PhotoWork with Sasha Wolf

In this non-episode, episode of PhotoWork with Sasha Wolf, Sasha and Michael give a few updates for the upcoming year but really just want to say thank you for your support of the show and wish everyone a healthy and Happy New Year. Find out more at https://photowork.pinecast.co

In this episode of Photowork with Sasha Wolf, Sasha talks with the writer director Craig Zobel about his journey from film school at the University of North Carolina School of the Arts to directing the Emmy winning HBO show, Mare of Easttown. Craig recounts some of the unexpected ways that his projects have gotten off the ground and he and Sasha wonder if some recurring themes are forever preoccupations. Sasha asks about specific shots and visual language employed in Mare of Easttown and Craig breaks down the different camera angles and shooting methods employed by him and his DP, Ben Richardson. Special thanks to Kristine Potter for introducing Sasha and Craig and for sharing her portrait of him used for this episode. https://www.zobotprojects.com https://www.instagram.com/craigzobel/ Craig Zobel is an American filmmaker and actor whose work includes music videos, film, and television. He has directed the films Compliance, Z for Zachariah, and The Hunt. On TV he has directed episodes of The Leftovers, American Gods, and Westworld. In 2021, he directed the miniseries Mare of Easttown on HBO. Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer Curran Hatleberg discuss his journey from studying painting in undergrad to receiving his MFA in photography at Yale. They discuss his upcoming monograph due out this spring in 2022, as well as the books he's already published, as solo monographs and in concert with his partner, the artist Cynthia Daignault. They drill down on the importance of working collaboratively, both with his photographic subjects, as well as with his wider support group. https://curranhatleberg.com https://tbwbooks.com/products/rivers-dream Curran Hatleberg received his MFA from Yale University in 2010. His work has been exhibited nationally and internationally, including recent shows at the Whitney Museum of American Art, MASS MoCA, Higher Pictures, and Fraenkel Gallery. Hatleberg has taught photography at numerous institutions, including Yale University and Cooper Union. He is the recipient of a 2020 Maryland State Arts Council Grant, a 2015 Magnum Emergency Fund grant, a 2014 Aaron Siskind Foundation Individual Photographer’s Fellowship grant, and the 2010 Richard Benson Prize for excellence in photography. Hatleberg’s work is held in various museum collections, including the Whitney Museum of American Art, SF MoMA, KADIST, the Center for Contemporary Photography, the Davison Art Center at Wesleyan University, the Williams College Museum of Art, and the Yale University Art Gallery. Lost Coast, his first monograph, was released by TBW Books in fall 2016. Somewhere Someone, a collaborative artist book with Cynthia Daignault, was released by Hassla Books in fall 2017. His second monograph, will be published by TBW Books in 2021. Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer and filmmaker Diana Markosian discuss her ICP exhibition and accompanying first monograph, Santa Barbara, published by Aperture. Diana and Sasha talk about the reconstruction of Diana's childhood both in Russia and the United States in this staged and scripted documentary style project as well as the emotional experience of revisiting some painful childhood memories. https://www.dianamarkosian.com Diana Markosian (born in Moscow, 1989) takes an intimate approach to her photography and video storytelling, in work that is both conceptual and documentary. Her projects have taken her to some of the remotest corners of the world, and have been featured in The New Yorker, Vanity Fair and Vogue Magazine. She holds a Masters of Science degree from Columbia University in New York. Her work is represented by Galerie Les Filles du Calvaire in Paris, France and Rose Gallery in Los Angeles, California. Episode Notes Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha talks with photographer, film maker and Yale MFA Senior Critic in Photography, (as well as interim Acting Director of Graduate Studies) John Pilson. They discuss John's artistic journey, how he landed at Yale as a grad student himself and the Yale graduate program as it is today. https://www.instagram.com/johnpilson/ John Pilson lives and works in Brooklyn, NYC and teaches in the Yale School of Art’s Graduate Studies in Photography Program where he is a Senior Critic. He has exhibited his work at P.S.1 Contemporary Art Center and at the Museum of Modern Art. Mr. Pilson has been an artist-in-residence at the Harvestworks Digital Media Arts Center and the LMCC World Views Program. At the Venice Biennale in 2002 he was awarded one of four prizes given to artists in the International Exhibition. Pilson was the editor for volume one of A New Nothing published by Sleeper Studio in 2021 and he is a contributor to the upcoming book, Object Lesson: The Influence of Richard Benson, to be published by Aperture in 2022. Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha and returning guest, Gillian Laub discuss her brand new book and exhibition, Family Matters, published by Aperture and on view at ICP. Gillian explains why she asked her editor, Lesley Martin, to delay the publication of the book, just how crucial it was to her to get the text right, and her fears about releasing work that was so intensely personal.  http://www.gillianlaub.com https://aperture.org/books/gillian-laub-family-matters/ Gillian Laub (born in Chappaqua, New York, 1975) is a photographer and filmmaker based in New York. She received a BA in comparative literature from the University of Wisconsin–Madison, before studying photography at the International Center of Photography, New York. Her works include the book Testimony (Aperture, 2007) and the book and HBO film Southern Rites (2015). Laub received a New York Foundation for the Arts fellowship in 2019. Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha and Magnum photographer Alessandra Sanguinetti discuss her books, On the Sixth Day and The Adventures of Belinda and Guille and the Meaning of their Enigmatic Dreams. Alessandra and Sasha discuss what informs her work, from her rural beginnings and desire to be a storyteller to illness and a moment of questioning her own abilities. https://alessandrasanguinetti.com Sanguinetti was born in New York in 1968, and brought up in Argentina where she lived from 1970 until 2003. Her interest in photography began aged 9 when she poured over her mother’s collection of books by Michael Lesy, Dorothea Lange and others. She studied Anthropology at the University of Buenos Aires and General Studies at the International Center of Photography. In 1996 she began working on a series eventually titled, On the Sixth Day, which explored the complex relationship between man and domesticated animals in the countryside in Argentina. Three years into this project, she turned her attention to two nine-year-old cousins, Belinda and Guille, whose grandmother’s farm had been the subject of Sixth Day. Sanguinetti followed the two girls’ for five years, taking pictures embarked on a life long project, collaboratively photographing the two girls as they grew up and presently as adult women. The first five years culminated in a much-acclaimed monograph, The Adventures of Belinda and Guille and the Meaning of their Enigmatic Dreams (2010). Sanguinetti is a recipient of a Guggenheim Foundation fellowship and a Hasselblad Foundation grant. Her photographs are included in public and private collections, such as the Museum of Modern Art (NY), the San Francisco Museum of Modern Art, the Museum of Fine Arts in Houston, Museum of Fine Arts, Boston. She has photographed for the The New York Times Magazine, LIFE, Newsweek, and New York Magazine and is currently based in San Francisco Sanguinetti has been a member Magnum since 2007. She is currently based in California. Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha and Photo Director Jackie Bates discuss her work with The California Sunday Magazine and Pop Up Magazine, a live magazine meant for a live audience. Sasha and Jackie also talk about some strategies for photographers to use when approaching an editor for assignment work. https://www.californiasunday.com https://www.instagram.com/popupmagazine/ JACQUELINE BATES is Photography Director of The California Sunday Magazine, which won the National Magazine Award for excellence in photography two years in a row, in 2016 and 2017, and Pop-Up Magazine. Previously, she was senior photo editor of W Magazine and worked in the photo departments of ELLE, Interview, and Wired. Bates holds an MFA in photography from the School of Visual Arts, and her work has been exhibited internationally. Find out more at https://photowork.pinecast.co

Tropical Storm Ida created some delays for us. We will be back next week. Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Tim Davis discuss his book, I'm Looking Through You, recently published by Aperture. Tim and Sasha share some of their experiences from working in Los Angeles and Tim talks about some of the different modes of working he employed for this project. http://www.davistim.com https://aperture.org/books/coming-soon/tim-davis-im-looking-through-you/ Tim Davis (born in Blantyre, Malawi) lives and works in Tivoli, New York. He received a BA from Bard College, where he teaches, and an MFA from Yale University. He has presented solo exhibitions at the Samuel Dorsky Museum of Art, SUNY New Paltz, New York; White Cube, London; Knoxville Museum of Art, Tennessee; and Museum of Contemporary Photography at Columbia College Chicago. Several monographs have been published of his work, including The New Antiquity (2010) and My Life in Politics (Aperture, 2006). He is recipient of the 2007–8 Joseph H. Hazen Rome Prize and a 2005 Leopold Godowsky Jr. Color Photography Award. Find out more at https://photowork.pinecast.co