing from an extensive body of recipes, Dr. Bol pieces together how varnishes and glazes were first developed as part of the medieval art of material mimesis. Artisans embellished metalwork and wood with varnishes and glazes to imitate gold and gems; infused rock crystal with oil, resin, and colorants to imitate more precious minerals; and oiled parchment to transform it into the appearance of green glass. Likewise, medieval panel painters used varnishes and glazes to create the look of enamel, silk, and more. The explorations of materials and their optical properties by these artists stimulated natural philosophers to come up with theories about transparent and translucent materials produced by the earth. Natural historians, influenced by medieval artists’ understanding of refraction and reflection, developed theories about gems, their creation, and their optical qualities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Erin Maglaque's new book Presence: A Hidden History of the Female Body (Astra House, 2026), is a work of early modern history and an account of what it is like to study the past as an embodied person. Having been trained as to disregard the physical self when writing history, Maglaque's worldview completely shifted following the birth of her child. What might it mean to instead, "find a way to write that flowed from the body?" Presence is her answer. The book draws from a vast array of archival and printed sources to illustrate the realities of women's physical experiences in early modern Europe, from eating, pregnancy, abortion, birth, nursing, sleeping, working, and dying. Maglaque intersperses her historical narrative with personal accounts, demonstrating the ways in which studying the past can impact our lives today. For anyone interested in women's history, the history of labor, early modern health and medicine, or simply the purpose and potential of historical study, Presence is the book to read. Erin Maglaque is a historian of early modern Europe and gender. She teaches at Durham University and writes for publications including the London Review of Books, The New York Review of Books, and The New York Times Book Review. Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. Learn more here Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Romanticism made Scotland famous. It critically shaped the course of Scottish culture, while impacting on cultures elsewhere and inaugurating the country’s still-flourishing and lucrative tourist industry. This book is about Edinburgh’s most emblematic architecture over the long 19th century: the castellated and stone built cityscape of national revivalist architecture. It reveals why Scotland had by the 1820s become one of Europe’s great centres of Romanticism, due both to the majestic Highlands, and to Edinburgh itself as city of Romanticism. Additionally, Edinburgh developed as the main centre and hub for travellers drawn to Romantic Scotland through the work of James ‘Ossian’ Macpherson and Sir Walter Scott: visitors including Schinkel, Mozart, Verne, Turner, Haydn, amongst innumerable others. Edinburgh: City of Romanticism (Lund Humphries, 2026) by Dr. Aonghus MacKechnie also provides a long-overdue counterbalance to the contrastingly much-examined and much-published topic of Enlightenment Edinburgh, showing how this and Romantic Edinburgh have comfortably co-existed. It examines how Edinburgh’s Romanticism was similarly driven by intellectuals, amongst whom were Enlightenment figures and artistically talented individuals, and it discusses the legacy of those who contributed to the Romantic cityscape of today; an architecture that provides much of the character of the UNESCO-designated World Heritage Site and of the city that countless tourists come daily to see. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

After mounting London’s outdoor pulpit known as St. Paul’s Cross on 8th December, 1588, Anthony Tyrrell found himself perched before a skeptical audience. He stood in the shadow of St. Paul’s Cathedral to declare his recantation of Catholicism and return to England’s official Protestant Church. The trouble was he had been there before – in January of the same year, in fact – to do the same thing. On that occasion, however, he had shocked on-lookers by delivering an anti-Protestant tirade instead of his promised recantation. How could Tyrrell, a serial convert, who eventually changed church affiliation as many as ten times, overcome the doubts of his suspicious audience? Tyrrell and similar converts who made multiple conversions understandably aroused suspicions of hypocrisy that made the performative character of public recantation troublingly evident. Yet as Holly Pickett argues in The Drama of Serial Conversion in Early Modern England (University of Pennsylvania Press, 2024), these performative elements are actually indispensable to any conversion, whether an individual’s first or fifteenth. Serial converts served as uncomfortable reminders to their contemporaries that religious identity is always unverifiable. The first study to explore serial conversion as a discrete phenomenon in this era, The Drama of Serial Conversion in Early Modern England challenges confessional divisions within much early modern historiography by analyzing the surprising convergence of Protestant and Catholic in the figure of the serial convert. It also reveals a neglected strain of religious discourse in early modern England that valued mutability and flexibility even in the midst of hardening and increasingly narrow understandings of conversion. Michael Shaw is a PhD student in Historical Theology at Union College, Belfast, and a Visiting Tutor at the Irish Baptist College. His research focuses on the thought of the Independent Puritan theologian Jeremiah Burroughs (1599–1646). His primary research interests lie in historical theology, particularly early modern Baptist and Congregationalist theology and ecclesiology. He also serves as the Associate Pastor at Strandtown Baptist Church, Belfast. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Mexico City was America's largest city in the seventeenth century – a genuine metropolis. In American Metropolis: The Making of Mexico City (Cambridge University Press, 2026), Dr. Tatiana Seijas reveals a rich tapestry of stories about essential workers who remade and transformed the city during this period. Her narrative style carries readers to a unique place and time with residents from around the world who sold food, facilitated transportation, provided care, and valued the city's silver. Free and enslaved people from Africa and Asia, immigrants, and Native Americans pursued opportunities in a wealthy, yet deeply unequal environment, where working people claimed parts of the city for themselves. They carved out spaces to create new businesses and protect their livelihoods, altering the cityscape itself in the process. American Metropolis brings Mexico City to life from the perspective of the working people who transformed this early modern metropolis. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Drawing from local archives alongside national and international records, War and Governance in Scotland, 1543-1559: Destruction, Reconstruction and Reform (Edinburgh UP, 2026) by Dr. Amy Blakeway argues that warfare was the defining feature of government and politics in Scotland for the two decades following the death of James V. It demonstrates that beyond the direct effects of invasion, the need to raise unprecedented taxation, as well as warfare’s secondary consequences, such as plague and price inflation, disrupted communities throughout Scotland, engendering enhanced social control. These effects endured for many years after the peace of 1550: new laws were passed to manage those who had collaborated with the invaders and taxation remained high.The post-war decade was one of reconstruction, and it was this which drove religious reformation in 1559-60. The book shows that appreciating the scale of the crown’s ambition places the Scottish state’s development closer to that of its European counterparts. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today’s guest, Caro Pirri, is the author of Colonial Failure and Theatrical Form in Early Modern England: Stages of Unsettlement (Oxford University Press, 2025). This book explores how early modern colonial travel writing informed the London theater’s spatial and placemaking conventions. It suggests that what the stage found most compelling about narratives of colonial settlement was their failure to claim interpretive control over unfamiliar places and people. The book goes on to link colonial misreadings of places and people to theatrical strategies for staging disorientation, which Pirri characterizes as a condition of “unsettlement.” Each chapter focuses on a specific formal device that emerged from colonial misreadings: “uncommonplacing” in Richard Hakluyt’s travel compendium; metonymic possession in Christopher Marlowe’s Tamburlaine; “seasoning” in Ben Jonson’s city comedies; “stagewreck” in Shakespeare’s The Tempest; and “stagework” in the Lord Mayor’s Shows. By approaching form as an interpretive process that is always engaged in the act of making and being made, Colonial Failure and Theatrical Form offers a model for reading past the seeming impasses of colonial narratives. It shows how narratives of failed settlement served as a productive resources for the formal worldmaking conventions of early modern theater. Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

