New Books in Poetry

Kahlil Gibran’s 1923 The Prophet is book that’s changed people’s lives. It is a deceptively simple book, but it contains a radical insight. “Of what can I speak save of that which is even now moving in your souls?” What can a book teach us that we cannot know ourselves?To detect this thing inside of us we must break through convention: our escape into social habits, religious and political doctrine, the comforting approval of others, and the truisms and clichés we take for wisdom. And even once we realize that something is “moving in our souls,” Gibran warns us, we tend to repress this insight by submitting to outside authorities to give it a name, a label, or a theory. By turning to religion or other people’s teachings, we dodging the challenge of taking charge of our own conditions, and thus of our freedom.I spoke with Glenn Wallis, a renowned scholar of Buddhism, translator and teacher who has published The Dhammapada, Basic Teachings of the Buddha, and a Critique of Western Buddhism, and who runs Incite Seminars in Philadelphia. Glenn had first read The Prophet when he was 16 and it changed his life profoundly. He then forgot about the book and even dismissed it for decades, until I persuaded him, pleading three times, to reconsider it. This conversation is as much about The Prophet as about the things that move us deeply when we’re younger but which we then, in growing up, learn to dismiss as adolescent. I’d like to think that re-reading a book sometimes lets us rekindle our youthful passion to ignite our lives yet once more. The conversation also led Glenn and myself to co-author an introduction to a new and beautiful edition of The Prophet, published together with The Forerunner and The Madman, by Warbler Classics.Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Becca Klaver writes in the poem 'Hooliganism Was the Charge,' It offered reassurance which said, “You are not alone; I can hear you.” Her forthcoming collection, Ready for the World (Black Lawrence Press 2020), reminds us that no matter the digital distance between us we are never quite alone. A collection that both casts and dispels the bindings ever present via social media, patriarchy, and our own paths to growth, this collection allows readers to blur the lines between our sometimes carefully curated online lives and the magical beings we truly are.Part spell book and a rumination on technology, Klaver explores womanhood and feminism from a distance and up close. These poems ask for us to find a remembrance and a reconnecting. She asks in the poem Manifesto of the Lyric Selfie, what is burning in our little hearts?, and dares us to tear down what we think we know to find what we feel.Becca Klaver is the author of two books of poetry—LA Liminal (Kore Press, 2010) and Empire Wasted (Bloof Books, 2016)—and several chapbooks. Becca was a founding editor of Switchback Books and is currently coediting, with Arielle Greenberg, the anthology Electric Gurlesque. Her poems have appeared in The American Poetry Review, Fence, jubilat, and in Poem-A-Day and Verse Daily. She was also the editor of Women Poets Wearing Sweatpants and is cohost, with Lauren Besser, of the podcast The Real Housewives of Bohemia. Born and raised in Milwaukee, WI, she is a graduate of the University of Southern California (BA), Columbia College Chicago (MFA), and Rutgers University (PhD). She is the Robert P. Dana Director of the Center for the Literary Arts at Cornell College and currently lives in Iowa City, IA.Born and raised in Northeast Ohio, Athena Dixon is a poet, essayist, and editor. She is Founder of Linden Avenue Literary Journal, which she launched in 2012. Athena’s work has appeared in various publications both online and in print. She is the author of No God In This Room, a poetry chapbook, published by Argus House Press. Her work also appears in The BreakBeat Poets Vol. 2: Black Girl Magic (Haymarket Books). She writes, edits, and resides in Philadelphia. Learn more about Athena here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Joyce Ashuntantang talks about her experiences as a traveler and a poet, from her childhood Cameroon to her years studying in Great Britain and the United States. Ashuntantang is a professor of English at Hillyer College, University of Hartford. She is the author of many works of poetry, including A Basket of Flaming Ashes.Ashuntantang is an extraordinary weaver of words who showcases vivid pictures that compete with 3D simulation. Her greatest asset is her use of the beautiful traditional Cameroonian anchor that evokes folk tales with its moonlight romance and glory. You feel, laugh, weep, shiver, wonder, and hail the triumphant spirit of the persona as it navigates African postcolonial and global experiences with the melancholy of an exile who is purposeful, strategic, and a lot of fun.Michael F. Robinson is professor of history at Hillyer College, University of Hartford. He's the author of The Coldest Crucible: Arctic Exploration and American Culture (University of Chicago Press, 2006) and The Lost White Tribe: Scientists, Explorers, and the Theory that Changed a Continent (Oxford University Press, 2016). He's also the host of the podcast Time to Eat the Dogs, a weekly podcast about science, history, and exploration. