Jane Satterfield speaks to managing editor Emily Everett about her poem “Letter to Emily Brontë,” which appears in The Common’s spring issue. Jane talks about her longstanding interest in the Brontë sisters, and why this pandemic poem is directed to Emily in particular. She also discusses letter-writing as a structure for poetry, and reads another poem published in The Common, “Totem,” which reflects on a childhood memory through more adult understanding.Jane Satterfield’s most recent book is Apocalypse Mix, which was awarded the Autumn House Poetry Prize selected by David St. John. She is the recipient of a National Endowment for the Arts poetry fellowship, the 49th Parallel Award for Poetry from Bellingham Review, the Ledbury Poetry Festival Prize, and more. New poetry and essays appear in DIAGRAM, Ecotone, Orion, Literary Matters, The Missouri Review, The Pinch, Tupelo Quarterly, and elsewhere. She is married to poet Ned Balbo and lives in Baltimore, where she is a professor of writing at Loyola University Maryland.­­Read Jane’s poems and other writing in The Common at thecommononline.org/tag/Jane-Satterfield.Read more from Jane at janesatterfield.org.The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

"Poetry gave me back a way to find my culture, my history,” says Jason Bayani while discussion his new book Locus (Omnidawn Publishing 2019), which blends memoir and poetry into a stunning exploration of fragmented identities and the Pilipinx-American experience. Drawing inspiration from hip-hop and delving into the knotted complexity of family history and relationships, Bayani is able to recover a migrant identity and experience that is often silenced and shape a confident declaration of selfhood in American culture.In my grandfather’s last daysHe wandered the rice fields alone.What was left of his mind bringing him backto what he spent his entire life building.We are the land—lupa ay buhay, land is living.When my father talks of his poverty, he presentsa bowl of rice and says, ‘Your Inangwould put one piece of fish on the table,and we would press our fingersagainst it for flavor.’ Mimicking his handscooping rice out of the bowl.— fragment from “The Low Lands”Bayani’s recommended poets and artists from the podcast: Microchips for Millions by Janice Sapigao, This is for the Mostless by Jason Magabo Perez, Souvenir by Aimee Suzara, Circa 91 by Ruby Ibarra, Patron Saints of Nothing by Randy Ribay, Insurrecto by Gina Apostol, and Anak Ko by Jay Som.Jason Bayani is an MFA graduate from Saint Mary's College, a Kundiman fellow, and works as the artistic director for the Kearny Street Workshop, the oldest multi-disciplinary Asian Pacific American arts organization in the country. His publishing credits include World Literature Today, Muzzle Magazine, and Lantern Review, among others. Jason performs regularly around the country and debuted his solo theater show "Locus of Control" in 2016 with theatrical runs in San Francisco, New York, and Austin.You can join New Books in Poetry in a discussion of this episode on Shuffle by joining here.Andrea Blythe bides her time waiting for the apocalypse by writing speculative poetry and fiction. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems created from the pages of Trader Joe’s Fearless Flyers, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She is a cohost of the New Books in Poetry podcast and is a member of the Science Fiction and Fantasy Poetry Association and the Horror Writers Association. Learn more at:www.andreablythe.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In or, on being the other woman (Duke UP, 2022), Simone White considers the dynamics of contemporary black feminist life. Throughout this book-length poem, White writes through a hybrid of poetry, essay, personal narrative, and critical theory, attesting to the narrative complexities of writing and living as a black woman and artist. She considers black social life—from art and motherhood to trap music and love—as unspeakably troubling and reflects on the degree to which it strands and punishes black women. She also explores what constitutes sexual freedom and the rewards and dangers that come with it. White meditates on trap music and the ways artists such as Future and Meek Mill and the sonic waves of the drum machine convey desire and the black experience. Charting the pressures of ordinary black womanhood, White pushes the limits of language, showing how those limits can be the basis for new modes of expression.Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Hello, this is Eric LeMay, a host on New Books in Literature, a channel on the New Books Network. Today I interview Kathleen Rooney about her new collection of poems, Where Are the Snows (Texas Review Press, 2022). The book takes its title from the famous refrain of François Villon's 15th Century poem "Ballad of the Ladies of Times Past." Like that poem, the book wonders, "Where are they?" as in "Where are the ones who came before us?"—the beautiful, the strong, the virtuous, all of them? In keeping with that long tradition, these poems offer a way to think about life's transience—its beauty, its absurdity, and of course its mortality. Allusive and associative, anti-capitalist, and unapologetically political, aligned somewhere between comedy and anger, this poetry juxtaposes the triumphs and tragedies (mostly tragedies) of our current age with those of history, and—by wondering "Where are they?"—explores the questions of where we are now and where we might be going. Join me in encountering the keen and brilliant novelist, critic, editor, and poet, Kathleen Rooney.Eric LeMay is on the creative writing faculty at Ohio University. He is the author of five books, most recently Remember Me. He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Patti Smith arrived in New York City at the end of the Age of Aquarius in search of work and purpose. What she found—what she fostered—was a cultural revolution. Through her poetry, her songs, her unapologetic vocal power, and her very presence as a woman fronting a rock band, she kicked open a door that countless others walked through. No other musician has better embodied the “nothing-to-hide” rawness of punk, nor has any other done more to nurture a place in society for misfits of every stripe.Why Patti Smith Matters (University of Texas Press, 2022) is the first book about the iconic artist written by a woman. The veteran music journalist Caryn Rose contextualizes Smith’s creative work, her influence, and her wide-ranging and still-evolving impact on rock and roll, visual art, and the written word. Rose goes deep into Smith’s oeuvre, from her first album, Horses, to acclaimed memoirs operating at a surprising remove from her music. The portrait of a ceaseless inventor, Why Patti Smith Matters rescues punk’s poet laureate from “strong woman” clichés. Of course Smith is strong. She is also a nuanced thinker. A maker of beautiful and challenging things. A transformative artist who has not simply entertained but also empowered millions.Caryn Rose can be found on Twitter and you can read her work in her newsletter. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Today’s guests are Dennis Austin Britton and Kimberly Anne Coles who have co-edited a special issue of Spenser Studies in 2021, on “Spenser and Race.” Dennis is Associate Professor of English at the University of British Columbia; his previous book Becoming Christian: Race, Reformation, and Early Modern English Romance, was published through Fordham University Press in 2014. Dennis is the former board president of the Black Heritage Trail of New Hampshire. Kim is Professor of English at the University of Maryland; she has published Religion, Reform and Women’s Writing in Early Modern England, with Cambridge University Press in 2008; and Bad Humor: Race and Religious Essentialism in Early Modern England, with the University of Pennsylvania Press in 2022. We will be discussing the impetus and contributions of this special issue, which features brilliant scholarship by Tess Grogan, Anna Wainwright, Ayanna Thompson, Melissa Sanchez, Eric Song, Urvashi Chakravarty, Ross Lerner, Andrew Hadfield, Thomas Herron, and Benedict Robinson.John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Mark Kyungsoo Bias speaks to managing editor Emily Everett about his poem “Adoption Day,” which appears in The Common’s new spring issue. Mark talks about the inspiration and process behind the poem, which looks at issues like memory, immigration, and racism in post-9/11 America, all through the lens of a family experience. Mark also discusses his approach to language, sound, line breaks, and more, and the methods and techniques he’s found helpful in revising poetry. He reads two additional poems published in The Common: “Meeting My Mother” and “Visitor.”Mark Kyungsoo Bias is the recipient of the 2022 Joseph Langland Prize from the Academy of American Poets and the 2020 William Matthews Poetry Prize. A semi-finalist for the 92Y Discovery Prize, he has been offered support from Bread Loaf, Kundiman, and Tin House. He is a recent graduate of the MFA program at the University of Massachusetts Amherst and has work published or forthcoming in The Adroit Journal, Best New Poets, The Common, PANK, Poets.org, and Washington Square Review, among other journals.­­Read Mark’s poems in The Common at thecommononline.org/tag/mark-kyungsoo-bias/Read more from Mark at markkyungsoobias.com, or follow him on Twitter at @mk_bias.The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Manan Kapoor talks about the Ghazal, the medieval Arabic poetic form which travelled to the Indian subcontinent in the 12th century and flourished there ever since. He focuses on the work of Agha Shahid Ali, the Kashmiri-American poet who perfected the art of the ghazal in the English language. Kapoor’s biography of Shahid, A Map of Longings, was published earlier this year. Particular references are made to the poem “In Arabic” from Shahid’s collection Call me Ishmael Tonight, the ghazals sung by Begum Akhtar which greatly influenced Shahid’s work, and English ghazals written by poets like Adrienne Rich which he critiqued.Manan Kapoor is an Indian writer and translator. A Map of Longings: The Life and Works of Agha Shahid Ali (Vintage, Penguin Random House India) is his latest work. His debut novel The Lamentations of a Sombre Sky was shortlisted for Sahitya Akademi’s Yuva Puruskar 2017. In 2019, he was a writer-in-residence at Sangam House Writers’ Residency. His writings have appeared in The Caravan Magazine, Boston Review, The Hindu, Stockholm Review of Literature, Scroll, The Wire, and Firstpost among others. He lives in Chandigarh.Image: “Gazelle” © 2021 Saronik Bosu (The word ‘ghazal’ and ‘gazelle’ share a root in Arabic, the poetic form compared originally to the lament of a wounded gazelle).Music used for promotional material: “Raga Kirwani” on the Sarod by Ustad Ali Akbar Khan Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Corey Ichigen Hess is an ordained Zen monk and body therapist. He lived a monastic life for many years at Sogenji Zen Monastery in Okayama, Japan. He teaches meditation classes and works with individual clients doing private embodiment process coaching sessions, Sourcepoint Therapy, Structural Integration, and Biodynamic Craniosacral therapy at his home on Whidbey Island in Langley, Washington. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Walt Whitman knew a great deal about democracy that we don’t. Most of that knowledge is concentrated in one stunning poem, Song of Myself.In Song of Ourselves: Walt Whitman and the Fight for Democracy (Harvard UP, 2021), esteemed cultural and literary thinker Mark Edmundson offers a bold reading of the 1855 poem, included here in its entirety. He finds in the poem the genesis and development of a democratic spirit, for the individual and the nation. Whitman broke from past literature that he saw as “feudal”: obsessed with the noble and great. He wanted instead to celebrate the common and everyday. Song of Myself does this, setting the terms for democratic identity and culture in America. The work captures the drama of becoming an egalitarian individual, as the poet ascends to knowledge and happiness by confronting and overcoming the major obstacles to democratic selfhood. In the course of his journey, the poet addresses God and Jesus, body and soul, the love of kings, the fear of the poor, and the fear of death. The poet’s consciousness enlarges; he can see more, comprehend more, and he has more to teach.In Edmundson’s account, Whitman’s great poem does not end with its last line. Seven years after the poem was published, Whitman went to work in hospitals, where he attended to the Civil War’s wounded, sick, and dying. He thus became in life the democratic individual he had prophesied in art. Even now, that prophecy gives us words, thoughts, and feelings to feed the democratic spirit of self Jonathan Najarian is Lecturer of Rhetoric in the College of General Studies at Boston University. He is the editor of Comics and Modernism: History, Form, Culture, a collection of essays exploring the connections between avant-garde art and comics. He is also at work on a biography of the visual artist Lynd Ward, titled The Many Lives of Lynd Ward. He can be reached at joncn@bu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry