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New Books in Poetry

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Sep 17, 2014 • 17min

Lisa Gluskin Stonestreet, “The Greenhouse” (Bull City Press, 2014)

Chapbookapalooza 2014 Lisa Gluskin Stonestreet The Greenhouse Bull City Press, 2014 In a collection that subverts sentiment even as it delves into the rich inner life of human sentimentality, Stonestreet stretches language and the reader’s expectations across the page. White space is a mind at work, parenthesis are interrogations, and prosody is the song of new life. This chapbook is must-read for anyone marching toward an unknown era of being. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
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Sep 13, 2014 • 14min

Leslie McGrath, “By the Windpipe” (ELJ Publications, 2014)

Chapbookapalooza 2014 Leslie McGrath By the Windpipe ELJ Publications, 2014 A poetry of the mind, a poetry of form, a poetry of sound? McGrath’s verse resists a container– it springs up organically from human impulse and psyche. By the Windpipe is a collection, years in the making and guided by a brilliant and deliberate hand. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
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Sep 11, 2014 • 13min

Yu Han Chao, “One Woman Fruit Stand” (Imaginary Friend Press, 2014)

Chapbookapalooza 2014 Yu Han Chao One Woman Fruit Stand Imaginary Friend Press, 2014 Stunning and startling imagery carry this collection of fruit, bearing, and creation through to the final line, “…and life will never be the same again.” This is a journey of place, of memory, and the human capacity to find meaning in every crack and fissure of life. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
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Sep 8, 2014 • 14min

Dan Brady “Cabin Fever/Fossil Record” (Flying Guillotine Press, 2014)

Chapbookapalooza 2014 Dan Brady Cabin Fever/Fossil Record Flying Guillotine Press, 2014 Modeled after Eugene Leroy’s layered paintings, these poems assemble and dissemble themselves right before the reader’s eyes. This is an exciting form that complicates the content of what we say and what lies just below the surface of our intent and meaning. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
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Sep 6, 2014 • 13min

Megan Moriarty “From the Dictionary of Living Things”

Chapbookapalooza 2014 Megan Moriarty From the Dictionary of Living Things Finishing Line Press, 2014 Part dictionary, part guide to living, and part historical record of content, From the Dictionary of Living Things turns its own pages. It is a beautifully crafted and thought-provoking first collection from a poet at the beginnings of her career. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
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Sep 5, 2014 • 14min

Lyric Hunter “Swallower” (Ugly Duckling Presse, 2014)

Chapbookapalooza, 2014 Lyric Hunter Swallower Ugly Duckling Presse, 2014 Mastering a bi-lingual prosody, these poems confront the idea of “city” and our romanticizing of containers. They show a brilliant mind disassembling trite societal structures. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
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Sep 2, 2014 • 14min

Leah Umansky, “Don Dreams and I Dream” (Kattywompus Press, 2014)

At Chapbookapalooza, our headliner goes first. And here she is with a stunning collection of poetry that subverts pop culture by placing it in direct conversation with everything it hints at but is too shifty to engage outright. With Elegant and cerebral verse, Leah Umansky shows us in Don Dreams and I Dream (Kattywompus Press, 2014) that nothing is surface-level when minds are involved. Her unforgettable speaker engages with the fictitious Don Draper and everything he stands for in our consume/consumer/consumed reality. This book will make you happy. Don’t you want to be happy? Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
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Aug 19, 2014 • 47min

Darryl Whetter, “Origins” (Palimpsest Press, 2012)

In his new book of poems, Origins (Palimpsest Press, 2012), the Canadian writer Darryl Whetter uses metaphor to excavate the links between pre-historic life, extinction, evolution and modern-day sex. In this interview with the New Books Network, Whetter says the fossilized remains of ancient creatures are like poems that use metaphors to convey emotion and truth. “Fossils share a lot of analogues with poetry,” Whetter says. “For one, we get that incredible power of compression.” He explains that from fossilized fragments, scientists extrapolate whole creatures and ecosystems. “And that’s so much like poetry, where to just take the most common tool of poetry, metaphor, we’re getting a lot of ideas compressed into a few words.” Origins, published in 2012, begins with the fossil cliffs at Joggins, Nova Scotia, a UNESCO World Heritage Site where coal-age forests flourished 310 million years ago. The book also takes Whetter in search of the dinosaurs at Drumheller, Alberta and the rich fossil finds of the Burgess Shale in British Columbia. Along the way, he visits Charles Darwin’s house in Kent, England and ponders the mating habits of the students at the universities where he has taught as an English professor. Darryl Whetter is the author of a book of short stories, A Sharp Tooth in the Fur (2003). His first novel The Push and the Pull was published in 2008 and his latest novel Keeping Things Whole came out in 2013. In this interview, Darryl Whetter discusses some of the poems in Origins and why he felt compelled to write them. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
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Jul 30, 2014 • 54min

Dorothea Lasky, “Rome” (Liveright, 2014)

Dorothea Lasky‘s Rome (Liveright, 2014) is a collection that will catch you off guard. Lasky lures the reader in with familiar language and imagery only to have them suddenly realize they’ve been brought to room where the walls wobble and collapse, eternally revealing darker passageways. She is undoubtedly a language poet but also one who sees language as a roadblock. The communication is in the sound. Just as with Hemingway, words are merely an entry point to meaning. Stripped of even punctuation, these lines hurl themselves at the reader. Do not take this economy of language as simplicity. Within it are the layers of desire, grief, betrayal, and rage. Lasky’s speakers embody everything that is human yet alien, familiar and foreign. Emboldened by their own savage humanity, they assert themselves into landscapes and consciousness. But this is not easily won– Lasky lets us into her process, revision, and search for obsession. If she cannot lose herself in the poem then she will not offer it up to the world. When at sixty it might hit you What you’ve given up When your sentimental heart Might let its hair down and see The sun for the first time When you pick up this book, read the lines aloud, impose your will on them, and see where they take you. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
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Jul 22, 2014 • 39min

Kerry James Evans, “Bangalore” (Copper Canyon Press, 2013)

Bangalore (Copper Canyon Press 2013) by Kerry James Evans calls out to its reader from an urgency that is its own place and time. He has inhabited many spaces, geographically and socially. His poems reach out from them. Evans shows us that poetry, as the great communicator, can hold the violence of this life and render it in such a way that it startles our desensitized consciousness once again. This is not for shock value, this is his way of picking up a portion of our world and bearing it to you, palms up. Do with this what you will, but it is truth. Evans dares to address the realities of class in the United States by implicating himself in the narrative. He brings the reader to layers of this country many will never experience. Effigy of myself. Effigy of anything but Alabama and Alabama all the same, boiled peanuts rotting green on a gas station counter outside Montgomery, reminding me of you, and how you cling to life: one tendril coiling a pair of pothole diggers. He imposes no structure on his poems, but instead allows them to find their own way into this world, to guide his hand toward understanding. I encourage readers to pay close attention to his masterful handling of poems in parts. The sections breathe life into one another while winding, like kudzu, around and over, covering and revealing. Pay attention to this young poet. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

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