For centuries, many of the world’s most influential thinkers relied on helpers who performed tasks such as taking dictation, correcting, indexing, composing, and endless copying. In the Scholar’s Workshop: Hidden Histories of Collaboration and Authorship (Princeton UP, 2026) introduces readers to these unsung scribes, assistants, and collaborators, showing how the scholarly enterprise is rarely as solitary as we tend to think. Dr. Blair traces how the learned have relied on helpers since antiquity, discussing how and when these amanuenses became visible in manuscript and occasionally in print and explaining why they were uniquely positioned to shape the posthumous legacy of their principal. Taking an in-depth look at the later Renaissance, she reconstructs the private lives and academic pursuits of leading figures from the period such as the renowned humanist Erasmus, the reformer Martin Bucer, and Paris professors Adrien Turnèbe and Petrus Ramus. Dr. Blair paints multifaceted portraits of the servants, students, and family members who assisted in their work, drawing on sources ranging from scholarly texts in both draft and published forms to correspondence, annotations, biographical accounts, and household rules. Panoramic in scope, In the Scholar’s Workshop challenges conventional views about authorship and attribution while affirming the enduring importance of collaboration in scholarly work today. Guest: Dr. Ann Blair is the Carl H. Pforzheimer University Professor in the Department of History at Harvard University. Her books include Too Much to Know: Managing Scholarly Information Before the Modern Age and (with Paul Duguid, Anja-Silvia Goeing, and Anthony Grafton) Information: A Short History. Host: Dr. Christina Gessler is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Once Upon A Tome The World She Edited Monsters in the Archives Your Art Will Save Your Life The Artists Joy Becoming The Writer You Already Are The Other Side of the Desk Reflection in Motion Working with Academic Librarians Archival Etiquette The AI Mirror Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Henry VIII is England’s most famous king. He is simultaneously the virtuous Renaissance prince gone wrong, the psychopathic, paranoid tyrant, the religious disruptor and the much-married glutton. Overlord: The Life and Reign of Henry VIII (Birlinn, 2026) is a groundbreaking study of Henry’s life examines and destroys many of the long-repeated myths about this complex monarch: he was not particularly gluttonous, not particularly prudish, and not particularly messy in his religious changes. Nor did he see himself as simply King of England. Drawing on archival sources from across the British Isles, Dr. Steven Veerapen reveals how Henry fashioned an image of himself as a law-abiding and benevolent emperor who dreamed of uniting England, Scotland, Ireland, Wales and swathes of France under Tudor rule. Yet the image was false and the dream a nightmare for his queens, his ministers and many of his subjects. This new portrait shows Henry for what he really was: a self-aggrandising actor who, by fair means and foul – murder plots, marriage negotiations and military ventures – did all he could to realise his imperial fantasy. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Empire and Frontier: Colonel Peter Schuyler and the Valiant Iroquois in King William's War: 1689-1701 (Pegasus Books, 2026) by Samuel Marquis presents a powerful episode of early American history, revealing the very human story of friendship and alliance between Colonel Peter Schuyler and the Iroquois during King William’s War (1689–1701). Like Philbrick’s Mayflower and Gwynne’s Empire of the Summer Moon, this new book reveals how fragile alliances and cross-cultural diplomacy changed the course of empires in North America. At the heart of the book is Peter Schuyler, a Dutch-American mayor of Albany, Indian Affairs commissioner, and militia colonel who earned deep trust among the Iroquois. Decades ahead of his time in his respect for Native diplomacy and sovereignty, Schuyler helped forge and sustain a fragile alliance between English colonists and the Haudenosaunee (Five Nations of the Iroquois) during a decade of brutal warfare. That alliance, known as The Covenant Chain, not only blocked French ambitions in the region, but also shaped the political and military landscape of the American frontier for the next one hundred years. Told through multiple perspectives, the book also follows two unforgettable Indigenous figures during the conflict. Lawrence, a Mohawk war captain, serves as Schuyler’s compatriot on the battlefield, working for and navigating the survival of his people. Hilletie van Olinda, a biracial Mohawk-Dutch woman, becomes a key translator and diplomatic go-between, using her language skills and cultural fluency to mediate between the Iroquois and English. Across a decade of war, espionage, and political intrigue—from the 1689 Leisler’s Rebellion and 1690 Schenectady Massacre to the climactic Grand Settlement of 1701—these intertwined stories reveal the human cost and political complexity behind one of early America’s most consequential alliances. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.