Your online dating profile is the latest spin on a 300-year-old tradition of advertising yourself in order to find a spouse, a sexual partner, or someone to take care of your pigs. Francesca Beauman, author of Shapely Ankle Preferr’d: A History of the Lonely Hearts Ad, digs into lonely hearts ads to see how British society and desires have evolved over the past three centuries. For full show notes and links, visit http://theallusionist.org/wltm-i. Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

For the last episode of 2015, here’s a melange of etymologies requested by listeners, and anecdotes there wasn’t room for in the show earlier this year. We’ve got Klingon! Acid trips! The plural of ‘octopus’! An unwitting cameo from Cliff Richard! Warning: this episode contains references to drugs, sex and genitals, plus some mild swears (category B/C). Find out more about this episode at http://theallusionist.org/bonus2015, and say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow. The show will return on 27th January 2016.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

CONTENT WARNING: Be wary of listening to this episode around young children, as there may be life spoilers. Historian Greg Jenner traces the origins of that mythical beardy man who turns up in December with gifts. Helen Zaltzman also ensures her permanent removal from everybody’s Christmas card lists. Read more about this episode at http://theallusionist.org/christmas Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

There’s a language which is said to be the smallest language in the world. It has around 123 words, five vowels, nine consonants, and apparently you can become fluent in it with around 30 hours’ study. It was invented by linguist Sonja Lang in 2001, and it’s called Toki Pona. And Nate DiMeo, from the Memory Palace, decided we should learn it together. Find the Memory Palace at http://thememorypalace.us/. Read more about this episode at http://theallusionist.org/tokipona and say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

It’s cathartic; it’s a useful historical record; and it might help you behave better on public transport. Neil Katcher and Dave Nadelberg from Mortified discuss the art and practice of keeping a diary. Find the Mortified podcast, stage shows, documentary, TV series and books at http://getmortified.com. Read more about this episode at http://theallusionist.org/diaries. Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

Phoebe Judge and Lauren Spohrer from the podcast Criminal stop by to talk about the linguistic challenges of crime reporting. They also share their episode ‘Pants on Fire’, about lying. It’s an extremely useful handbook if you fancy becoming either a human polygraph, or an excellent liar. Find Criminal at http://thisiscriminal.com. Read more about this episode at http://theallusionist.org/criminallusionist. Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

La la la, dum di di dum, a wop bop a loo bop a wop bom bom – why are songs riddled with non-words masquerading as words? Hrishikesh Hirway from Song Exploder and songwriter Tony Hazzard explain. Read more about this episode at http://theallusionist.org/vocables. Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow, and find Song Exploder at http://songexploder.net.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

Naming something after yourself: a grand display of egomania, or the humble willingness to be overshadowed by your own product? Stationery expert James Ward tells the tale of the people who begat the eponymous ballpoint pens Bic and Biro, because, according to 99% Invisible’s Roman Mars, “When it comes to word origins, an eponym is the shortest bet you’re going to get a good story out of it.” Read more about this episode at http://theallusionist.org/ballpoint. Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

Why do we all sound like idiots when we talk to babies? Don’t be embarrassed, we’re helping them acquire language. Child psychologist Ben Jeffes explains. There is more about this episode at http://theallusionist.org/baby-talk. Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

“Talking about music is like dancing about architecture” is a problematic statement: not just because nobody can agree on who came up with it, but because dancing about architecture doesn’t seem particularly far-fetched. Talking about dance, however – that’s really difficult. How do you put a wordless form of communication into words? Audio describer Alice Sanders and choreographer Steven Hoggett take the issue for a twirl. There is more about this episode at http://theallusionist.org/dance. Say hello at http://twitter.com/allusionistshow and http://facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.