New Books in Poetry

Tom Sleigh speaks to managing editor Emily Everett about his poems “Last Cigarette” and “Apology to My Daughter,” which appear in The Common’s fall issue. In this conversation, Tom talks about his time as a journalist in Syria, Lebanon, Somalia, Kenya, Iraq, and Libya, and how that experience comes out in his poetry. He also discusses the process of putting together his new poetry collection from Graywolf, The King’s Touch, and how he sees the current Ukrainian refugee crisis playing out differently than crises in other parts of the world with less established infrastructure.Tom Sleigh’s many books include The King’s Touch; House of Fact, House of Ruin; Station Zed; and Army Cats. His book of essays, The Land Between Two Rivers, recounts his time as a journalist covering refugee issues in the Middle East and Africa. He has won a Kingsley Tufts Poetry Award, a Guggenheim Fellowship, a Lila Wallace Award, both the John Updike and Individual Writer Awards from the American Academy of Arts and Letters, and two NEA grants. His poems appear in The New Yorker, The Atlantic, Threepenny Review, Poetry, and many other magazines. He is a Distinguished Professor at Hunter College.Read Tom’s poetry in The Common at thecommononline.org/tag/tom-sleigh.Read more at tomsleigh.com. Watch Tom read more poems from The King’s Touch on his Vimeo channel.The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel Heartland is forthcoming in spring 2023 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

This conversation, first aired in July 2021, features Brandeis poet Elizabeth Bradfield, and the poet Sean Hill, author of Blood Ties and Brown Liquor (2008) and Dangerous Goods (2014).Sean reads his “Musica Universalis in Fairbanks,” (it appeared in the Alaska Quarterly Review) and then, like someone seated in an archive turning over the pages of aged and delicate documents, unfolds his ideas about birds, borders, houses and “who was here before me.”Mentioned in This Episode:C.S. Giscombe, Into and Out of DislocationC.S. Giscombe, Giscome RoadLorine Neidecker, Lake SuperiorItalo Calvino, Invisible CitiesAnne Carson, PlainwaterWilliam Vollmann, The Ice-ShirtListen and Read:Read transcript here: Sean Hill on Bodies in Space and Time Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Early in the first wave of the Covid-19 pandemic, Olive Senior began posting her series of Pandemic Poems on social media. The project was a way of bearing witness to the strangeness of it all and forging a reassuring connection with readers. Each poem is a riff on a word or phrase trending in the first wave of the pandemic - an A to Z of the lexicon newly coined or quickly repurposed for our historic moment. By presenting these words and phrases in sequence, Senior offers a timeline of the way events unfolded and how the language and preoccupations kept changing in response. In this accessible collection, Senior captures the zeitgeist of 2020.In this interview Senior discusses her craft and inspiration for writing. As she writes in her preface, “These poems capture the paradox that even as we are forced into consciousness of being a part of the world, we are at the same time forced to be apart.” and these pandemic poems became a way of engaging the community outside her door and sparking a conversation about what it means to live in this world together.Jori Krulder is an English teacher in rural Northern California where she is a frequent contributor to Edutopia.com and other publications writing about engaging students in the study of what it means to be human - literature. She can be found sharing lessons and ideas with the brilliant, generous community of writers and educators on Twitter at @jorikrulder. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

John and Elizabeth had the marvelous fortune to talk with George Kalogeris about his new book Winthropos (LSU Press, 2021). The title comes from the "Greek-ified" name that George's father gave to their town, Winthrop, MA. George's poems are soaked in memories and tacit, deep affection, communicated through the language of the lines and especially through certain Janus-faced words that reflect the old country and the new at once.Upcoming episodes: As you know, we always have a new episode for your delectation on the first Thursday of the month, and on the second Thursday an essay by a young scholar connected to the episode. Following on the success of our November reissue of a 2019 conversation with Martin Puchner, we are dedicating the third week of the month to an "archival treasure." So on February 17th, we think you'll be pleased with an older poetical conversation, also starring Elizabeth.In March, a change of pace: we tackle the legacy of settler colonialism in "land grant" universities with a scholar who has been documenting the ways that stolen Native land funded the growth of America's higher education complex.Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

First place winner of the 2021 Elgin Award, The Sign of the Dragon by Mary Soon Lee (Jaberwocky, 2020) is an epic fantasy about a young king who must defend his kingdom against a number of outside forces, both human and terrifyingly otherworldly. Lee draws from Chinese culture to create a legendary figure in King Xau, one of honor, nobility, and subtle magic. With light, clean, and lyrical language, these poems shape an epic story of heroism and humanity.“Who saw them raft over the river,three hours before daybreak?Who saw their half-dark lanternsglimmer on helmut and shield?The heron in the reeds;the crane startled to air.”— from “Crossing”, The Sign of the DragonMary Soon Lee was born and raised in London, but now lives in Pittsburgh. She writes both fiction and poetry, and has won the Rhysling Award and the Elgin Award. Her two latest books are from opposite ends of the poetry spectrum: Elemental Haiku, containing haiku for each element of the periodic table, and The Sign of the Dragon, an epic fantasy with Chinese elements.Andrea Blythe bides her time waiting for the apocalypse by writing speculative poetry and fiction. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

The Cloud of Longing: A New Translation and Eco-Aesthetic Study of Kalidasa's Meghaduta (Oxford UP, 2021) is a translation and full-length study of the great Sanskrit poet Kālidāsa's famed Meghadūta (literally: "The Cloud Messenger") with a focus on its interfacing of nature, feeling, figurative language, and mythic memory. While the Meghadūta has been translated a number of times, the last "almost academic" translation was published in 1976 (Leonard Nathan, The Transport of Love: The Meghadūta of Kālidāsa). This volume, however, is more than an Indological translation. It is a study of the text in light of both classical Indian and contemporary Western literary theory, and it is aimed at lovers of poetry and poetics and students of world literature. It seeks to widen the arena of literary and poetic studies to include classic works of Asian traditions. It also looks at the poem's imaginative portrayals of "nature" and "environment" from perspectives that have rarely been considered.Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

A conversation with booksellers from three of the most dynamic, exciting, and community-oriented independent bookstores in the country. Lisa Swayze of Buffalo Street Books (Ithaca, NY), Michelle Malonzo of Changing Hands Bookstore (Tempe, AZ), and Alena Jones of Seminary Co-op Bookstores (Chicago, IL) join me and my special co-host, professor Kasia Bartoszynska for a roundup of their favorite books of the year, and a fascinating look into indie bookstores during the pandemic.Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Gloria Maité Hernández's Savoring God: Comparative Theopoetics (Oxford UP, 2021) compares two mystical works central to the Christian Discalced Carmelite and the Hindu Bhakti traditions: the sixteenth-century Spanish Cántico espiritual (Spiritual Canticle), by John of the Cross, and the Sanskrit Rāsa Līlā, originated in the oral tradition. These texts are examined alongside theological commentaries: for the Cántico, the Comentarios written by John of the Cross on his own poem; for Rāsa Līlā, the foundational commentary by Srīdhara Swāmi along with commentaries by the sixteenth-century theologian Jīva Goswāmī, from the Gauḍīya Vaiṣṇava school, and other Gauḍīya theologians. Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

The earliest environmental criticism took its inspiration from the Romantic poets and their immersion in the natural world. Today the “romanticising” of nature has come to be viewed with suspicion. Written by one of the leading ecocritics writing today, Kate Rigby's book Reclaiming Romanticism: Towards an Ecopoetics of Decolonisation (Bloomsbury, 2020) rediscovers the importance of the European Romantic tradition to the ways that writers and critics engage with the environment in the Anthropocene era. Exploring the work of such poets as Wordsworth, Shelley and Clare, the book discovers a rich vein of Romantic ecomaterialism and brings these canonical poets into dialogue with contemporary American and Australian poets and artists. Kate Rigby demonstrates the ways in which Romantic ecopoetics responds to postcolonial challenges and environmental peril to offer a collaborative artistic practice for an era of human-non-human cohabitation and kinship.Eyad Houssami makes theatre and has participated in the revitalization of an ancient organic farm in southern Lebanon. He is editor of the Arabic-English book Doomed by Hope: Essays on Arab Theatre (Pluto/Dar Al Adab) and was editor-at-large of Portal 9, a bilingual literary and academic journal about urbanism. His doctoral research project at the University of Leeds and this work are supported by the UK Arts & Humanities Research Council (grant number AH/R012733/1) through the White Rose College of the Arts & Humanities. A Syrian multinational, he studied at Yale and earned a certificate in beekeeping from SOILS Permaculture Association Lebanon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In The Girl Singer (Fireside Industries, 2021), her latest collection of poems, Marianne Worthington weaves together nature writing, feminism, and country music to form a powerful strand of interlocking poems. In the book's first section, Worthington inhabits famous woman singers like Hazel Dickens and Sara Carter, but also unsung artists who struggled to find a voice or an audience in the patriarchal world of country music. Later sections pivot to more personal themes, but the resonances of the first section remain in lines that recall the lyrics of folksongs, evocations of the singing of birds, and poems that make use of traditional song structure. The collection as a whole is an immensely satisfying volume that should appeal to poetry fans in general, as well as fans of country, folk, and old-time music.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry