Stack Magazines

"The future is always contested..." Casper Skovgaard Petersen is editorial manager of Scenario, the quarterly magazine produced by the Copenhagen Institute for Futures Studies. As you’d expect, he has a lot to say about the various possible futures we might have waiting for us, and in this episode he speaks about the different techniques they use at the institute, challenging dominant narratives to look beyond what seems to be obvious or self-evident, and how they use those same techniques editorially in producing the magazine.

"I think it's striving for... the America we hope we can be." Hannah Hirsh and Natasha Rao are two of the editors behind American Chordata, the literary and arts magazine that recently published its 10th issue, and which we sent to our subscribers in September. It’s always been operated by volunteers as a labour of love, with the team constantly changing, and Hannah and Natasha took over part of the way through the making of this latest issue. In this episode they speak about that process, what they have planned for the future, and what they see as the overall mission of American Chordata today.

"We have a sane business model... you don't spend more than you have coming in." Matt Bors is editor and founder of The Nib, the magazine that uses comics to tell stories about some of the big, serious issues facing the world. The magazine launched online first, as one of the sites that were part of Medium in its early days, and in this conversation he explains how that relationship came to an end, and how he ended up working with First Look Media, another company with lots of money to spend, and how that also came to an end as their priorities shifted. These days Matt is running the whole thing entirely independently on what he calls a “sane business model”, funded by his readers, and I was really interested to hear his thoughts on the experience of working with those big, wealthy partners, compared to the business he runs today.

"It really is like getting a tattoo; for better, for worse..." Asher Penn is the editor and founder of Sex Magazine, a title that publishes brilliantly personal Q&A interviews with artists, musicians, filmmakers and other creative people (and no sex). In this conversation Asher explains how the magazine has evolved over the years, and how he has developed his characteristic style, which draws upon his interviewees’ life experiences as a way to understand their creative output.

"I didn't want to only do one thing..." Bardia Koushan is editor and art director of Autodidact, the magazine that brings together work by a wide range of artists and creative people. The second issue came out a few weeks ago, themed around the idea of mistakes, and I really enjoyed speaking to him about the different types of mistakes they included, and particularly the mistakes he made while making the issue. I love it when magazine makers speak openly about the pitfalls of publishing, and as he says, “You can’t make an issue on mistakes and not embrace it yourself.”

"The bathing community is something special – if you know you know..." Ekin Balcioglu and Steve Weiner are the founding editors of Hamam, a new magazine that celebrates the art and culture of bathing. Inviting readers inside the world’s bath houses, saunas and hot springs, they're clearly having fun in their new role as bathing ambassadors, but there's something else going on here too. It’s hinted at in Hamam’s strapline, “The magazine of letting go”, and I was interested to hear how this magazine taps into their spiritual beliefs as well as a pursuit of freedom, openness and equality.

"It's so Fare to be going to the grandmother's kitchen..." Ben Mervis is editor-in-chief of Fare, the magazine that travels to a different city each issue to report on the food culture it finds there. For their latest issue they went off to Antwerp in Belgium, and as he explains, they completed their trips to the city by the start of March, just before coronavirus restrictions kicked in. But with COVID-19 severely limiting the travel and hospitality industries for the foreseeable future, they have made dramatic changes to the magazine to make sure they will be able to keep on publishing over the coming months.

"What happens when London prices out every artist?" Lucy Fowler is editor and art director of Mind the Gap, the magazine she made as part of her fashion journalism course at Central Saint Martin’s in London. Frustrated by the inequalities she found in Britain's creative industries, she wanted to showcase some of the unsung artists, designers, musicians and other creative people found outside the London bubble, and the result is a brilliantly fun and impassioned piece of independent publishing.

"We want writers to see us publishing work that might not be published elsewhere..." Jules Danskin and Heather Parry are the managing director and editorial director of Extra Teeth, a literary magazine that publishes great new writing from Scotland. They sent us copies of their first two issues recently and I was really impressed not just by the quality but also the range of the writing, and as you’ll hear during our conversation, part of their motivation in making the magazine is to challenge and redefine what Scottish writing really is – there’s a clear ambition to look beyond what they call the highlands and islands and Edinburgh noir, and find something else.

This year’s Indiecon festival took place in Hamburg from 5–6 September, bringing people together from all over Europe for a brilliantly defiant (but still socially distanced) celebration of print. This special episode of the podcast was recorded at Indiecon by Nina Prader from Lady Liberty Press, and features the people behind Alien magazine (Portugal), Club Sandwich (France), C/O Vienna (Austria) and Word (Germany).