Stack Magazines

Pylot is the analogue photography magazine that promises to never retouch its images for beauty. With the latest issue hitting shelves right now, editor Max Barnett and fashion director Patricia Villirillo stopped by to talk about why analogue is so important to them, what they've learned along the way, and why there's more to their magazine than meets the eye. (Also featuring a special guest appearance by a helicopter hovering above Somerset House.)

There are loads of really great music magazines out there, so how do you make one that stands out from the crowd? Liv Siddall's solution was to make a music magazine without commissioning a single music writer – instead she turns to the bands themselves and the staff at the Rough Trade record shops to create a totally unique title that's packed full of fun and idiosyncratic charm.

Cereal is the travel and style magazine renowned for its beautiful minimalism, and with the latest issue founders Rosa Park and Rich Stapleton have introduced their most substantial redesign to date. Editor-in-chief Rosa stopped in at the Stack office to speak about the sense of confidence that underpins the redesign, and the very many other projects currently coming out of the Cereal office.

Last week Giovanni Marchini Camia flew over to London to present Fireflies magazine as part of our Magazines at the Movies event. He's normally based in Berlin, so I took advantage of him being around to grab him for a quick podcast chat before the event started. He spoke about his arts-inspired movie magazine, creating a new vocabulary for speaking about film, and working remotely to make a magazine between Berlin and Melbourne.

Mixing witchcraft with feminism, Sabat magazine brings a fresh perspective to the occult. It has been brilliantly successful since it first launched a year ago, but the magazine was always conceived as a three-part project, and with the third issue out now, editor Elisabeth Krohn is calling an end to the print title. She came over to the office to speak about her reasons for making Sabat in the first place, and why now is the right time to stop.

This week we met up with Arman, Ganesha and Théodore from Eyesore to speak about their magazine dedicated to the changing face of the city. Starting as a student publication, Eyesore is now a project they and the rest of the team run outside their regular jobs, creating an alternative and artistic perspective on buildings, streets, places and spaces.

For the last 13 years, Peter Lundgren has been mixing magazines with t-shirts: each 'issue' of T-Post is a high quality, ethically produced t-shirt with a graphic on the front and a story printed inside. He runs his apparel publishing empire from Umea in northern Sweden, but we lured him down to speak at this year's EDCH conference in Munich, so I caught up with him there to record this podcast conversation and find out about how he reaches new customers, how marketing has changed over the last 13 years, and why ethical choices need to be visible.

This week we're off at the EDCH editorial design conference in Munich, where the first speaker was Peter Bil'ak from Works That Work. He spoke about his innovative design magazine that's not a design magazine, and also announced that he's going to stop publishing after issue 10. I wanted to find out more, so I grabbed him in a break, and we spoke about his aims in making the magazine, and why he's decided that the project can't go on forever.

This week's episode features bonafide magazine expert Jaap Biemans, better known as Coverjunkie. I dropped in at his home in Amsterdam and chatted with him about the phenomenon of Donald Trump as a cover star, and how the tone of Trump covers have changed now he has taken the presidency. Also, Instagram, Dutch politics, and why Jaap wishes he was really designing the news. It's a good one...

A fresh new redesign of frieze magazine hit newsstands yesterday (23 February, 2017) so I dropped into their office earlier this week to speak to the man behind the changes. David Lane is the co-founder and art director of The Gourmand magazine, and now he's bringing his expertise to bear on the contemporary arts title. In this episode he speaks about changing fonts, attention to detail, and a striking new direction for the cover of a venerable magazine.