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Winner of the Walt Whitman Award, Emily Skaja’s Brute (Graywolf Press, 2019) is a stunning collection of poetry that navigates the dark corridors of trauma found at the end of an abusive relationship. “Everyone if we’re going to talk about love please we have to talk about violence,” writes Skaja in the poem “remarkable the litter of birds.” She indeed talks about the intersections of both love and violence, evoking a range of emotional experiences ranging from sorrow and loss to rage, guilt, hope, self discovery, and reinvention. These poems reflect the present moment — ripe with cell phones, social media, and technologies that shift the way humans interact with each other — while maintaining a mythic quality, with the speaker feeling like a character struggling to survive in a surreal fairytale world.Skaja recommends: Spinning Silver by Naomi Novik, My Dark Vanessa by Kate Russel, Long Live the Tribe of Fatherless Girls by T Kira Madden, and Sabrina & Corina: Stories by Kali Fajardo-Anstine.Emily Skaja was born and raised in rural Illinois. Her first book, BRUTE, won the Walt Whitman Award from the Academy of American Poets (and was published by Graywolf Press in 2019). She holds an MFA from Purdue University and a PhD in Creative Writing and Literature from the University of Cincinnati. Emily is the recipient of a 2019 Literature Fellowship from the National Endowment for the Arts. Her poems have been published in Best New Poets, Blackbird, Crazyhorse, FIELD, and Gulf Coast, among other journals. She is also the Poetry Co-Editor of Southern Indiana Review, and she lives in Memphis.You can join New Books in Poetry in a discussion of this episode on Shuffle by joining here.Andrea Blythe bides her time waiting for the apocalypse by writing speculative poetry and fiction. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems created from the pages of Trader Joe’s Fearless Flyers, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She is a cohost of the New Books in Poetry podcast and is a member of the Science Fiction and Fantasy Poetry Association and the Horror Writers Association. Learn more at: www.andreablythe.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might called "fundamental research." Their authors--dedicated researchers one and all--provide the scholarly stuff upon which many non-fiction trade books are based. So when you are reading, say, a popular history, you are often reading UP books at one remove. Of course, some UP books are also bestsellers, and they are all well written (and, I should say, thoroughly vetted thanks to the peer review system), but the greatest contribution of UPs is to provide a base of fundamental research to the public. And they do a great job of it.How do they do it? Today I talked to Kathryn Conrad, the president of the Association of University Presses, about the work of UPs, the challenges they face, and some terrific new directions they are going. We also talked about why, if you have a scholarly book in progress, you should talk to UP editors early and often. And she explains how! Listen in.Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Tamara J. Madison, both on the page and in voice, is magical. In her most recent collection, Threed, This Road Not Damascus (Trio House, 2019), she seamlessly bridges the gap between past and present while remaining grounded in the here and now. Via her use of religion, familial history, and rhythm she is able to give voice to those women who oft times were forced to remain silent in order to survive. It is through her poetry that these women, and those still to come, are allowed to be wholly free. Madison creates a new mythology here. A mythology that begins to lay the groundwork for us to create the worlds in which we want to move. She leaves us with the lingering sense that the makings of the universe are in our hands. All we need to do is mold it and name it.Tamara J. Madison is an internationally traveled author, poet, performer, and editor currently teaching as a professor of English and Creative Writing at Valencia College in Orlando, Florida. Her critical and creative works have been published in various journals and magazines including Poetry International, Tidal Basin Review, Web del Sol, and Linden Avenue. She has also been published in several anthologies: Temba Tupu, Check the Rhyme, Seattle Poets and Photographers, and SisterFire. Her most recent publication is a full-length poetry collection, Threed, This Road Not Damascus. An earlier manuscript of the book was short-listed for the 2015 Willow Books Literature Award. She is the author of Collard County, A Collection of Short Stories. Her collection, Kentucky Curdled (poetry and essay) is available in paperback, on Kindle , and poetry audiobook.A consummate performance poet and spoken word artist, Tamara has performed for numerous stages and television. Her melodic poetry and spoken word are featured in the award winning, Naked Voice currently available on CD Baby. She has also performed and recorded as bilingual vocalist and poet (French/English) with Juba Collective of Chicago under master musician and composer, Kahil El’Zabar. To contact her for readings, workshops, and updates, visit her home on the web at here on Instagram @tamarajmadison.Born and raised in Northeast Ohio, Athena Dixon is a poet, essayist, and editor. She is Founder of Linden Avenue Literary Journal, which she launched in 2012. Athena's work has appeared in various publications both online and in print. She is the author of No God In This Room, a poetry chapbook, published by Argus House Press. Her work also appears in The BreakBeat Poets Vol. 2: Black Girl Magic (Haymarket Books). She writes, edits, and resides in Philadelphia. Learn more about Athena here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Drawing on the author’s deep knowledge of classical literature, Deborah L. Davitt’s book of poetry The Gates of Never (Finishing Line Press, 2018) explores the intersections of myth, science, and humanity through her beautifully accessible poems, reflecting a variety of forms and linguistic styles. These poems morph between being moving, irreverent, unsettling, and erotic — offering up a richly textured collection of work.