I don’t know exactly when or where, but at some point in the past few years, I stopped putting punctuation at the end of sentences. Why? The internet made me do it! Internet linguist Gretchen McCulloch, cohost of Lingthusiasm podcast and the author of the new book Because Internet, explains how the internet changes the rules of language. Find out more at theallusionist.org/new-rules. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

Oysters, fragrances, canoeing, space stations, God, hats, and of course people - the word ‘bisexual’ has described a great deal of different things, with different meanings, in its fairly short existence. And that whole time, it has had a pretty bumpy ride. Mark Wilkinson studied 70 years of Times newspapers to trace how the British mainstream press used the term. Find out more at theallusionist.org/bisexual. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

To celebrate Pride Month, I’m playing two of the Allusionist episodes that have stuck with me the most during the show’s existence. The first is Joins. You listeners talk about your particular experiences in your trans bodies, dealing with the available vocabulary for sex and the associated body parts. Content note: the episode contains language pertaining to sex and the associated body parts. Second is Pride: the story of how that word was chosen in 1970 for LGBTQ Pride events. Find out more at theallusionist.org/joins-pride-rerun. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

To mark the 100th* episode of the Allusionist, here’s a celebratory parade of language-related facts: some of your favourites from the Allusionist back catalogue, some of my favourites from the Allusionist back catalogue, and a load of fresh facts making their Allusionist debut. *short hundred, not long hundred. Thanks for listening to the Allusionist! If you’ve liked any of the 100 episodes, tell someone else about it. Content note: this episode contains swears. Find out more about this episode at theallusionist.org/hundredth. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

When there were no safe spaces to be gay, Polari allowed gay men to identify and communicate with each other, and to keep things secret from outsiders. Professor Paul Baker, author of the Polari dictionary and the new book Fabulosa! The Story of Polari, Britain’s Secret Gay Language, explains how Polari emerged from criminal cant and London’s theatres and docks to be used a code language for gay men in the oppressive 1950s - and then, not long after, it entered the slang lexicons of the general public, via popular sketch comedy and the mouth of an annoyed princess. Find out more about this episode at theallusionist.org/polari. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

Today: three pieces about alter egos, when your name - the words by which the world knows you - is replaced by another for particular purposes, such as competing in roller derby, writing popular but disreputable detective novels, or being legally anonymous, unidentified, or fake. There is one strong swear in this episode. Find out more about this episode and the people and facts in it at theallusionist.org/alter-ego. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

“There are two ways to say ‘The future is now’: you can say it optimistically, like, ‘The future is now! Isn't that cool?’ Or you could be like, ‘The future is now, and we're totally screwed.’” Rose Eveleth, of the future-envisioning podcast Flash Forward, tracks the past and present of one of her favourite phrases. Find out more about this episode at theallusionist.org/future. The all new Allusionist live show, No Title, is touring in New Zealand and Australia. Visit theallusionist.org/events for information about venues, dates and tickets for shows in Auckland, Wellington, Christchurch, Sydney, Canberra, Melbourne, Adelaide, Perth and a couple more TBA Australian cities. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

“Trust isn't a brand that you should use. It's a social glue that, when it breaks down, has really huge consequences to our lives.” Trust expert and author Rachel Botsman explains why we need to protect this word that has remained steadfast throughout its existence, but may now be too popular for its own good. Find out more about this episode at theallusionist.org/trust. The all new Allusionist live show, No Title, is heading to New Zealand! Tickets for Auckland, Wellington and Christchurch are on sale now; find out more at theallusionist.org/events. Australia: you’ll be our next stop. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

When you’re watching a fantasy or science fiction show, and the characters are speaking a language that does not exist in this world but sounds like it could - that doesn’t happen by accident, or improvisation. A lot - a LOT! - of work goes into inventing new languages that sound real. Conlanger David Peterson talks about how he created languages for HBO’s Game of Thrones. Find out more about this episode at theallusionist.org/verisimilitude. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow and facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

On 15 November 1992, the New York Times printed a ‘Lexicon of Grunge’, a list of slang terms from the Seattle music scene. ‘Harsh realm’ = bummer. ‘Wack slacks’ = old ripped jeans. ‘Swingin’ on the flippity-flop’ = hanging out. Not familiar with any of these? It’s OK, that’s not because you’re a cob nobbler (= loser). They were all made up. By Megan Jasper. Now the CEO of Sub Pop records, she recounts her linguistic prank. Find out more about this episode at theallusionist.org/grungehoax. NB there are a few swears in this episode. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow and facebook.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.