“He writes me upside downand backwards, so thatI hardly know myself yet,but my hundred newly-open mouthswhisper secret meanings,and offer atramentum kisses;he soothes my wounds withcopper vitriol, making the wordsholy and incorruptible,incapable of fading into sepia;yet as he kisses me, our tongues meeting,the words spark white-fireunder my skin, the runes writhinginto new configurations”– from “Testament”Deborah L. Davitt was raised in Nevada, but currently lives in Houston, Texas with her husband and son. She has worked as a technical writer on contracts involving nuclear submarines, NASA, and computer manufacturing. Her poetry has received nominations for the Rhysling, Dwarf Star, and Pushcart awards; and her short fiction has appeared in InterGalactic Medicine Show, Compelling Science Fiction, and Pseudopod. For more about her work, including her Edda-Earth novels and her poetry collection, The Gates of Never, please see www.edda-earth.com.You can find New Books in Poetry on Shuffle here.Andrea Blythe bides her time waiting for the apocalypse by writing speculative poetry and fiction. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems created from the pages of Trader Joe’s Fearless Flyers, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She is a cohost of the New Books in Poetry podcast and is a member of the Science Fiction and Fantasy Poetry Association and the Horror Writers Association. Learn more at: www.andreablythe.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Inspired by Ntozake Shange’s for colored girls who considered suicide/when the rainbow is enuf Lady Dane Figueroa Edidi has written her own beautiful choreo drama titled For Black Trans Girls Who Gotta Cuss A Mother F*cker Out When Snatching An Edge Ain’t Enough. Lady Dane Figueroa Edidi describes For Black Trans Girls as “a celebration of Trans Women, Goddesshood, a lament for our fallen, a sword for our living and a challenge to white supremacy, structural oppression and any who would dare try to erase us from existence." In this interview Lady Dane shows that she really is a renaissance woman, discusses the connection between racism and transphobia, challenges the idea that science is better religion especially for trans folks of color, and promotes the importance of accountability.You can purchase a copy of For Black Trans Girls here. $2 from each book sold goes to a trans and/or gender non-conforming person of color’s survival fund.Lady Dane Figueroa Edidi is an African, Cuban, Indigenous, American Trans performance artist, author, and playwright among many different titles. Adrian King (pronouns: they/them/theirs) is a recently graduate of Brandies University’s Women’s, Gender, and Sexuality Studies MA program and is an incoming graduate student in University of Michigan’s American Culture PhD program. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

If the prompt is “respond to a myth of Narcissus using thoughtful, meditative poems,” then jayy dodd gave us a beautiful answer. In The Black Condition Ft. Narcissus (Nightboat Books, 2019),  jayy dodd offers her own brilliant reflections on so many things: the contemporary moment, dystopia, her transition, and more. In this interview, jayy dodd shares poems from this collection, discusses the process of making the book come to light, and talks about her other projects.jayy dodd is a blxk trans womxn from Los Angeles, California who is now based in Portland, Oregon. She is a poet and a performance artist. You can also follow her on Twitter and Instagram at @deyblxk.Adrian King (pronouns: they/them/theirs) is a recently graduate of Brandies University’s Women’s, Gender, and Sexuality Studies MA program and is an incoming graduate student in University of Michigan’s American Culture PhD program. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Is classical Japanese poetry something to be enjoyed in private, an object of study for scholars, or an item of public life teeming with hints about how to understand and deal with our past and our future? In Japanese Poetry and its Publics: From Colonial Taiwan to Fukushima (Routledge, 2018), Dean Anthony Brink, Associate Professor at the National Chiao Tung University in Hsinchu, Taiwan, argues that certain forms of Japanese classical poetry (especially tanka and senryū) have remained central to public life in both Japan and its former colony of Taiwan. Brink analyzes poems published in regular newspaper columns and various blogs, examining the way in which they reflect specific historical moments and exploring how they can be used for (and in) politics. Brink’s conclusion is that poetry has an ambivalent function, as it can serve on the one hand to justify and support colonialism and imperialism, and on the other hand to present a medium of resistance and protest.Roman Paşca is Assistant Professor at Kyoto University’s Graduate School of Letters, Department of Japanese Philosophy, Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry